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"24 year old ed Becker purchases a house for himself and his expecting wife; a two-flat apartment building, which would allow them to live in one apartment and rent the other. What Ed doesn't know, is that there are already tenants residing in this building that he cannot evict ... Skeptical and street-smart, Ed has a difficult time coming to the realization that this apartment is home to the paranormal. As tensions begin to build between his spouse and himself, he attributes the stress to the new lifestyle they had accumulated, as both property owners and new parents. Coupled with the efforts of working long hours and restoring a dilapidated home, Ed ignores the unusual happenings that have no viable explanation. And what happens when something that wants to be noticed goes unacknowledged? Things escalate ... Read this hauntingly true story, of one of the earliest televised exorcisms in the nation, brought to the forefront by NBC. Interviewed and reported by nationally known news correspondent, Carole Simpson, and conducted by nationally known psychic Joseph DeLouise and exorcist, Rev. William Derl-Davis. Go behind the scenes of the known history of this truly haunted home--one that shattered the dreams of a young couple, and the family that can never leave it."--Page 4 of cover
Containing 20 folk tales, this bicentennial collection includes sidelines on the nature of ghosts and witches along with background information on each of the stories.
The crows in Farmer Hams field are very happy. All day long they sit and eat his corn and no matter how often he shouts and waves his arms, they wont go away. Silly old Farmer Ham. Or is he so silly, after all?
“Glasby anatomizes horror’s scare tactics with keen, lucid clarity across 34 carefully selected main films—classic and pleasingly obscure. 4 Stars.” —Total Film? Horror movies have never been more critically or commercially successful, but there’s only one metric that matters: are they scary? The Book of Horror focuses on the most frightening films of the post-war era—from Psycho (1960) to It Chapter Two (2019)—examining exactly how they scare us across a series of key categories. Each chapter explores a seminal horror film in depth, charting its scariest moments with infographics and identifying the related works you need to see. Including references to more than one hundred classic and contemporary horror films from around the globe, and striking illustrations from Barney Bodoano, this is a rich and compelling guide to the scariest films ever made. “This is the definitive guide to what properly messes us up.” —SFX Magazine The films: Psycho (1960), The Innocents (1961), The Haunting (1963), Don’t Look Now (1973), The Exorcist (1973), The Texas Chain Saw Massacre (1974), Who Can Kill a Child? (1976), Suspiria (1977), Halloween (1978), The Shining (1980), The Entity (1982), Angst (1983), Henry: Portrait of a Serial Killer (1990), Ring (1998), The Blair Witch Project (1999), The Others (2001), The Eye (2002), Ju-On: The Grudge (2002), Shutter (2004), The Descent (2005), Wolf Creek (2005), The Orphanage (2007), [Rec] (2007), The Strangers (2008), Lake Mungo (2008), Martyrs (2008), The Innkeepers (2011), Banshee Chapter (2013), Oculus (2013), The Babadook (2014), It Follows (2015), Terrified (2017), Hereditary (2018), It Chapter Two (2019)
The co-founder and longtime president of Pixar updates and expands his 2014 New York Times bestseller on creative leadership, reflecting on the management principles that built Pixar’s singularly successful culture, and on all he learned during the past nine years that allowed Pixar to retain its creative culture while continuing to evolve. “Might be the most thoughtful management book ever.”—Fast Company For nearly thirty years, Pixar has dominated the world of animation, producing such beloved films as the Toy Story trilogy, Finding Nemo, The Incredibles, Up, and WALL-E, which have gone on to set box-office records and garner eighteen Academy Awards. The joyous storytelling, the inventive plots, the emotional authenticity: In some ways, Pixar movies are an object lesson in what creativity really is. Here, Catmull reveals the ideals and techniques that have made Pixar so widely admired—and so profitable. As a young man, Ed Catmull had a dream: to make the first computer-animated movie. He nurtured that dream as a Ph.D. student, and then forged a partnership with George Lucas that led, indirectly, to his founding Pixar with Steve Jobs and John Lasseter in 1986. Nine years later, Toy Story was released, changing animation forever. The essential ingredient in that movie’s success—and in the twenty-five movies that followed—was the unique environment that Catmull and his colleagues built at Pixar, based on philosophies that protect the creative process and defy convention, such as: • Give a good idea to a mediocre team and they will screw it up. But give a mediocre idea to a great team and they will either fix it or come up with something better. • It’s not the manager’s job to prevent risks. It’s the manager’s job to make it safe for others to take them. • The cost of preventing errors is often far greater than the cost of fixing them. • A company’s communication structure should not mirror its organizational structure. Everybody should be able to talk to anybody. Creativity, Inc. has been significantly expanded to illuminate the continuing development of the unique culture at Pixar. It features a new introduction, two entirely new chapters, four new chapter postscripts, and changes and updates throughout. Pursuing excellence isn’t a one-off assignment but an ongoing, day-in, day-out, full-time job. And Creativity, Inc. explores how it is done.
"In a global tour de force, Weighing the World recounts the 100-year quest to discover the enigmatic natural energy - the curious capability that mountains have to bend gravity - and of an extraordinary experiment that transformed our understanding of the world. Written to appeal to general readers interested in popular science and geographical intrigues, this book will also be greeted enthusiastically by surveyors, historians of science, physicists, teachers, and other specialist audiences."--BOOK JACKET.
The monster fish sighted in Watauga and Boone Lakes, the so-called Wampas Cat, and a witchy horse that found a little lost girl wandering on Embreeville Mountain—these are but a few of the stories retold in this book of East Tennessee tales. Other stories include the Cherokee legends of creation and fire, a witch who drove people mad, a personal account of a miraculous cure, lost civilizations in the middle of Cherokee National Forest, and a host of death and burial superstitions.
SOON TO BE A NEW FILM, STREAMING ON MAX FALL OF 2024 • #1 BESTSELLER • Ben Mears has returned to Jerusalem’s Lot in hopes that exploring the history of the Marsten House, an old mansion long the subject of rumor and speculation, will help him cast out his personal devils and provide inspiration for his new book. "A master storyteller." —The Los Angeles Times When two young boys venture into the woods, and only one returns alive, Mears begins to realize that something sinister is at work. In fact, his hometown is under siege from forces of darkness far beyond his imagination. And only he, with a small group of allies, can hope to contain the evil that is growing within the borders of this small New England town. With this, his second novel, Stephen King established himself as an indisputable master of American horror, able to transform the old conceits of the genre into something fresh and all the more frightening for taking place in a familiar, idyllic locale.