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Beliefs, superstitions and tales about luck are present across all human cultures, according to anthropologists. We are perennially fascinated by luck and by its association with happiness and danger, uncertainty and aspiration. Yet it remains an elusive, ungraspable idea, one that slips and slides over time: all cultures reimagine what luck is and how to tame it at different stages in their history, and the modernity of the ‘long twentieth century’ is no exception to the rule. Apparently overshadowed by more conceptually tight, scientific and characteristically modern notions such as chance, contingency, probability or randomness, luck nevertheless persists in all its messiness and vitality, used in our everyday language and the subject of studies by everyone from philosophers to psychologists, economists to self-help gurus. Modern Luck sets out to explore the enigma of luck’s presence in modernity, examining the hybrid forms it has taken on in the modern imagination, and in particular in the field of modern stories. Indeed, it argues that modern luck is constituted through narrative, through modern luck stories. Analysing a rich and unusually eclectic range of narrative taken from literature, film, music, television and theatre – from Dostoevsky to Philip K. Dick, from Pinocchio to Cimino, from Curtiz to Kieślowski – it lays out first the usages and meanings of the language of luck, and then the key figures, patterns and motifs that govern the stories told about it, from the late nineteenth century to the present day.
"From Pierre Berg's opening words, to his decidedly un-lucky detention by Gestapo officers, all the way through his internment in Drancy, Auschwitz, Dora, and Ravensbrueck, Scheisshaus Luck is a harrowing, clear-eyed testament of one young man's experience of the Holocaust. Originally penned shortly after the war when memories were still fresh, this autobiographical account of a Gentile French teenager's odyssey of horror and survival recounts Berg's day-to-day struggle for survival in the camps, escaping death countless times while enduring inhuman conditions, exhaustive slave labor, and near starvation." "Relentlessly unsentimental, yet tinged with a sense of brutal irony, Scheisshaus Luck provides a new perspective on some of the Nazis' most notorious concentration camps. As we quickly approach the day when there will be no living eyewitnesses to the Nazis' "Final Solution," Berg's memoir stands as a searing reminder of Nazi crimes. Scheisshaus Luck is a major addition to Holocaust literature, and a young man's haunting account of one of the darkest periods in history."--BOOK JACKET.
This book explores the Holocaust exhibition opened within the Imperial War Museum (IWM) in 2000; setting out the long and often contentious debates surrounding the conception, design, and finally the opening of an important exhibition within a national museum in Britain. It considers a process of memory-making through an assessment of Holocaust photographs, material culture, and survivor testimonies; exploring theories of cultural memory as they apply to the national museum context. Anchored in time and place, the Holocaust exhibition within Britain’s national museum of war is influenced by, and reflects, an international rise in Holocaust consciousness in the 1990s. This book considers the construction of Holocaust memory in 1990s Britain, providing a foundation for understanding current and future national memory projects. Through all aspects of the display, the Holocaust is presented as meaningful in terms of what it says about Nazism and what this, in turn, says about Britishness. From the original debates surrounding the inclusion of a Holocaust gallery at the IWM, to the acquisition of Holocaust artefacts that could act as 'concrete evidence' of Nazi barbarity and criminality, the Holocaust reaffirms an image of Britain that avoids critical self-reflection despite raising uncomfortably close questions. The various display elements are brought together to consider multiple strands of the Holocaust story as it is told by national museums in Britain.
For many years, histories of the Holocaust focused on its perpetrators, and only recently have more scholars begun to consider in detail the experiences of victims and survivors, as well as the documents they left behind. This volume contains new research from internationally established scholars. It provides an introduction to and overview of Jewish narratives of the Holocaust. The essays include new considerations of sources ranging from diaries and oral testimony to the hidden Oyneg Shabbes archive of the Warsaw Ghetto; arguments regarding Jewish narratives and how they fit into the larger fields of Holocaust and Genocide studies; and new assessments of Jewish responses to mass murder ranging from ghetto leadership to resistance and memory.
Betty O’Neill grew up knowing very little about her father, Antoni. She knew that he had fled Poland after World War Two, that he had disappeared overnight when she was just an infant, and that his brief reappearance when she was a young adult had been a harrowing, painful ordeal. Fifty-five years after he deserted her family, Betty is determined to find out more. What drove him to abandon them, twice? What was his story? Who was Antoni Jagielski? Her search for truth takes Betty to Poland, where she unexpectedly inherits a family apartment from the half sister she never knew – a time capsule of her father’s life. Sifting through photos and letters she begins to piece together a picture of her father as a Polish resistance fighter, a survivor of Auschwitz and Gusen concentration camps, an exile in post-war England, and a migrant to Australia. But the deeper she searches, the darker the revelations about her father become, as Betty is faced with disturbing truths buried within her family. Honest, compelling, and meticulously researched, The Other Side of Absence is an elegant debut memoir of resilience and strength, and of a daughter reconciling the damage that families inherit from war.
In the late 1980s, Holocaust literature emerged as a provocative, but poorly defined, scholarly field. The essays in this volume reflect the increasingly international and pluridisciplinary nature of this scholarship and the widening of the definition of Holocaust literature to include comic books, fiction, film, and poetry, as well as the more traditional diaries, memoirs, and journals. Ten contributors from four countries engage issues of authenticity, evangelicalism, morality, representation, personal experience, and wish-fulfillment in Holocaust literature, which have been the subject of controversies in the US, Europe, and the Middle East. Of interest to students and instructors of antisemitism, national and comparative literatures, theater, film, history, literary criticism, religion, and Holocaust studies, this book also contains an extensive bibliography with references in over twenty languages which seeks to inspire further research in an international context.
Re-examines the events leading up to the 1943 Jewish rebellion in a Nazi extermination camp.