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Yonkers, New York, finds its place on the literary map of America. Transcending all the limitations of "ethnic literature" and mobster stereotyping, David Prete flawlessly (and seemingly effortlessly) nails Italian-American life to the page and elevates it to a new place in American writing. Say That to My Face introduces us to Joey Frascone and his family and friends in the tense, violent, racially divided Yonkers of the Seventies and Eighties. His childhood segmented between four homes and his teenage dreams pulling him towards the challenge and excitement of New York City, Joey is a handsome kid whose intense and conflicting loyalties threaten to tear him apart. Whether responding to the crush of a motherless girl whose sister he adores; flirting with danger during the terrifying summer of mass-murderer "Son of Sam"; cheating his teammates of a victory to save a friend on the ballfield; watching his mother play softball against his father ("in her lovely red dress, she pretended to fix her crotch and spit out a wad of chewing tobacco... With one shake of her ass in the batter's box of a church parking lot, my mother dropped thirty years"); or struggling with the mind-blowing high of a lifetime while running drugs from Jamaica, Frascone wins the reader's steadfast allegiance as he tries to figure out where his own truest loyalties lie. Capturing people in flux between their better and worse selves, David Prete is one outstanding storyteller. With hilarious, thrilling, and painful accuracy, he evokes the color and poignancy and humor of Italian-American speech and the characters who use it. Like barman Frank Gianguzzi, whose favorite term of affection is "coog," from the Italian "cugino," or cousin, or any of its variations: "coog-o, coogini, coogette, coogie coog, coog a'bell, coog a'brut." Or Benny Colangelo, the quintessential neighborhood guy, "emanating his future. A future of work, neighborhood, family, and the beautiful poetry of routine." Or Joey's butcher grandfather, scratching his grandson's back with his thick, heavy butcher's nails, as he yells, "Look at the prince here." Or his Uncle Gingy, whose motto — "the one thing you don't mess with is family"-doesn't seem to apply to how he treats his wife. Having come of age among characters as memorable as any in Faulkner's Mississippi, Joey finds that even when he escapes Yonkers for the sophisticated city sparkling at the other side of the bridge, his past isn't forgotten: the past isn't even past.
Jessica Wakefield tries to deal with nasty rumors about her which are circulating around her school.
Finalist for the 2022 Cheiron Book Prize​ An Organ of Murder explores the origins of both popular and elite theories of criminality in the nineteenth-century United States, focusing in particular on the influence of phrenology. In the United States, phrenology shaped the production of medico-legal knowledge around crime, the treatment of the criminal within prisons and in public discourse, and sociocultural expectations about the causes of crime. The criminal was phrenology’s ideal research and demonstration subject, and the courtroom and the prison were essential spaces for the staging of scientific expertise. In particular, phrenology constructed ways of looking as well as a language for identifying, understanding, and analyzing criminals and their actions. This work traces the long-lasting influence of phrenological visual culture and language in American culture, law, and medicine, as well as the practical uses of phrenology in courts, prisons, and daily life.
Relearn the intuitive language of face reading From birth, face is our first language. We are born face readers—knowing to seek out human features and faces from the moment our eyes open. We all have the intuitive ability to read and interpret the feelings and expressions of those around us. In Read the Face, master face reader Eric Standop unlocks the power of this innate human ability, sharing his own journey to become a face reading master, along with stories that illustrate the power of this unique language. Using a combination of three different schools of face reading, along with a scientific accuracy to detect the most fleeting microexpressions, Standop is able to read personality, character, emotions, and even the state of a person’s health—all from simply glancing at their face. The book is divided into sections focusing on specific ways that face reading can offer insight, such as Health, Love, Communication, Work and Success. The stories are accompanied by detailed black and white illustrations of faces, allowing readers to observe the same features that Standop interpreted. The final section of the book outlines the meanings of dozens of facial features and face shapes, so that readers can recognize their own innate intuitive powers and develop them. Read the Face is a guide to using the ancient art and science of face reading to go beyond the surface and create the boldest life possible.
NEW YORK TIMES BESTSELLER • In these hilarious essays, the Saturday Night Live head writer and Weekend Update co-anchor learns how to take a beating. “I always wanted to punch his face before I read this book. Now I just want to kick him in the balls.”—Larry David NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Cosmopolitan • Vulture • Parade If there’s one trait that makes someone well suited to comedy, it’s being able to take a punch—metaphorically and, occasionally, physically. From growing up in a family of firefighters on Staten Island to commuting three hours a day to high school and “seeing the sights” (like watching a Russian woman throw a stroller off the back of a ferry), to attending Harvard while Facebook was created, Jost shares how he has navigated the world like a slightly smarter Forrest Gump. You’ll also discover things about Jost that will surprise and confuse you, like how Jimmy Buffett saved his life, how Czech teenagers attacked him with potato salad, how an insect laid eggs inside his legs, and how he competed in a twenty-five-man match at WrestleMania (and almost won). You'll go behind the scenes at SNL and Weekend Update (where he's written some of the most memorable sketches and jokes of the past fifteen years). And you’ll experience the life of a touring stand-up comedian—from performing in rural college cafeterias at noon to opening for Dave Chappelle at Radio City Music Hall. For every accomplishment (hosting the Emmys), there is a setback (hosting the Emmys). And for every absurd moment (watching paramedics give CPR to a raccoon), there is an honest, emotional one (recounting his mother’s experience on the scene of the Twin Towers’ collapse on 9/11). Told with a healthy dose of self-deprecation, A Very Punchable Face reveals the brilliant mind behind some of the dumbest sketches on television, and lays bare the heart and humor of a hardworking guy—with a face you can’t help but want to punch.
A funny, moving, and true story of an ordinary boy with an extraordinary face that's perfect for fans of Wonder—now available in the U.S. When Robert Hoge was born, he had a tumor the size of a tennis ball in the middle of his face and short, twisted legs. Surgeons removed the tumor and made him a new nose from one of his toes. Amazingly, he survived—with a face that would never be the same. Strangers stared at him. Kids called him names, and adults could be cruel, too. Everybody seemed to agree that he was “ugly.” But Robert refused to let his face define him. He played pranks, got into trouble, had adventures with his big family, and finally found a sport that was perfect for him to play. And Robert came face to face with the biggest decision of his life, he followed his heart. This poignant memoir about overcoming bullying and thriving with disabilities shows that what makes us “ugly” also makes us who we are. It features a reflective foil cover and black-and-white illustrations throughout.