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Tragedy met two Seattle bankers kayaking in Prince William Sound in Southcentral Alaska. One of the men was killed by falling ice while the other video-taped the event. The banker was the one charged with managing the Alaska Account at SeaFirst Bank in Seattle. Aliana Pedersen, Assistant Director of Finance for the State of Alaska, must now find a replacement. Shortly after the change-over a clerk in the bank discovered irregularities in the account. Trooper Reuben Hayes had become acquainted with all the parties when the first banker was accidentally killed. His investigation leads him to a personal affair with the Deputy Director of Finance and embroils him in a case of bank fraud. Reminiscent of Alaska’s Last Bridge to Nowhere politics, the suspected perpetrators are the bank president, the head of the Alaska Account at SeaFirst, and even the Governor of the State of Alaska. Many others become entangled in the case: a local drug dealer, a Mexican Mafia Don, and the FBI. An Alaska who-done-it that lasts through the final page.
An Instant New York Times Bestseller. A National Book Critics Circle Finalist for Nonfiction One of the New York Times 100 Notable Books of 2023 One of The New Republic's Best Books of 2023 “A riveting, vividly detailed collage of political and moral derangement in America.” —Joseph O’Neill, New York Times Book Review One of America’s finest reporters and essayists explores the powerful currents beneath the roiled waters of a nation coming apart. An unmatched guide to the religious dimensions of American politics, Jeff Sharlet journeys into corners of our national psyche where others fear to tread. The Undertow is both inquiry and meditation, an attempt to understand how, over the last decade, reaction has morphed into delusion, social division into distrust, distrust into paranoia, and hatred into fantasies—sometimes realities—of violence. Across the country, men “of God” glorify materialism, a gluttony of the soul, while citing Scripture and preparing for civil war—a firestorm they long for as an absolution and exaltation. Lies, greed, and glorification of war boom through microphones at hipster megachurches that once upon a time might have preached peace and understanding. Political rallies are as aflame with need and giddy expectation as religious revivals. At a conference for incels, lonely single men come together to rage against women. On the Far Right, everything is heightened—love into adulation, fear into vengeance, anger into white-hot rage. Here, in the undertow, our forty-fifth president, a vessel of conspiratorial fears and fantasies, continues to rise to sainthood, and the insurrectionist Ashli Babbitt, killed on January 6 at the Capitol, is beatified as a martyr of white womanhood. Framing this dangerous vision, Sharlet remembers and celebrates the courage of those who sing a different song of community, and of an America long dreamt of and yet to be fully born, dedicated to justice and freedom for all. Exploring a geography of grief and uncertainty in the midst of plague and rising fascism, The Undertow is a necessary reckoning with our precarious present that brings to light a decade of American failures as well as a vision for American possibility.
Fiction and Social Research brings together writers from a variety of disciplines to explore and illustrate the possibilities of new narrative forms in social research. At the intersections of fiction, ethnography, and cultural studies, these essays demonstrate narratives that simultaneously enrich fieldwork and enliven research reporting. By arranging this volume into four areas of concern, this volume demonstrates how fiction can express issues of representation, subjectivity, critique and postmodern discourse. This volume is unique in its accessibility and will prove a valuable tool to the veteran scholar and beginning ethnographer alike.
This bookis a new translation of Henry Murger’s influential Scènes de la vie de bohème, first published in French in 1851. The book recounts the lives of a bohemian group of creative young people as they fall in and out of love, endure cold and hunger, enjoy drunken parties, see their friends suffer and die of poverty, and finally emerge as mature artists. The book's publication soon inspired many (mostly young) people to seek out a bohemian life in Paris and other cities around the world. Not only did it inspire people at the time to change their lives, it also inspired Puccini’s beloved opera La Bohème(1896) and, a hundred years later, Jonathan Larson’s phenomenally successful Rent (1996). Few works of literature have had such a social impact. Bohemian cultures and subcultures have been with us ever since and Murger’s book remains an engaging and satisfying work of literature.