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This classic work of Japanese literature is considered the masterpiece of Japanese novelist Seken Munasanya. This Scheming World (Seken Munasanyo) was published in 1692, one year before the author’s death. It represents the culmination of Saikaku’s perceptive genius, and in structure, is one of the most consolidated of all his works. Most of the stories are told as incidents or episodes relating to New Year’s Eve, when in those days it was the custom to balance all debits and credits for the year. Saikaku portrays his characters with so lifelike a touch that, even though three centuries have passed since his time, it seems as if they were our contemporaries. Decidedly inclined towards the debtors, Saikaku has them slipping off to the homes of their favorite mistresses, leaving town on “sudden” business trips, or becoming actors for the day in order to deceive the ever–persistent year–end collectors. Some of his characters are successful, while some are beset by even more troubles in trying to avoid the collectors. The episodes are always frank, often with humor, and occasionally pathetic. But more than anything else, the seventeenth century day–to–day way of living by the commoners comes vividly to life.
"T. Tembarom" is a captivating rags-to-riches novel about a young New Yorker, knowing nothing but the busy life, troubles, and pleasures of the big city, who unexpectedly learns that he has inherited an old English mansion. Then, an interesting train of events starts. Will the newbie-heir feel comfortable in the new role?
Orion is very scared of the dark—until Dark decides to pay him a visit! Orion is scared of a lot of things, but most of all he’s scared of the dark. So one night the Dark decides to take Orion on an adventure. Emma Yarlett’s second picture book combines her incredible storytelling and artwork with die-cut pages that bring the Dark to life.
This volume of Indexes and an extensive English introduction completes the publication of the critical edition of The Thousand and One Nights, of which the first two volumes, the Arabic text and commentary, were published in 1984. For the first time, the oldest manuscript of this famous Arabic text is now completely accessible to scholars and interested readers. This third and final volume, which completes painstaking work of more than three decades, magnificently adds to the important and pioneering work by Muhsin Mahdi which has been lauded by so many.
The twisty-turny journey of a girl searching for her heart’s desire—glimpsed in a magic mirror. Perfect for fans of Rump or Catherine, Called Birdy A foundling girl with a crooked leg and a crutch doesn’t expect life to be easy. Indeed, Maggie’s dearest wish is to simply not feel so alone. So when she spies a man behind bars in a magic mirror said to show one’s truest desire, she feels sure he is the father she’s always longed for—and she sets off on a quest to find him. Along the way, Maggie meets both kindly pilgrims and dastardly highwaymen. She discovers she bears a striking resemblance to the princess Petranilla. Their connection is so remarkable that Petra believes Maggie must be her lost sister who fell from the castle wall and was swept downriver as a baby. What a turn of fate! From reviled foundling to beloved royal! But being the lost princess turns out to be more curse than blessing given the schemes of the current king... And if Maggie’s a princess, then who is the man she spied in the magic mirror? This is a grand middle grade adventure story full of mistaken identities, lost loves, found families, and a tantalizing tinge of magic. "I love this book—an uproarious, thoughtful, touching, absurd, ans altogether splendid adventure." —Karen Cushman, Newbery Medal-winning author of The Midwife's Apprentice and Catherine, Called Birdy