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A provocative and timely new take on self-portraiture and erotica Featuring a black vinyl cover with gold foil stamping, Say So brings together American artist Whitney Hubbs' (born 1977) recent self-portraits, made in the style of cheap, pornographic pin-up photography. After her acclaimed book Woman in Motion, in which she photographed models, Say So continues her quest to explore and challenge the relationship between the camera and the female body. In it, she uses and abuses her own body to revealing effect in masochistic (BDSM) performances which sit at the intersection of eroticism and humiliation and are wonderfully uncomfortable to digest. Using the camera as both an audience and a mirror, Hubbs positions her work within a long tradition of artists using photographic self-portraiture--from Claude Cahun to Valie Export and Boris Mikhailov--and reworks its language with a stripped-down, rowdy formalism that pays homage to her Riot Grrrl past. Say So offers up an outside position (drenched in inky black humor) responding to precarity, loneliness and marginalization in a world badly off its tilt. Hubbs' photographic work is accompanied by a new essay by iconic writer and critic Chris Kraus, author of the seminal novel I Love Dick.
Love happens in this instant tale when a young, young girl meets a boy who is very off into his world of pride, joy, and the comfort of wealth. Being open about life and their journey together as friends they grow up believing they would be together forever...until a tragedy befalls their small town. Separated from their loved ones they make it through with the help of the people who loved them. Will death be their final blow? Will they survive the torment of separation? And, will they find each other?
Failure is not a sign of weakness. Failure is an open door to find a new way.
Reprint of the original, first published in 1877.
In If You Say So, James Sweigert, mentor and coach to many celebrities, rockstars, and movie executives, writes about a key truth: the way you conceptualize your life- the story you tell yourself-makes it what it is. If you say so.
The first in-depth exploration of the rise and evolution of abstract, symbolic, and conceptual portraiture in American art This groundbreaking book traces the history of portraiture as a site of radical artistic experimentation, as it shifted from a genre based on mimesis to one stressing instead conceptual and symbolic associations between artist and subject. Featuring over 100 color illustrations of works by artists from Charles Demuth, Marcel Duchamp, Marsden Hartley, and Georgia O'Keeffe to Janine Antoni, Felix Gonzalez-Torres, Roni Horn, Jasper Johns, and Glenn Ligon, this timely publication probes the ways we think about and picture the self and others. With particular focus on three periods during which non-mimetic portraiture flourished--1912-25, 1961-70, and 1990-the present--the authors investigate issues related to technology, sexuality, artist networks, identity politics, and social media, and explore the emergence of new models for the visual representation of identity. Taking its title from a 1961 work by Robert Rauschenberg--a telegram that stated, "This is a portrait of Iris Clert if I say so"--this book unites paintings, sculpture, photography, and text portraits that challenge the genre in significant, often playful ways and question the convention, as well as the limits, of traditional portrayal.
For over fifty years, one fact has dominated global politics- the United States can respond to any challenge to its power however it sees fit. Whatever the world may think, US actions are legitimate simply because they say so. With charateristic clarity and authority, Chomsky takes American imperialism head-on. From Edward Snowden and Palestinian-Israeli relations to political philosophy and how we structure democracy, Because We Say So offers a cross-section of perspectives on the question of America's ongoing hegemony.
When Frederick shows up at school, Xio is thrilled. The new boy is shy, cute, and definitely good boyfriend material. Before long, she pulls him into her lively circle of friends. Frederick knows he should be flattered by Xio's attention. After all, she's popular, pretty, and a lot of fun. So why can't he stop thinking about Victor, the captain of the soccer team, instead?
This immensely readable biography tells the story of Shoeless Joe Jackson, generally considered baseball's greatest natural hitter ever--but who was implicated in the most notorious sports scandal in American history. of photos.