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Say hello to my little friend! Scarface Mad Libs features 21 fill-in-the-blank stories for adults only, inspired by the classic film Scarface!
The wild, true story of the Mutiny, the hotel and club that embodied the decadence of Miami’s cocaine cowboys heyday—and an inspiration for the blockbuster film, Scarface... In the seventies, coke hit Miami with the full force of a hurricane, and no place attracted dealers and dopers like Coconut Grove’s Mutiny at Sailboat Bay. Hollywood royalty, rock stars, and models flocked to the hotel’s club to order bottle after bottle of Dom and to snort lines alongside narcos, hit men, and gunrunners, all while marathon orgies burned upstairs in elaborate fantasy suites. Amid the boatloads of powder and cash reigned the new kings of Miami: three waves of Cuban immigrants vying to dominate the trafficking of one of the most lucrative commodities ever known to man. But as the kilos—and bodies—began to pile up, the Mutiny became target number one for law enforcement. Based on exclusive interviews and never-before-seen documents, Hotel Scarface is a portrait of a city high on excess and greed, an extraordinary work of investigative journalism offering an unprecedented view of the rise and fall of cocaine—and the Mutiny—in Miami.
Some of the stars interviewed are LGBT: Brooks, Hepburn, Lupino, Stanwyck, Bankhead, Hurrell, Hermes Pan.
Hollywood's first sex symbol, the ' It ' girl, Clara Bow was born in the slums of Brooklyn in a family plagued with alcoholism and insanity. She catapulted to fame after winning Motion Picture magazine's 1921 " Fame and Fortune" contest. The greatest box-office draw of her day—she once received 45,000 fan letters in a single month, Clara Bow's on screen vitality and allure that beguiled thousands, however, would be her undoing off-camera. David Stenn captures her legendary rise to stardom and fall from grace, her success marred by studio exploitation and sexual scandals.
The idea is simple. Someone asks for a part of speech: a verb, a noun, an adjective, or an adverb. We've included definitions and examples of the parts of speech in case you've forgotten. Players call out their ideas to fill in the blanks and in the end, you have a story reeling from one silly sentence to another until nothing makes sense. That's what you call a Mad Lib®, the world's greatest word game. Players have been howling with friends or laughing all to themselves for over 35 years! Here's where the fun begins. Check out The Original Mad Libs®. Once you hear the laughs this one inspires, you'll probably want to play the rest.
The most important speeches of America's "Great Communicator": Here, in his own words, is the record of Ronald Reagan's remarkable political career and historic eight-year presidency.
Provides a comprehensive series of tasks and functional carryover activities allowing for integration of language and cognitive skills for neurologically-impaired adolescents and adults with diverse levels of functioning. Exercises cover a broad scope of skills including orientation, auditory comprehension, verbal expression, and reading comprehension.
This is the extraordinary story of how Charlie Wilson – renowned as one of the leaders of the Great Train Robbery gang – turned his back on so-called traditional crime to become the underworld’s original narco by helping to mastermind a multi-billion dollar drugs network in partnership with the original cocaine cowboy, Pablo Escobar. Wilson secretly helped turn cocaine into the Western world’s number one recreational drug of choice. Secret Narco unravels the bullet riddled, never-before-told history of South Londoner Wilson’s cocaine empire and his forays into the deadliest killing fields of all: South America. Bestselling author Wensley Clarkson’s meticulously researched story features interviews with many of Wilson’s friends, family members and enemies on both sides of the law enforcement divide, as well as associates of Pablo Escobar. .br> Secret Narco also reveals the final, tragic circumstances behind Wilson and Escobar’s bloody deaths, and how their twisted ‘partnership’ proved that gangsters never rest in peace.
On the evening of October 30, 1938, radio listeners across the United States heard a startling report of a meteor strike in the New Jersey countryside. With sirens blaring in the background, announcers in the field described mysterious creatures, terrifying war machines, and thick clouds of poison gas moving toward New York City. As the invading force approached Manhattan, some listeners sat transfixed, while others ran to alert neighbors or to call the police. Some even fled their homes. But the hair-raising broadcast was not a real news bulletin-it was Orson Welles's adaptation of the H. G. Wells classic The War of the Worlds. In Broadcast Hysteria, A. Brad Schwartz boldly retells the story of Welles's famed radio play and its impact. Did it really spawn a "wave of mass hysteria," as The New York Times reported? Schwartz is the first to examine the hundreds of letters sent to Orson Welles himself in the days after the broadcast, and his findings challenge the conventional wisdom. Few listeners believed an actual attack was under way. But even so, Schwartz shows that Welles's broadcast became a major scandal, prompting a different kind of mass panic as Americans debated the bewitching power of the radio and the country's vulnerability in a time of crisis. When the debate was over, American broadcasting had changed for good, but not for the better. As Schwartz tells this story, we observe how an atmosphere of natural disaster and impending war permitted broadcasters to create shared live national experiences for the first time. We follow Orson Welles's rise to fame and watch his manic energy and artistic genius at work in the play's hurried yet innovative production. And we trace the present-day popularity of "fake news" back to its source in Welles's show and its many imitators. Schwartz's original research, gifted storytelling, and thoughtful analysis make Broadcast Hysteria a groundbreaking new look at a crucial but little-understood episode in American history.
This first volume in a series collecting kabuki play translations draws on new research in kabuki performance and history and presents translations of traditional plays by 22 scholars ranging from the eminent to emerging. Includes over two dozen playwrights and 51 plays representing a range of history or period plays (judaimono), domestic plays (sewamono), and dance pieces (shosagoto or buyo-geki). Plays were selected to show the widest array of kabuki dramaturgy from the Genroku era to the turn of the 20th century. Fine color and b&w illustrations. Annotation copyrighted by Book News, Inc., Portland, OR.