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In Edward Lewes Cutts' book 'Scenes and Characters of the Middle Ages,' readers will embark on a captivating journey through the medieval period, exploring rich historical details and vivid descriptions of various scenes and characters. Cutts' literary style is both informative and engaging, providing readers with a deeper understanding of this often romanticized era in history. The book is a valuable resource for those interested in medieval literature and culture, offering a comprehensive look at the people and events that shaped this fascinating time period. Edward Lewes Cutts, a renowned Victorian-era historian and clergyman, drew upon his extensive knowledge of medieval history and literature to create this compelling work. His passion for the subject shines through in the meticulous research and attention to detail present throughout the book. Cutts' expertise in the field makes 'Scenes and Characters of the Middle Ages' a must-read for anyone seeking a well-rounded exploration of this important historical period. I highly recommend 'Scenes and Characters of the Middle Ages' to any reader interested in delving into the captivating world of medieval history and literature. Cutts' insightful observations and engaging narrative style make this book a valuable addition to any library, offering a comprehensive and immersive look at the medieval era.
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Street Scenes offers a theory of late medieval acting and performance through a fresh and original reading of the Tretise of Miraclis Pleyinge. The performance theory perspective employed here, along with the examination of actor/character dialectics, paves the way to understanding both religious theatre and the complexity of late medieval theatricalities. Sharon Aronson-Lehavi demonstrates the existence of a late medieval discourse about the double appeal of theatre performance: an artistic medium enacting sacred history while simultaneously referring to the present lives of its creators and spectators.