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Kathryn Temple argues that eighteenth-century Grub Street scandals involving print piracy, forgery, and copyright violation played a crucial role in the formation of British identity. Britain's expanding print culture demanded new ways of thinking about business and art. In this environment, print scandals functioned as sites where national identity could be contested even as it was being formed.Temple draws upon cases involving Samuel Richardson, Samuel Johnson, Catharine Macaulay, and Mary Prince. The public uproar around these controversies crossed class, gender, and regional boundaries, reaching the Celtic periphery and the colonies. Both print and spectacle, both high and low, these scandals raised important points of law, but also drew on images of criminality and sexuality made familiar in the theater, satirical prints, broadsides, even in wax museums. Like print culture itself, the "scandal" of print disputes constituted the nation—and resistance to its formation. Print transgression destabilized both the print industry and efforts to form national identity. Temple concludes that these scandals represent print's escape from Britain's strenuous efforts to enlist it in the service of nation.
Dressy men as a type of celebrity have played a distinctive part in the cultural - and even in the political - life of Britain over several centuries. But unlike the twenty-first-century hipster, the dandies of the British past provoked intense degrees of fascination and horror in their homeland and played an important role in British society from the seventeenth to the twentieth century. This book - illustrated with contemporary prints, portraits and caricatures - explores that social and cultural history through a focus on the macaroni, the dandy and the aesthete. The first was noted for his flamboyance, the second for his austere perfectionism and the third for his sexual perversity. All were highly controversial in their time, pioneering new ways of displaying and performing gender, as demonstrated by the impact of key figures such as Lord Hervey, George 'Beau' Brummell and Oscar Wilde. This groundbreaking study tells the scandalous story of fashionable men and their clothes as a reflection of changing attitudes not only to style but also to gender and sexuality.
"As the circus of the Blagojevich saga unfolded, Natasha Korecki was right at the center.... It was a seriocomedy suited to her enterprise and imagination, and she’s the one to write the book." —Roger Ebert "Natasha Korecki's chronicle of the Blagojevich saga was a cutting-edge lesson in how to blend old-fashioned reporting with new media." —Richard Roeper Chicago, Illinois, and America at large were captivated by the arrest, trial, and general public embarrassment of Illinois governor Rod Blagojevich. Only in Chicago is derived from the best of award-winning Chicago Sun-Times reporter Natasha Korecki's work on the Blagojevich scandal, weaving together years of reporting and never-before published details into one straightforward, fast-paced narrative. From the infamous audiotapes to Blagojevich's strange public relations campaign, this is one of the most bizarre true political tales ever told. Beyond the slew of backroom dealmakers who were sucked into the Blagojevich imbroglio, President Barack Obama himself--while never accused of any wrongdoing--was also interviewed by federal prosecutors. Now-mayor Rahm Emanuel's discussions with Blagojevich are included as well. The political figure who became most entangled with the scandal, however, was Congressman Jesse Jackson Jr., who is accused of offering Blagojevich $6 million for Obama's vacated Senate seat through an intermediary.
We are where we are has become one of the great truisms of the current crisis facing the country. But how did we get here and can an inspection of the roots of our modern failings - of government, state agencies and church - help us to pave a way forward? Scandal Nation argues the case as it analyses twelve key events since the foundation of the Irish state that shaped us as a nation. It examines the culture within which these events occurred, how they unfolded and their impact on what followed.
An investigative journalist looks at America's complex relationship with steroids and how it has become the country's most dangerous and pervasive drug addiction, examining incidence of steroid use throughout the world of sports, from the bodybuilders of the 1970s, to the baseball scandals of today, and profiling the godfather of the steroid movement, Dan Duchaine. 75,000 first printing.
