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Yonkers, New York, finds its place on the literary map of America. Transcending all the limitations of "ethnic literature" and mobster stereotyping, David Prete flawlessly (and seemingly effortlessly) nails Italian-American life to the page and elevates it to a new place in American writing. Say That to My Face introduces us to Joey Frascone and his family and friends in the tense, violent, racially divided Yonkers of the Seventies and Eighties. His childhood segmented between four homes and his teenage dreams pulling him towards the challenge and excitement of New York City, Joey is a handsome kid whose intense and conflicting loyalties threaten to tear him apart. Whether responding to the crush of a motherless girl whose sister he adores; flirting with danger during the terrifying summer of mass-murderer "Son of Sam"; cheating his teammates of a victory to save a friend on the ballfield; watching his mother play softball against his father ("in her lovely red dress, she pretended to fix her crotch and spit out a wad of chewing tobacco... With one shake of her ass in the batter's box of a church parking lot, my mother dropped thirty years"); or struggling with the mind-blowing high of a lifetime while running drugs from Jamaica, Frascone wins the reader's steadfast allegiance as he tries to figure out where his own truest loyalties lie. Capturing people in flux between their better and worse selves, David Prete is one outstanding storyteller. With hilarious, thrilling, and painful accuracy, he evokes the color and poignancy and humor of Italian-American speech and the characters who use it. Like barman Frank Gianguzzi, whose favorite term of affection is "coog," from the Italian "cugino," or cousin, or any of its variations: "coog-o, coogini, coogette, coogie coog, coog a'bell, coog a'brut." Or Benny Colangelo, the quintessential neighborhood guy, "emanating his future. A future of work, neighborhood, family, and the beautiful poetry of routine." Or Joey's butcher grandfather, scratching his grandson's back with his thick, heavy butcher's nails, as he yells, "Look at the prince here." Or his Uncle Gingy, whose motto — "the one thing you don't mess with is family"-doesn't seem to apply to how he treats his wife. Having come of age among characters as memorable as any in Faulkner's Mississippi, Joey finds that even when he escapes Yonkers for the sophisticated city sparkling at the other side of the bridge, his past isn't forgotten: the past isn't even past.
Jessica Wakefield tries to deal with nasty rumors about her which are circulating around her school.
A brilliant, bruising depiction of the dark side of 1950s Hollywood, from the author of In Love. At a Hollywood party, a screenwriter rescues an aspiring actress from a drunken suicide attempt. He is married, disillusioned; she is young, seemingly wise to the world and its slights. They slide into a casual relationship together, but as they become ever more entangled, he realises that his actions may have more serious consequences than he could ever have suspected. Hayes' exquisite novella, written in his cool, inimitable style, holds a revealing light to the hollowness of the Hollywood dream and exposes the untruths we tell ourselves, even when we think we have left illusions behind. 'A masterpiece ... an insider's manual for all those who would aspire to fame, the ghostly glamour of the movies' Nicholas Lezard, Guardian 'Hayes is the poet of the things we think about while lying in bed, when sleep refuses to carry us off' David Thomson
The actor and founder of the Alan Alda Center for Communicating Science traces his personal quest to understand how to relate and communicate better, from practicing empathy and using improv games to storytelling and developing better intuitive skills.
George MacDonald (1824-1905) was a Scottish author, poet, and Christian minister. He was a pioneering figure in the field of fantasy literature and the mentor of fellow writer Lewis Carroll. This edition includes: George MacDonald by Annie Matheson Fantasy Fiction: The Princess and the Goblin The Princess and Curdie Phantastes At the Back of the North Wind The Lost Princess: A Double Story The Day Boy and the Night Girl The Flight of the Shadow Lilith: A Romance Adela Cathcart The Portent and Other Stories Dealings with the Fairies Stephen Archer and Other Tales Realistic Fiction: David Elginbrod (The Tutor's First Love) Alec-Forbes of Howglen (The Maiden's Bequest) Robert Falconer (The Musician's Quest) Ranald Bannerman's Boyhood Wilfrid Cumbermede Gutta Percha Willie St. George and St. Michael Mary Marston (A Daughter's Devotion) Warlock o' Glenwarlock (The Laird's Inheritance) Weighed and Wanting (A Gentlewoman's Choice) What's Mine's Mine (The Highlander's Last Song) Home Again (The Poet's Homecoming) The Elect Lady (The Landlady's Master) A Rough Shaking Heather and Snow (The Peasant Girl's Dream) Salted with Fire (The Minister's Restoration) Far Above Rubies Malcolm The Marquis of Lossie (The Marquis' Secret) Sir Gibbie (The Baronet's Song) Donal Grant (The Shepherd's Castle) Annals of a Quiet Neighbourhood The Seaboard Parish The Vicar's Daughter Thomas Wingfold, Curate (The Curate's Awakening) Paul Faber, Surgeon (The Lady's Confession) There and Back (The Baron's Apprenticeship) The Poetical Works of George MacDonald A Hidden Life and Other Poems A Book of Strife, in the Form of the Diary of an Old Soul Rampolli: Growths from a Long-planted Root Theological Writings: Unspoken Sermons The Miracles of Our Lord The Hope of the Gospel ...
