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Scheherazade’s Children gathers together leading scholars to explore the reverberations of the tales of the Arabian Nights across a startlingly wide and transnational range of cultural endeavors. The contributors, drawn from a wide array of disciplines, extend their inquiries into the book’s metamorphoses on stage and screen as well as in literature—from India to Japan, from Sanskrit mythology to British pantomime, from Baroque opera to puppet shows. Their highly original research illuminates little-known manifestations of the Nights, and provides unexpected contexts for understanding the book’s complex history. Polemical issues are thereby given unprecedented and enlightening interpretations. Organized under the rubrics of Translating, Engaging, and Staging, these essays view the Nights corpus as a uniquely accretive cultural bundle that absorbs the works upon which it has exerted influence. In this view, the Arabian Nights is a dynamic, living and breathing cross-cultural phenomenon that has left its mark on fields as disparate as the European novel and early Indian cinema. While scholarly, the writers’ approach is also lively and entertaining, and the book is richly illustrated with unusual materials to deliver a sparkling and highly original exploration of the Arabian Nights’ radiating influence on world literature, performance, and culture.
Scheherazade’s Children gathers together leading scholars to explore the reverberations of the tales of the Arabian Nights across a startlingly wide and transnational range of cultural endeavors. The contributors, drawn from a wide array of disciplines, extend their inquiries into the book’s metamorphoses on stage and screen as well as in literature—from India to Japan, from Sanskrit mythology to British pantomime, from Baroque opera to puppet shows. Their highly original research illuminates little-known manifestations of the Nights, and provides unexpected contexts for understanding the book’s complex history. Polemical issues are thereby given unprecedented and enlightening interpretations. Organized under the rubrics of Translating, Engaging, and Staging, these essays view the Nights corpus as a uniquely accretive cultural bundle that absorbs the works upon which it has exerted influence. In this view, the Arabian Nights is a dynamic, living and breathing cross-cultural phenomenon that has left its mark on fields as disparate as the European novel and early Indian cinema. While scholarly, the writers’ approach is also lively and entertaining, and the book is richly illustrated with unusual materials to deliver a sparkling and highly original exploration of the Arabian Nights’ radiating influence on world literature, performance, and culture.
Once Upon a Tune brings you six wonderful stories from many lands, all of which inspired great music. You can battle trolls with Peer Gynt in The Hall of the Mountain King; grapple with a magic broom in The Sorcerer's Apprentice, meet the evil Witch of the North in The Swan of Tuonela, sail the seven seas with Sinbad the Sailor in Scheherazade; be a prince disguised as a bee in The Flight of the Bumblebee, and become a fearless hero in William Tell. The stories are excitingly told and stunningly illustrated by James Mayhew. Includes Musical Notes with more information about the stories and music, plus James's recommended recordings to download and listen to.
On magical realism in literature
A collection of tales told by Scheherazade to amuse the cruel sultan and stop him from executing her as he had his other daily wives.
September 1905. At the heart of the Ottoman Empire, in the ancient city of Smyrna, Scheherazade is born to an opium-dazed mother. At the very same moment, an Indian spy sails into the golden-hued, sycamore-scented city with a secret mission from the British Empire. When he leaves, 17 years later, it will be to the smell of kerosene and smoke as the city, and its people, are engulfed in flames. Told through the intertwining fates of a Levantine, a Greek, a Turkish and an Armenian family, this unforgettable novel reveals a city, and a culture, now lost to time. 'Fiercely intelligent, finely textured and achingly beautiful' Elif Shafak 'Utterly delightful' Buki Papillon 'This rich tale of love and loss gives voice to the silenced, and adds music to their histories' Maureen Freely, Chair, English PEN 'A must-read' Ayse Arman, Hu ̈rriyet 'A symphony of literature' Açik Radyo 'Defne Suman is a story-teller. She tells the story of how love, emotions and identities are influenced by socio-political events of a lifetime' Cumhuriyet Newspaper 'A wonderfully braided story of family secrets set in the magical city of Smyrna, told in luminous prose' Lou Ureneck, author of Smyrna, September 1922
