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Winner or finalist in the 'Best Books' National Book Award Poetry Anthology of the Year; Benjamin Franklin Audio Book of the Year; Foreword Magazine Audio Book of the Year; and the Bill Fisher Award for Best New Fiction. Over 750 pages of poetry spanning from 4,000 BC up to the present day and including a broad cross-section of global poetry. Footnotes for each poem specify each poem's form, define unusual or archaic words, and include notes about interpretation. Multiple indexes, including an index by subject, simplify finding exactly the right poem for any situation. The poems were specifically selected to appeal to readers new to poetry, but even experienced poetry readers will find new and enjoyable poems. The poems from the book are also available on audio CD.
SHORTLISTED FOR THE EDWARD STANFORD TRAVEL BOOK OF THE YEAR 2024 'Deeply poetic.' CAROLINE LUCAS MP 'A masterpiece of storytelling.' NICK MAYHEW-SMITH 'Mary Colwell is a candle of open-minded curiosity.' PATRICK LAURIE 'An unforgettable story.' MICHAEL MCCARTHY - Mary Colwell makes a solo pilgrimage along the Camino Francés winding through forests, mountains, farmland, industrial sprawls and places of worship. Pilgrims have always walked in times of upheaval, pitching themselves against weather, hunger, thirst and sometimes pain as they tread the paths their ancestors once followed. In the winter of 2020, author, nature campaigner and veteran solo walker Mary Colwell walked a 500-mile pilgrimage along the Camino Francés in northern Spain. In a typical year, many thousands of people walk this route, but Mary had it virtually to herself at a unique historical moment – a time of profound political change, escalating climate and biodiversity emergencies and global pandemic. The modern world weaves in and out of the Camino's worn trackway, providing a focus for contemplation and a place for memories and experiences to gather. In her delightful book, Mary weaves experiences from her solo winter pilgrimage with stories from a walk millions have undertaken over the centuries. Her thoughtful and, at times, humorous journey of body and soul includes moments of intense spirituality, meetings with a demon slayer, strange goings-on and magical tales, and Mary's exquisite descriptions of the constant backdrop of nature in all its complexity and wonder.
The Modern Irish Sonnet: Revision and Rebellion discusses how and why the sonnet appeals to Irish poets and has grown in popularity over the last century. Using a thematic approach, Tara Guissin-Stubbs argues for the significance of the Irish sonnet as a discrete entity within modern and contemporary poetry, and shows how the Irish sonnet has become a debating chamber for discussions concerning the relationship between Irish and British culture, poetry and gender, and revision and rebellion. The text reshapes the poetic and critical field, exploring canonical and non-canonical poems by male and female poets so as to challenge outmoded views of the thematic and formal limitations of the sonnet.
Barrington Moore bequeathed comparativists a problem: how to reconcile his causal claim of 'no bourgeoisie, no democracy' with his normative 'dream of a free and rational society'. Lichbach harmonizes causal methodology and normative democratic theory, illustrating their interrelationship. Using a dialogue among four specific texts, Lichbach advances five constructive themes. First, comparativists should study the causal agency of individuals, groups and democracies. Second, three types of collective agency should be paired with an exploration of three corresponding moral dilemmas: ought-is, freedom-power and democracy-causality. Third, at the center of inquiry, comparativists should place big-P Paradigms and big-M Methodology. Fourth, as they play with research schools, creatively combining prescriptive and descriptive approaches to democratization, they should encourage a mixed-theory and mixed-method field. Finally, comparativists should study pragmatic questions about political power and democratic performance: in building a democratic state, which democracy, under which conditions, is best, and how might it be achieved?
An innovative and riveting look at briefs from a highly respected author that can be used a primary text in an advanced legal writing class or as a secondary text in a basic legal writing course. The chapters can be taken in any order. In the first part of the book, individual chapters cover advanced legal writing topics such as rhetoric, voice, emotion, metaphor, and narrative. The second part of the book introduces famous cases, with the story of each case. Chapter introductions provide interesting insights, such as historical context, the story of the case and of the litigation of it, information about the lawyers who wrote the briefs on both sides, what the courts decided, and, where relevant, about what has happened since. Compelling content makes it easy to engage students while photos throughout enliven the text. Features: Highly respected author Flexibility can be used as core text in advanced legal writing with other materials secondary text in a basic legal writing course chapters can be taken in any order High-interest, engaging content Each chapter focuses on important legal writing topics rhetoric voice emotion metaphor narrative Features famous case Chapter introductions with compelling insights historical context the story of the case and its litigation information about the lawyers who wrote the briefs on both sides what the courts decided what has happened since Full-text cases and briefs offered on a companion website Photos that enliven the text
Some of the best known African American poems are sonnets: Claude McKay's "If We Must Die," Countee Cullen's "Yet Do I Marvel," Gwendolyn Brooks's "First fight. Then fiddle." Yet few readers realize that these poems are part of a rich tradition that formed after the Civil War and comprises more than a thousand sonnets by African American poets. Paul Laurence Dunbar, Jean Toomer, Langston Hughes, Margaret Walker, and Rita Dove all wrote sonnets. Based on extensive archival research, The African American Sonnet: A Literary History traces this forgotten tradition from the nineteenth century to the present. Timo Müller uses sonnets to open up fresh perspectives on African American literary history. He examines the struggle over the legacy of the Civil War, the trajectories of Harlem Renaissance protest, the tensions between folk art and transnational perspectives in the thirties, the vernacular modernism of the postwar period, the cultural nationalism of the Black Arts movement, and disruptive strategies of recent experimental poetry. In this book, Müller examines the inventive strategies African American poets devised to occupy and reshape a form overwhelmingly associated with Europe. In the tightly circumscribed space of sonnets, these poets mounted evocative challenges to the discursive and material boundaries they confronted.