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From the esteemed author of Intervalic Improvisation: The Modern Sound, this book is the most thorough and exhaustive study of scales and arpeggios ever assembled. Included are 21 scales and arpeggios every jazz musician needs to know based on the Major, Melodic Minor, and Harmonic Minor modes. Also included are specially-designed etudes to open your ears and increase your modal awareness. This book will allow any instrumentalist to gain facility and a solid understanding of modes, how they work, and how to best use them in practice and performance. 204 pages.
Gain seemingly impossible facility beyond the horn's previously-considered limits. This is a huge, 248 page spiral-bound book with enough material to keep the serious student busy for many months. Expanding on his last book, Around the Horn, author and recording artist Walt Weiskopf has raised the bar again with Beyond the Horn, a new book co-authored by saxophonist Ed Rosenberg. Beyond the Horn highlights intervals of 3rds, 5ths, 6ths, 10ths, and introduces the concept of octave displacement. Studies and Exercises are in all 12 keys. The book concludes with 20 etudes based on standard chord changes that incorporate this new material, so you have a solid reference for how and where to apply the techniques and concepts learned. This book will add increasingly larger intervals to your vocabulary and open your ears as well. Also included are author's notes on how to practice the technically challenging material. Successfully taught at the famous Eastman School of Music for the past several years, this method will take you beyond your previously assumed technical limits. For all musicians looking for a new direction.
As a technique builder for improvisation on the violin, this book is comprehensive. It provides: the arpeggios for 7th chords with useful fingerings, a variety of modal, blues and jazz scales, and rhythm exercises to develop technique. Improvisation is often taught with various scales. In addition, this book teaches the 7th arpeggios of many chords in all keys, and in several positions to help navigate the fingerboard and get to chord tones. A short music theory section describes the reasons that the 7th arpeggio is essential to improvisation. You can use these notes in many sequences and rhythms to improvise. The exercises are appropriate for beginners with good shifting skills. Three octaves are provided, but beginners can start with one or two octaves. Since students of fiddling or jazz violin often do not have a teacher for specific improvisation technique, this book provides useful, wide-ranging suggestions to help a developing violin improviser improve their musical techniques.
The most highly acclaimed jazz piano method ever published! Over 300 pages with complete chapters on Intervals and triads, The major modes and II-V-I, 3-note voicings, Sus. and phrygian Chords, Adding notes to 3-note voicings, Tritone substitution, Left-hand voicings, Altering notes in left-hand Stride and Bud Powell voicings, Block chords, Comping ...and much more! Endorsed by Kenny Barron, Down Beat, Jamey Aebersold, etc.
First to be published in the series was The Art of French Horn Playing by Philip Farkas, now Distinguished Professor Emeritus of Music at Indiana University. In 1956, when Summy-Birchard published Farkas's book, he was a solo horn player for the Chicago Symphony and had held similar positions with other orchestras, including the Boston Symphony, Cleveland Orchestra, and Kansas City Conservatory, DePaul University, Northwestern University, and Roosevelt University in Chicago. The Art of French Horn Playing set the pattern, and other books in the series soon followed, offering help to students in learning to master their instruments and achieve their goals.
A rich and fascinating account of one of music history’s most ancient, varied, and distinctive instruments From its origins in animal horn instruments in classical antiquity to the emergence of the modern horn in the seventeenth century, the horn appears wherever and whenever humans have made music. Its haunting, timeless presence endures in jazz and film music, as well as orchestral settings, to this day. In this welcome addition to the Yale Musical Instrument Series, Renato Meucci and Gabriele Rocchetti trace the origins of the modern horn in all its variety. From its emergence in Turin and its development of political and diplomatic functions across European courts, to the revolutionary invention of valves, the horn has presented in innumerable guises and forms. Aided by musical examples and newly discovered sources, Meucci and Rocchetti’s book offers a comprehensive account of an instrument whose history is as complex and fascinating as its music.
"Foundations for Superior Performance" is designed to help structure the daily rehearsal and advance the performance level of the ensemble. The primary goal is to offer a framework of exercises and routine drills that will facilitate the mastery of essential playing fundamentals. Different skill levels have been integrated into this book to meet the needs of the inexperienced player, and, at the same time, challenge the most advanced.
This comprehensive, annotated resource of solo repertoire for the horn documents in detail the rich catalogue of original solo compositions for the instrument. Intended as a guide for practical use and easy reference, it is organized into three large sections: works for unaccompanied horn, works for horn and keyboard, and works for horn and ensemble. Each entry includes publisher information, a brief description of the form and character of a work, technical details of the horn writing, and information on dedication and premiere. The authors also include commentary on the various techniques required and the performance challenges of each piece. Representing over ten years of careful compilation and notation by an expert in horn performance and pedagogy, and by a seasoned music librarian and natural horn performer, Guide to the Solo Horn Repertoire will be an invaluable resource for performers, educators, and composers.