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'While her younger sister was gifted in telling tales, Scheherazade couldn't tell a story to save her life...' Scheherazade and the Amber Necklace is a bold reimagining of the classic Tales of the Arabian Nights, with flying carpets, despotic rulers, secret assassins, and powerful djinns. When her sister is forced to marry the king, and her father imprisoned, Scheherazade must make a desperate journey to the Zagros Mountains to find a story that might save all their lives.
Throughout my childhood, my grandmother Yasmina, who was illiterate and grew up in a harem, repeated that to travel is the best way to learn and to empower yourself. "When a woman decides to use her wings, she takes big risks," she would tell me, but she was convinced that if you didn't use them, it hurt.... So recalls Fatema Mernissi at the outset of her mesmerizing new book. Of all the lessons she learned from her grandmother -- whose home was, after all, a type of prison -- the most central was that the opportunity to cross boundaries was a sacred privilege. Indeed, in journeys both physical and mental, Mernissi has spent virtually all of her life traveling -- determined to "use her wings" and to renounce her gender's alleged legacy of powerlessness. Bursting with the vitality of Mernissi's personality and of her rich heritage, Scheherazade Goes West reveals the author's unique experiences as a liberated, independent Moroccan woman faced with the peculiarities and unexpected encroachments of Western culture. Her often surprising discoveries about the conditions of and attitudes toward women around the world -- and the exquisitely embroidered amalgam of clear-eyed autobiography and dazzling meta-fiction by which she relates those assorted discoveries -- add up to a deliciously wry, engagingly cosmopolitan, and deeply penetrating narrative. In her previous bestselling works, Mernissi -- widely recognized as the world's greatest living Koranic scholar and Islamic sociologist -- has shed unprecedented light on the lives of women in the Middle East. Now, as a writer and scholarly veteran of the high-wire act of straddling disparate societies, she trains her eyes on the female culture of the West. For her book's inspired central metaphor, Mernissi turns to the ancient Islamic tradition of oral storytelling, illuminating her grandmother's feminized, subversive, and highly erotic take on Scheherazade's wife-preserving tales from The Arabian Nights -- and then ingeniously applying them to her own lyrically embellished personal narrative. Interwoven with vivid ruminations on her childhood, her education, and her various international travels are the author's piquant musings on a range of deeply embedded societal conditions that add up, Mernissi argues, to a veritable "Western harem." A provocative and lively challenge to the common assumption that women have it so much better in the West than anywhere else in the world, Mernissi's book is an entrancing and timely look at the way we live here and now. By inspiring us to reconsider even the most commonplace aspects of our culture with fresh eyes and a healthy dose of suspicion, Scheherazade Goes West offers an invigorating, candid, and entertaining new perspective on the themes and ideas to which Betty Friedan first turned us on nearly forty years ago.
Jamie James lives and works on Gadigal land, and is a freelance photographer with a commitment to inclusive image making. Their work foregrounds issues of social justice and the ethical representation of those on the edges, always keen to reject the 'centre'.
Artwork and stories about queerness, the Sydney art scene, and England in the 80s and 90s
A reflective novel about cruising public toilets in Melbourne.
From life along the Tigris River in the 1970s to the ongoing Arab Spring uprisings, Phil Karber has witnessed decades of change throughout the Middle East. Fear and Faith in Paradise draws on his wealth of experience to sketch a timely and compelling portrait of the region throughout history. Going beyond the endless images of terrorism and war, he challenges pervasive stereotypes of Muslims and delves into the living history and cultures of Arabs, Turks, Kurds, Persians, Jews, Tunisians, Moroccans, Armenians, and others. Seamlessly moving between past and present, Karber skillfully develops two overarching themes: How America's footprint can be shifted from a military to a humanitarian emphasis and how fear is used as a cudgel by today’s monotheistic leaders to sacrifice the faithful. Whether Christian, Muslim, or Jewish, they all invoke their own vision of paradise, often as incentive, in hopeless conflicts that seem doomed to be repeated. Karber’s down-to-earth writing vividly conveys the region’s charm and beauty against a backdrop of power struggles among competing faiths, nationalisms, and outside forces.
A #1 New York Times Bestseller! “A riveting Game of Thrones meets Arabian Nights love story.” - US Weekly Every dawn brings horror to a different family in a land ruled by a killer. Khalid, the eighteen-year-old Caliph of Khorasan, takes a new bride each night only to have her executed at sunrise. So it is a suspicious surprise when sixteen-year-old Shahrzad volunteers to marry Khalid. But she does so with a clever plan to stay alive and exact revenge on the Caliph for the murder of her best friend and countless other girls. Shazi’s wit and will, indeed, get her through to the dawn that no others have seen, but with a catch . . . she’s falling in love with the very boy who killed her dearest friend. She discovers that the murderous boy-king is not all that he seems and neither are the deaths of so many girls. Shazi is determined to uncover the reason for the murders and to break the cycle once and for all.
PRESERVING FOOD AND CULTURE THE LEBANESE WAY -- The very best memories connecting us to time and place are often stimulated by the tastes and smells of our childhood. Freshly-baked bread, hot from the oven, sweet homemade jam dribbling down our chins, or the burst of flavor in each dried grape—these memories bring a smile to our faces even as they call to mind the people who made them possible. Do you remember working alongside your grandmother as she lovingly preserved garden-fresh foods to set back for the winter? You watched Jiddo (grandfather) patiently prepare his arak, but could you reproduce his efforts from memory? Are you lucky enough that they kept written records of recipes gleaned from family history and years of experience? If so, count yourself among the very fortunate minority. The reality for many of us is that we no longer enjoy such a strong connection to our culinary roots. As much as we might wish the contrary, the beauty and simplicity of home-preserved pantry items, the mouneh, taken for granted during our childhood, often seems a lifetime away. In Barbara Abdeni Massaad’s book, Mouneh: Preserving Foods for the Lebanese Pantry, we’ve been thrown a lifeline to a piece of our cultural and culinary identity. So many things we would love to recreate for our own families become possible within these pages, thanks to the author’s diligent research, stunning photography, simply presented instructions and delightful stories.