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Explores and illuminates the impact of the Russian philosopher Mikhail Bakhtin on our understanding of literary modernism. This volume explores the subject of modernism as seen through the lens of Bakhtinian criticism and in doing so offers a rounded and up-to-date example of the application of Bakhtinian theory to a field of research. The contributors consider the global spread of modernism and the variety of its manifestations as well as modernism's relationship to popular culture and its collective elaboration, which are dominant concerns in Bakhtin's thinking. As with other volumes in the Understanding Philosophy, Understanding Modernism series, the volume is divided into three parts. Part 1 provides readings of Bakhtin's work in the context of literary modernism. Part 2 features case studies of modernist art and artists and their relation to Bakhtinian theory. The final part provides a glossary of key terms in Bakhtin's work.
The anthology 'The Great War in Verse and Prose' offers a profound exploration of World War I through an unparalleled amalgamation of literary forms, showcasing the range from heart-wrenching poetry to incisive prose. This collection underlines the diverse experiences and interpretations of a conflict that reshaped the world, presenting a tapestry of emotions and thoughts from different cultural and national perspectives. The significance of standout pieces lies not in their individual authors but in their collective ability to capture the zeitgeist of an era marked by unprecedented turmoil and transformation. The contributing authors and editors, including notable figures such as Gilbert Murray, Arthur Conan Doyle, and Henri Louis Bergson, bring to the table a rich background of literary, historical, and political involvement. Their collective contributions highlight various facets of the war, from heroism to tragedy, and align with significant literary and cultural movements of the time. This assemblage of viewpoints offers a unique lens through which to examine the socio-political landscape of the early 20th century, enriched by the personal insights and scholarly expertise of its contributors. 'Reading 'The Great War in Verse and Prose' is an invitation to traverse the emotional and intellectual breadth of World War I through a mosaic of literary expression. For scholars, students, and general readers alike, this anthology presents a unique opportunity to engage with the wars multifaceted impact, exploring themes of heroism, loss, and the quest for meaning in a changed world. The collection not only educates but also fosters a deeper understanding and dialogue between the diverse voices and narratives that define this pivotal moment in history.
Rosamund Marriott Watson was a gifted poet, an erudite literary and art critic, and a daring beauty whose life illuminates fin-de-siècle London and the way in which literary reputations are made--and lost. A participant in aestheticism and decadence, she wrote six volumes of poems noted for their subtle cadence, diction, and uncanny effects. Linda K. Hughes unfolds a complex life in Graham R.: Rosamund Marriott Watson, Woman of Letters, tracing the poet's development from accomplished ballads and sonnets, to avant-garde urban impressionism and New Woman poetry, to her anticipation of literary modernism. Despite an early first divorce, she won fame writing under a pseudonym, Graham R. Tomson. The influential Andrew Lang announced the arrival of a new poet he assumed to be a man. She was soon hosting a salon attended by Lang, Oscar Wilde, and other 1890s notables. Publishing to widespread praise as Graham R., she exemplified the complex cultural politics of her era. A woman with a man's name and a scandalous past, she was also a graceful beauty who captivated Thomas Hardy and left an impression on his work. At the height of her success she fell in love with writer H. B. Marriott Watson and dared a second divorce. Graham R. combines the stories of a gifted poet, of London literary networks in the 1890s, and of a bold woman whose achievements and scandals turned on her unusual history of marriage and divorce. Her literary history and her uncommon experience reveal the limits and opportunities faced by an unconventional, ambitious, and talented woman at the turn of the century.
Written by a foremost expert on the life of the beloved St. Thérèse of Lisieux, this work is widely considered as the most definitive and popular presentation of her life. St. Thérèse is the most popular modern saint of our times. Who was this young French Carmelite who died in 1897 of tuberculosis at age twenty-four? At a time when extreme physical penance was widespread in many religious orders, Thérèse would have none of it. Her passionate love of Jesus led her to concentrate entirely on him rather than on personal austerities. Misunderstood in her own community but now universally loved, she left behind her autobiographical, best-selling book, The Story of a Soul, which captured with rapture her passionate love of Christ and the spirituality of "the little way" - that all of us can live out the ideal of doing everything with love for God and become saints. Based on Thérèse's famous notebooks, letters, poems, plays, and prayers, Story of a Life reveals her true face: the Thérèse who detested "old wives" devotions; the Thérèse who longed passionately to be priest, martyr, and apostle - and could still fall asleep over her prayers in chapel. The truth of her life is that God can take a psychologically fragile adolescent and turn her into the greatest saint of the 20th century because, in Thérèse's own words, "I have never relied on myself, only on Jesus."