Many have told of the East India Company’s extraordinary excesses in eighteenth-century India, of the plunder that made its directors fabulously wealthy and able to buy British land and titles, but this is only a fraction of the story. When one of these men—Warren Hastings—was put on trial by Edmund Burke, it brought the Company’s exploits to the attention of the public. Through the trial and after, the British government transformed public understanding of the Company’s corrupt actions by creating an image of a vulnerable India that needed British assistance. Intrusive behavior was recast as a civilizing mission. In this fascinating, and devastating, account of the scandal that laid the foundation of the British Empire, Nicholas Dirks explains how this substitution of imperial authority for Company rule helped erase the dirty origins of empire and justify the British presence in India. The Scandal of Empire reveals that the conquests and exploitations of the East India Company were critical to England’s development in the eighteenth century and beyond. We see how mercantile trade was inextricably linked with imperial venture and scandalous excess and how these three things provided the ideological basis for far-flung British expansion. In this powerfully written and trenchant critique, Dirks shows how the empire projected its own scandalous behavior onto India itself. By returning to the moment when the scandal of empire became acceptable we gain a new understanding of the modern culture of the colonizer and the colonized and the manifold implications for Britain, India, and the world.
Dear Reader, In February 2013 I gave a speech at the National Prayer Breakfast. Standing a few feet from President Obama, I warned my fellow citizens of the dangers facing our country and called for a return to the principles that made America great. Many Americans heard and responded, but our nation’s decline has continued. Today the danger is greater than ever before, and I have never shared a more urgent message than I do now. Our growing debt and deteriorating morals have driven us far from the founders’ intent. We’ve made very little progress in basic education. Obamacare threatens our health, liberty, and financial future. Media elitism and political correctness are out of control. Worst of all, we seem to have lost our ability to discuss important issues calmly and respectfully regardless of party affiliation or other differences. As a doctor rather than a politician, I care about what works, not whether someone has an (R) or a (D) after his or her name. We have to come together to solve our problems. Knowing that the future of my grandchildren is in jeopardy because of reckless spending, godless government, and mean-spirited attempts to silence critics left me no choice but to write this book. I have endeavored to propose a road out of our decline, appealing to every American’s decency and common sense. If each of us sits back and expects someone else to take action, it will soon be too late. But with your help, I firmly believe that America may once again be “one nation under God, indivisible, with liberty and justice for all.” Sincerely, Ben Carson
Cocaine is big business and getting bigger. Governments spend millions on an unwinnable war against it, yet it's now the drug of choice in the West. How did the cocaine economy get so huge? Who keeps it running behind the scenes? In The Candy Machine Tom Feiling travels the trade routes from Colombia via Miami, Kingston and Tijuana to London and New York. He meets Medillin hitmen, US kingpins, Brazilian traffickers, and talks to soldiers and narcotics officers who fight the gangs and cartels. He traces cocaine's progress from legal 'pick-me-up' to luxury product to global commodity, looks at legalization programmes in countries such as Switzerland, and shows how America's anti-drugs crusade is actually increasing demand. Cutting through the myths about the white market, this is the story of cocaine as it's never been told before.
The Magdalen laundries were workhouses in which many Irish women and girls were effectively imprisoned because they were perceived to be a threat to the moral fiber of society. Mandated by the Irish state beginning in the eighteenth century, they were operated by various orders of the Catholic Church until the last laundry closed in 1996. A few years earlier, in 1993, an order of nuns in Dublin sold part of their Magdalen convent to a real estate developer. The remains of 155 inmates, buried in unmarked graves on the property, were exhumed, cremated, and buried elsewhere in a mass grave. This triggered a public scandal in Ireland and since then the Magdalen laundries have become an important issue in Irish culture, especially with the 2002 release of the film The Magdalene Sisters. Focusing on the ten Catholic Magdalen laundries operating between 1922 and 1996, Ireland's Magdalen Laundries and the Nation's Architecture of Containment offers the first history of women entering these institutions in the twentieth century. Because the religious orders have not opened their archival records, Smith argues that Ireland's Magdalen institutions continue to exist in the public mind primarily at the level of story (cultural representation and survivor testimony) rather than history (archival history and documentation). Addressed to academic and general readers alike, James M. Smith's book accomplishes three primary objectives. First, it connects what history we have of the Magdalen laundries to Ireland's “architecture of containment” that made undesirable segments of the female population such as illegitimate children, single mothers, and sexually promiscuous women literally invisible. Second, it critically evaluates cultural representations in drama and visual art of the laundries that have, over the past fifteen years, brought them significant attention in Irish culture. Finally, Smith challenges the nation—church, state, and society—to acknowledge its complicity in Ireland's Magdalen scandal and to offer redress for victims and survivors alike.