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Hans-Gert Roloff, Emeritus an der Freien Universität Berlin, hat mit der von ihm initiierten und durchgesetzten Etablierung des Studiengebietes Mittlere Deutsche Literatur grundlegende Impulse für die systematische Erforschung der Zeit zwischen Spätmittelalter und Aufklärung gegeben. Zum 70. Geburtstag von Hans-Gert Roloff präsentiert der vorliegende Band 21 Studien, die der Jubilar zwischen 1967 und 1998 der deutschen Literatur des 16. Jahrhunderts gewidmet hat. In ihrer exemplarischen Repräsentanz stellen diese kleinen Schriften einen Vorlauf zu einer Literaturgeschichte der Mittleren Deutschen Literatur dar. Sie machen deutlich, daß die Literatur dieser Zeit in ihrer ästhetisch-gesellschaftlichen Funktionalität nur aus der Spannung der deutsch-lateinischen Zweisprachigkeit und dem Kontext der europäischen Literatur heraus verstanden werden kann.
This study examines the sociocultural context of Bern's ten Reformation plays, authored by Niklaus Manuel and Hans von Rute, and argues that Protestant theater was instrumental in creating cultural community among an urban populace estranged from Catholic tradition.
"The Rich Man and Lazarus," one of Jesus' best known parables, has been the subject of discussion and interpretation from the Church Fathers to the present day. Ten plays written in German during the sixteenth century dramatize this parable. Despite the fact that the parable and these plays are concerned with wealth and poverty, damnation and salvation - ideas that are at the very center of the social turmoil and theological struggles of the Reformation - the plays are virtually unknown, in part because six of the ten have not been reprinted or edited since they appeared between 1550 and 1579.
The German-language theater is one of the most vibrant and generously endowed of any in the world. It boasts long and honored traditions that include world-renowned plays, playwrights, actors, directors, and designers, and several German theater artists have had an enormous impact on theater practice around the globe. Students continue to study German plays in dozens of languages, and every year scores of German plays are produced in a wide variety of non-German venues. This second edition of Historical Dictionary of German Theater covers its history through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 400 cross-referenced entries on directors, designers, producers, and movements such as Regietheater, “post-dramatic” approaches to theater production, the freie Szene of independent, non-subsidized groups, the role of increasingly massive government subsidies, and cities whose reputations as centers of innovation and excellence that have made the German-language theater one of the most vibrant anywhere on earth. This book is an excellent access point for students, researchers, and anyone wanting to know more about German Theater.