We humans are capable of great good. In the time that our species has been on Earth, we have done remarkable things to improve the human condition. But a dark and horrible side of our nature often comes to the surface in the form of military conflict. With sad regularity, our leaders become filled with greed, intolerance, and lust for power, resulting in bloodshed and cruelty that has become more and more horrible as our methods of killing become more efficient. Indeed, war is the most hideous of human experiences and is tragically a regular feature of our history. However, in the midst of wartime horror, sometimes people and events come together and give some hope that, in the end, the positive aspects of human nature will triumph over our evil side. Scheherazade Cat: The Story of a War Hero is an example of how love, loyalty, and kindness can shine through the darkness of war, and restore faith in the human spirit. This is the true story of Lieutenant David Haines, a United States Army chemical weapons officer, and Scheherazade, a calico kitten from Failaka Island, Kuwait. He met her while performing a mission there during the Persian Gulf War. Scheherazade was playing with a small bomb during this meeting, but fortunately it did not detonate. Seeing this alerted Lt. Haines to the presence of other mines, allowing his squad to retreat safely. Recognizing that this encounter may have saved his life and those of his men, the soldier adopted Scheherazade and brought her to America. This is a simple tale about a chance encounter, but it is also a heartwarming lesson that showing kindness and loyalty to a small creature in the midst of extreme danger brings out the best in us. For this reason, the message of this book is a positive one that demonstrates the value of compassion and goodness.
English fiction.
Based on the author's discovery of a new folktale type, the female trickster, Jurich's book identifies and celebrates those female protagonists in folktales who use trickery to save themselves and others, to find new directions for their lives, and to declare their individual autonomies, especially in societies that diminish and oppress women. Through creative strategies depending on verbal facility, psychological acuity, and diplomatic know-how, these women tricksters—better named trickstars—uncover the absurdity, hypocrisy, and corruption in the larger patriarchal society. Through the trickstar's efforts, the system is circumvented or foiled, often enlightened, and usually improved. This multicultural, comparative study reveals universal human traits as well as gender differences between female and male tricksters and realizes the values and attitudes which shape the trickstar's character and behavior. Trickstars also appear outside of the oral folktale tradition; the author discusses their roles in contemporary feminist revisionist tales, as well as in mythology, biblical narratives, Shakespearean comedy, novels, plays, and opera. How the female trickster differs from her male counterpart is, for the first time in folklore studies, illustrated through a comparison of their functions in the narrative scheme of the tale. These functions include the diverting or amusing role, the morally ambiguous or reprehensible role, the role of the manipulator or strategist, and the role of the transformer or culture bringer who reforms and improves the nature of her society. Jurich delineates the specific types of tricksters who perform these functions, suggests how trickstar tales variously affect listeners and readers, and shows how particular types of trickstar characters contribute to the intent of the tale. Feminist views of the protagonists are analyzed as well as contemporary revisionist tales which seek to reverse negative female images and to present independent women characters who can and do make positive contributions to society. For the first time in folklore studies, both female and male tricksters are defined and differentiated, their functions are illustrated through analyzing narrative schemes, and the term trickstar, invented by the author, is used to define and describe a female trickster.
A rebel dreamer of a girl daydreams about her role in making the world a better place—and since dreams bleed into reality, maybe she really does. A Kirkus Reviews Best Beginning Reader of 2022! Shahrzad and the Angry King is a contemporary reimagining of the Scheherazade tale, starring scooter-riding, story-loving Shahrzad. Shahrzad loves stories and looks for them everywhere. When she meets a boy and asks him to tell her his story, he recounts fleeing a country that was peaceful and happy, until its grieving king grew angry and cruel. Shahrzad can't forget the boy and his story, and so, when she sees a toy airplane in a store, she imagines herself zooming off to the boy's home country, where she confronts the king, to make him reflect on the kind of leader he really wants to be. Like Scheherazade, she tells the king story after story, but this time not to save her own life, but those of the king's people and his own. Because Shahrzad knows the power of the creative imagination and that the stories we tell and the words we use shape our very existence. We live and die by the sword? Not exactly, says Shahrzad. We live or die by the stories we tell and how we see, frame, and word the world. Brought to life by Iranian artist Nahid Kazemi, this bold heroine reminds us of how powerfully intertwined reality is with the stories we tell.