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After returning from his African trip, in which he discovered the Pushmi-Pullyu, a two-headed antelope, Doctor Dolittle is looking for a way to pay off his debt. Inspired by the rarity of his new friend, Dolittle decides to enroll the Pushmi-Pullyu in a circus act. After searching for a circus that would accept his conditions, Doctor Dolittle and Pushmi-Pullyu begin to perform at a circus ran by a man named Blossum. Though Dolittle is originally happy with this arrangement, he soon becomes distressed after hearing the complaints of the other circus animals, who are unhappy with the way they are being treated. But, when Doctor Dolittle speaks on behalf of the animals, Blossum dismisses his concerns. The final straw however, is when Sophie, an Alaskan seal, begins to express her sadness over missing her husband, who she was taken away from when she was forced to join the circus. Deciding to take matters in his own hands, Dolittle begins to plan a daring escape with his circus friends, including evading the coast guard and dressing in humorous disguises. Featuring the beloved children’s character who can talk to animals, Doctor Dolittle, Hugh Lofting’s Doctor Dolittle’s Circus is a fun and imaginative adventure. Though part of a larger series, Doctor Dolittle’s Circus can be read independently, and is suitable for any reader looking for a humorous escape. First published in 1924, Doctor Dolittle’s Circus is a small part of a larger legacy, adding to the adventures of a classic character who prefers animals over people. This lively novel has been adapted for both films and musicals, serving as a testament of Doctor Dolittle’s timeless adventures. This edition of Doctor Dolittle’s Circus by Hugh Lofting now features an eye-catching new cover design and is printed in a font that is both modern and readable. With these accommodations, this edition of Doctor Dolittle’s Circus creates an accessible and pleasant reading experience for modern audiences while restoring the original imagination and fun of Hugh Lofting’s work.
THE ULTIMATE HERO IS BACK THE WORLD IS ON FIRE At an abandoned Soviet base in the Arctic, a battle to save all life on Earth is about to begin... A TOP SECRET BASE When Dragon Island, a top-secret base that houses a weapon of terrible destructive force is seized by a brutal terrorist force calling itself the Army of Thieves, the fate of the world suddenly hangs in the balance. But there are no crack units close enough to get to Dragon in time to stop the Army setting off the weapon. ONLY ONE MAN CAN SAVE THE DAY Except, that is, for a small equipment-testing team up in the Arctic led by a Marine captain named Schofield, call-sign SCARECROW. * * * * * READERS LOVE SCARECROW AND THE ARMY OF THIEVES 'Each page is a thrill. If you are looking for escapism, this is definitely the book for you' 'Shocks galore and a great ending. Just read it' 'I shouldn't like it...but I do! Scarecrow rocks' 'A blistering pace with so many twists and turns' 'Rip roaring adventure'
A trip to Circus Island in Florida in search of a houseboat to purchase puts the Happy Hollisters on the trail of circus dog thieves. As the young sleuths uncover sinister goings-on behind the scenes at the circus, they also learn exciting circus tricks like tumbling and tight-rope walking.
Come one, come all! The circus is coming to River Heights! The flyers claim this circus will be the biggest and best show around, with the funniest clowns, the cutest animals, and the most daring acrobats. Nancy and the Clue Crew can't wait to see it! But when the performers are forced to go on without some very important props, Nancy begins to wonder, Is someone clowning around with this circus? She's not sure, but one thing is certain -- what Nancy and the Clue Crew discover proves that the circus really is the greatest show on Earth!
"The Wizard is a lovable humbug, an artful salesman who gives his customers something to believe in, even if the thing is known to be pretend. Playing a role, he presents Dorothy's friends with talismans of brains, heart and courage and takes pride in showing them how he accomplished his illusions. Why do Dorothy's friends put their faith in the Wizard's abilities to grant their requests even after he has shown them that he has only been putting on a show? Perhaps his virtuoso performances inspire their own, and ours too. His humbug guides the philosophy of The Wonderful Wizard of Oz and the theatrical style of the first Oz musical, the extravaganza of 1902, with implications for "American" performance and participation"--
Fred Stone was one of America's most versatile and talented of Broadway's colorful entertainers. Audiences quickly discovered he could do anything and everything, from tightrope walking and acrobatics to song-and-dance, musical comedies, and straight drama. This work chronicles his extraordinary life and career. He was born in a log cabin August 19, 1873, in Valmont, Colorado, to a family that was part of the covered-wagon migration into the virtually unknown West. He joined a traveling circus at age 11 and two years later, joined a different one as a self-taught tightrope walker. During his teens, Stone performed on the variety stage, and at age 22, met Dave Montgomery, with whom he performed for over twenty years, including Broadway musicals, notably as the scarecrow in The Wizard of Oz. After Montgomery's tragic death in 1917, Stone continued to perform and shared his continued success with his closest friend Will Rogers, and Annie Oakley, Broadway producer Charles Dillingham, Western artists Charles Russell and Ed Borein, and author Rex Beach. Stone appeared in some 18 movies, from 1918 to 1940, including such western classics as The Westerner and Trail of the Lonesome Pine. In 1950, he retired from show business and during the last years of his life suffered from increasing blindness and heart trouble. He died at his Los Angeles home in 1959.
What prompts children to tell stories? What does the word "story" mean to a child at two or five years of age? The Folkstories of Children, first published in 1981, features nearly five hundred stories that were volunteered by fifty children between the ages of two and ten and transcribed word for word. The stories are organized chronologically by the age of the teller, revealing the progression of verbal competence and the gradual emergence of staging and plot organization. Many stories told by two-year-olds, for example, have only beginnings with no middle or end; the "narrative" is held together by rhyme or alliteration. After the age of three or four, the same children tell stories that feature a central character and a narrative arc. The stories also exhibit each child's growing awareness and management of his or her environment and life concerns. Some children see their stories as dialogues between teller and audience, others as monologues expressing concerns about fate and the forces of good and evil. Brian Sutton-Smith discusses the possible origins of the stories themselves: folktales, parent and teacher reading, media, required writing of stories in school, dreams, and play. The notes to each chapter draw on this context as well as folktale analysis and child development theory to consider why and how the stories take their particular forms. The Folkstories of Children provides valuable evidence and insight into the ways children actively and inventively engage language as they grow.
"A behind-the-scenes view of one of Minnesota's most popular storytellers. This volume contains the full text of three of Kevin Kling's stage pieces--21A, The Ice Fishing Play, and Scarecrow on Fire--as well as excerpts from Of Mirth and Mischief, Back Home, and Gulliver Unravels. Previously unpublished poems, short pieces, and a conversation between the Fitzgerald Theater's Tony Bol and the writer provide a window into Kling's creative and collaborative process"--
'Raunchy, raucous...a rich, turn of the 19th century world, which reeks of human and animal variety' The Times Is Sophie Fevvers, toast of Europe's capitals, part swan...or all fake? Courted by the Prince of Wales and painted by Toulouse-Lautrec, she is an aerialiste extraordinaire and star of Colonel Kearney's circus. She is also part woman, part swan. Jack Walser, an American journalist, is on a quest to discover the truth behind her identity. Dazzled by his love for her, and desperate for the scoop of a lifetime, Walser has no choice but to join the circus on its magical tour through turn-of-the-nineteenth-century London, St Petersburg and Siberia. **One of the BBC’s 100 Novels That Shaped Our World**