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In the first fully comprehensive study of one of the world's most iconic musical instruments, Stephen Cottrell examines the saxophone's various social, historical, and cultural trajectories, and illustrates how and why this instrument, with its idiosyncratic shape and sound, became important for so many different music-makers around the world.After considering what led inventor Adolphe Sax to develop this new musical wind instrument, Cottrell explores changes in saxophone design since the 1840s before examining the instrument's role in a variety of contexts: in the military bands that contributed so much to the saxophone's global dissemination during the nineteenth century; as part of the rapid expansion of American popular music around the turn of the twentieth century; in classical and contemporary art music; in world and popular music; and, of course, in jazz, a musical style with which the saxophone has become closely identified.
Johann Sebastian Bach created some of the most significant music in history, including A Keyboard Practice Consisting of an Aria with Thirty Variations for the Harpsichord—commonly known as the Goldberg Variations. Goldberg is Johann Gottlieb Goldberg, a young musician in the court of Count Keyserlingk, a Russian ambassador living in Dresden. It isn’t known for certain why Bach’s difficult composition was named for the young man, but Anna Harwell Celenza gives us one possible story based on extensive research.
The Cambridge Companion to the Saxophone, first published in 1999, tells the story of the saxophone, its history and technical development from Adolphe Sax (who invented it c. 1840) to the end of the twentieth century. It includes extensive accounts of the instrument's history in jazz, rock and classical music as well as providing practical performance guides. Discussion of the repertoire and soloists from 1850 to the present day includes accessible descriptions of contemporary techniques and trends, and moves into the electronic age with midi wind instruments. There is a discussion of the function of the saxophone in the orchestra, in 'light music' and in rock and pop studios, as well as of the saxophone quartet as an important chamber music medium. The contributors to this volume are some of the finest performers and experts on the saxophone.
Traces the history of the saxophone from its invention by the eccentric Belgian instrument maker Adolphe Sax in the 1840s to its role in the jazz genre in the twenty-first century.
(Book). This is the first illustrated history of the horns that have defined jazz since the 1920s and enhanced more recent pop and rock music with their distinctive, classy sounds. Offering superb, specially commissioned photography and inviting descriptive text, The Sax & Brass Book tells the unique 70-year story of these instruments. Exquisite, color pictorials included throughout enhance detailed historical profiles of master brass and woodwind manufacturers, including Buescher, Buffet, Conn, Holton, King, Leblanc, Martin, Sax, Selmer, Yanagisawa and Yamaha.