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Mike Sager is to drugs, porn, and crimes of desperate delusion what Dominic Dunne is to the society murder. In addition to his long-classic Rolling Stone story "The Devil and John Holmes" (which helped inspire the upcoming Val Kilmer film, Wonderland) and his groundbreaking GQ piece about murdered Irish investigative reporter Veronica Guerin (also the subject of a major film starring Cate Blanchett), Scary Monsters and Super Freaks is a wonderful rogue's gallery of up-close pieces about the most public failures of the American dream. From Rick James and his drug-fueled detour into white slavery to the life and suicide of porn starlet Savannah, from deep inside the beating of Rodney King and the Heaven's Gate cult suicides to Chuck Berry's sexual predilections, this book brings to high-profile true crime a highly identifiable voice and style. Currently Esquire's Writer-at-Large, Sager takes us along for the ride with a raft of other figures including the late NWA Rapper Easy E. Winner, the FBI agent who fell in love with his informant, and the highest ranking DEA agent to be busted for drug trafficking. This is a brilliant debut collection by one of America's most respected and stylish crime writers.
Dom Joly sets off round the world again, but this time he's not looking to holiday in a danger zone - he's monster hunting. Ever since he was given a copy of Arthur C. Clarke's Mysterious Worldfor his ninth birthday Dom has been obsessed with the world of cryptozoology (monster hunting), and in Scary Monsters and Super Creepshe heads to six completely different destinations to investigate local monster sightings. He explores the Redwood Curtain in northern California in search of Sasquatch; in Canada he visits Lake Okanagan hoping to catch a glimpse of a thirty-foot snake-like creature called Ogopogo; and near Lake Télé in Congo he risks his life tracking the vegetarian sauropod Mokèlé-mbèmbé. Naturally he heads to Loch Ness - but for this hunt he has his family in tow; he treks across the Khumbu Valley in Nepal looking for Yeti; and in the hills above Hiroshima in Japan he enlists the help of a local man to find the Hibagon, a terribly smelly 'caveman ape'. In typically hilarious and irreverent fashion, Dom explores the cultures that gave rise to these monster myths and ends up in some pretty hairy situations with people even stranger than the monsters they are hunting. Are the monsters all the product of fevered minds, or is there a sliver of truth somewhere in the madness? Either way, the search gives Dom an excuse to dive into six fascinating destinations on a gloriously nutty adventure.
Rick James played with Neil Young, self-produced his first album (later picked up by Motown), crossed rock and funk to come up with one of the best-selling albums of the 1980s, became one of the biggest pop stars of the era, turned a young white woman named Teena Marie into an R&B superstar, displayed an outrageously sex- and drug-filled lifestyle, was tried and found guilty of assaulting and imprisoning a young woman, went on to record new music that was compared to the Beatles' White Album, and ended his life as a punch line for Dave Chappelle. James attempted to tell his own story—in two different books—but left out many incidents that reflected badly on his character. Now, based on court records, newspaper archives, and extensive interviews with dozens of family members, band members, friends, and lovers, here is the definitive biography of Motown's most controversial superstar.
An avant-garde pop album rich with tension and fear, 1980’s Scary Monsters (and Super Creeps) marked a pivotal point in David Bowie’s career. Standing at the bleeding edge of the new decade between the experimental Berlin Trilogy (Low, Heroes, and Lodger) and 1983’s wildly successful Let’s Dance, it was here Bowie sought to bury the ghosts of his past and the golden decade of the 1970s to become a global superstar reaching millions of new fans. Featuring fresh insights and exclusive interviews with close collaborators, Adam Steiner’s Silhouettes and Shadows uncovers the studio stories, meanings behind, and secret history of Scary Monsters. Steiner gives a nuanced, memorable portrait of Bowie at a personal and professional crossroads, drawing on his own struggle with addiction, growing paranoia, and political turmoil. Despite the album’s confrontational themes, it included the hit singles “Fashion” and “Ashes to Ashes,” with Bowie riding a new wave of inspiration, from the post-punk of Joy Division, The Specials’ two-tone revolution, and the stadium synth-pop of Gary Numan. Most importantly, it marked a final goodbye to Major Tom, Ziggy Stardust, and The Thin White Duke, characters and personas that had defined his career: in this rare moment, David Bowie, the costumed clown of romance, suffering, and song, let his mask slip to reveal David Jones, the man within.