The Princess Diaries meets reality television in a story about fame (the kind you definitely didn’t ask for), first love (the kind you didn’t even know you wanted), and most importantly, family (the kind you can’t live without). Ever since her mom died, Josie Lawrence has been content with her safe, predictable life. She hangs out with exactly two people: her best (and only) friend, Louise, and her stepdad, Matt. She has exactly one (unrequited) crush on resident high school himbo, Isaac. And she’s fully prepared to spend the end senior year preparing for Stanford and actively avoiding anything that reminds her of her mother. But when Josie discovers that her biological father is the recently deceased Ali Mashad—patriarch of America’s original reality TV family, dripping with wealth, fame, and Vogue magazine covers—Josie’s “predictable” life is gone quicker than you can say “you’re doing amazing, sweetie.” Being a Mashad means that the entire world is now at Josie’s feet—desperate to dress her, to photograph her, to know her—opening a door to a world that Josie never expected to find: one with a cute guy who just might be her soulmate, three ridiculous but wonderful sisters, and answers to all the questions she wishes she could ask her mom. But the biggest question of all is: If being a Mashad is the chance of a lifetime, will Josie be brave enough to take it?
Adelina Ricci was a job, until she became much more. I was tasked to protect her, but I failed. Now she is in the hands of the enemy, and this time, she doesn’t want saving. She’s going to marry him. We’re bound in a tangled web of loyalty and lies, betrayal and longing. She needs to avenge her fathers death. I just need her. A princess in a tower. A hero without a cause. A love that may ruin them both. Leave me or love me?
Hot Conflict Rule number one for "How to Throw a Wedding": Don't get kidnapped. Rule number two? Don't let your rescuer be DJ McAllister, as in tall, dark, and secretive with a bod to die for. As in the man who pushed wedding planner Mary Grace Heyward away once and left her heartbroken for, um, well forever. But now that they're running for their lives (so that's what it takes to get a man to commit!), the looks DJ's giving her tell another story, one that's making her very, very warm. And Mary Grace's mission is clear: Indulge the hot Marine's every fantasy and secure a victory of the everlasting kind. . . Hot Landing Zone The mission went bad, really bad. And Jake Mackenzie blames Dr. Katherine Collier, the egghead scientist his team was rescuing from terrorists. If she'd just obeyed his orders they wouldn't be stranded--alone--on a remote island with no way off. But hell, Jake's a Marine. He'll improvise, adapt, and overcome. . .as long as the drop-dead gorgeous Katherine stops accidentally setting off his booby traps, prancing around in what's left of her clothing, and driving him wild with desire. Protecting her is his sworn duty, and the lady seems to have some specific requests in that area. . . Hot Target Rick Cahill's got his orders: Drop into the Amazon and pick up American Peace Corp volunteer Sam Previn. Who knew Sam was actually Samantha, a beautiful redhead with a temper to match? And who knew the Colombian drug cartels would be after them? On the run in the jungle, searching secluded spots for shelter, Rick has to remind himself that Sam is off-limits, no matter how it unhinges him every time her skin brushes his. But when the savvy Sam starts speaking in military abbreviations and can load a sidearm without looking, it's clear she's something special--and just Rick's type. . . The daughter, wife, and now mother of career U.S. Marines, Amy J. Fetzer has penned twenty-eight novels and novellas in historical, historical paranormal, contemporary, and romantic suspense. Amy's work has been nominated twice for Storyteller of the Year in historical and contemporary, Career Achievement, and hit the top spots of the Waldenbooks bestseller lists, as well as winning several genre awards. After twenty-five years of traveling with the Marine Corps, Amy and her family live outside Charleston, South Carolina, enjoying the quiet, retired life, trying to behave like civilians.
Named a Favorite Book for Southerners in 2020 by Garden & Gun "Donovan is such a vivid writer—smart, raunchy, vulnerable and funny— that if her vaunted caramel cakes and sugar pies are half as good as her prose, well, I'd be open to even giving that signature buttermilk whipped cream she tops her desserts with a try.”—Maureen Corrigan, NPR Noted chef and James Beard Award-winning essayist Lisa Donovan helped establish some of the South's most important kitchens, and her pastry work is at the forefront of a resurgence in traditional desserts. Yet Donovan struggled to make a living in an industry where male chefs built successful careers on the stories, recipes, and culinary heritage passed down from generations of female cooks and cooks of color. At one of her career peaks, she made the perfect dessert at a celebration for food-world goddess Diana Kennedy. When Kennedy asked why she had not heard of her, Donovan said she did not know. "I do," Kennedy said, "Stop letting men tell your story." OUR LADY OF PERPETUAL HUNGER is Donovan's searing, beautiful, and searching chronicle of reclaiming her own story and the narrative of the women who came before her. Her family's matriarchs found strength and passion through food, and they inspired Donovan's accomplished career. Donovan's love language is hospitality, and she wants to welcome everyone to the table of good food and fairness. Donovan herself had been told at every juncture that she wasn't enough: she came from a struggling southern family that felt ashamed of its own mixed race heritage and whose elders diminished their women. She survived abuse and assault as a young mother. But Donovan's salvations were food, self-reliance, and the network of women in food who stood by her. In the school of the late John Egerton, OUR LADY OF PERPETUAL HUNGER is an unforgettable Southern journey of class, gender, and race as told at table.
The undead stand defiant before the dawn, determined to outlive and outrun the end of forever. One final time we shall know their pain and suffering for ourselves. It's time to run with the wild ones and break loose from the pack, as over twenty authors from around the world unleash their tales of an eternity gone wrong. Dare you brave such epically depraved circumstance one final time?