It makes us jump. It makes us scream. It haunts our nightmares. So why do we watch horror? Why do we play it? What could possibly appealing about a genre that tries to terrify us? Why would we subject ourselves to shriek-inducing shocks, or spend dozens of hours watching a television show about grotesque flesh-eating monsters? Monstrous Forms offers a theory of horror that works through the genre across a broad range of contemporary moving-image media: film, television, video games, YouTube, gifs, streaming, virtual reality. This book analyzes our experience of and engagement with horror by focusing on its form, paying special attention to the common ground, the styles and forms that move between mediums. It looks at the ways that moving-image horror addresses its audiences, the ways that it elicits, or demands, responses from its viewers, players, browsers. Camera movement (or "camera" movement), jump scares, offscreen monsters-horror innovates and perfects styles that directly provoke and stimulate the bodies in front of the screen. Analyzing films including Paranormal Activity, It Follows, and Get Out, video games including Amnesia: The Dark Descent, Layers of Fear, and Until Dawn, and TV shows including The Walking Dead and American Horror Story, Monstrous Forms argues for understanding horror through its sensational address, and dissects the forms that make that address so effective.
Former Washington Post reporter Pete Earley sets the stage for this shocking thriller with an actual security threat the CIA secretly investigated during the peak of the Cold War: that the Soviet Union's KGB had cleverly smuggled a nuclear bomb into the very heart of Washington, D.C. In Lethal Secrets, the bomb is now in the hands of a band of Chechen rebels, led by Movladi "the Viper" Islamov, who's threatening to detonate the device unless his demands are met. The fate of the city rests in the hands of a disgraced deputy U.S. marshal, Wyatt Conway, who is reluctantly called into action by his FBI and CIA rivals because he was once a friend of Islamov's, before the freedom fighter turned into an international terrorist. His only hope at getting to Islamov lies with Vladimir Khrenkov, a possibly corrupt Russian intelligence agent. Conway suspects Khrenkov of being the man who executed a top Russian mobster whom Conway was protecting in the federal witness protection program. Kept on short leash by Kimberly Lodge, a skeptical CIA beauty who finds him incompetent and foolish, Conway must find a way to manipulate and expose Khrenkov, keep Lodge and her bureaucratic cronies off his back, and prevent Islamov from igniting the spark for Armageddon.
This is a critical overview of monster magazines from the 1950s through the 1970s. "Monster magazine" is a blanket term to describe both magazines that focus primarily on popular horror movies and magazines that contain stories featuring monsters, both of which are illustrated in comic book style and printed in black and white. The book describes the rise and fall of these magazines, examining the contributions of Marvel Comics and several other well-known companies, as well as evaluating the effect of the Comics Code Authority on both present and future efforts in the field. It identifies several sub-genres, including monster movies, zombies, vampires, sword-and-sorcery, and pulp-style fiction. The work includes several indexes and technical credits.
The battle rages as the entire DC Universe stands against the Darkest Knight! Villains fight alongside heroes working as one to banish this demon from the deepest corners of the Dark Multiverse. Meanwhile, the Robin King lurks nearby, his army of Groblins in wait. The dogs of war are loose and no one is safe.
Children choose their heroes more carefully than we think. From Pokemon to the rapper Eminem, pop-culture icons are not simply commercial pied pipers who practice mass hypnosis on our youth. Indeed, argues the author of this lively and persuasive paean to the power of popular culture, even violent and trashy entertainment gives children something they need, something that can help both boys and girls develop in a healthy way. Drawing on a wealth of true stories, many gleaned from the fascinating workshops he conducts, and basing his claims on extensive research, including interviews with psychologists and educators, Gerard Jones explains why validating our children's fantasies teaches them to trust their own emotions, helps them build stronger selves, leaves them less at the mercy of the pop-culture industry, and strengthens parent-child bonds. Jones has written for the Spider-Man, Superman, and X-Men comic books and created the Haunted Man series for the Web. He has also explored the cultural meanings of comic books and sitcoms in two well-received books. In Killing Monsters he presents a fresh look at children's fantasies, the entertainment industry, and violence in the modern imagination. This reassuring book, as entertaining as it is provocative, offers all of us-parents, teachers, policymakers, media critics-new ways to understand the challenges and rewards of explosive material. News From Killing Monsters: Packing a toy gun can be good for your son-or daughter. Contrary to public opinion, research shows that make-believe violence actually helps kids cope with fears. Explosive entertainment should be a family affair. Scary TV shows can have a bad effect when children have no chance to discuss them openly with adults. It's crucial to trust kids' desires. What excites them is usually a sign of what they need emotionally. Violent fantasy is one of the best ways for kids to deal with the violence they see in real life.
The animated worlds of the current Teenage Mutant Ninja Turtles Nickelodeon cartoon and Batman: The Animated Series collide in this outstanding mini-series featuring fan-favorite characters from both universes! Villains start to mysteriously escape Arkham and Batman seeks to track them down, but he discovers that they have left Gotham completely... and gone to the New York City of the Teenage Mutant Ninja Turtles! Collects issues #1-6!