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The saxophone is arguably the most iconic of all instruments, but with its graceful form and soulful tone it's easy to forget that it's still a machine. It's a complicated machine, too, and even a slight fault in the mechanism can affect the way it feels and plays. This innovative manual explains clearly and simply how the mechanism functions and what can be done to maintain it, as well as to improve its performance with professional set-up techniques, with few or no specialist tools. This manual is essential reading for everyone who plays the saxophone.
This woodwind repair manual features easy-to-understand step-by-step instructions for beginners, students and seasoned woodwind repair technicians.
A comprehensive guide to repairing all woodwind musical instruments.
For beginner saxophone players. Takes you from beginner to professional level in all styles & techniques as well as teaching music theory and improvisation in an interesting and practical way. Each new technique is introduced individually and then consolidated with complete solos or pieces.
Repair Manual For Saxophone Clarinet and Flute
For beginner rock saxophone players. Covers a variety of classic sounds, rhythms and techniques essential to Rock playing. Also contains lessons on transposing, playing in all keys and improvisation.
Valuable how-to insights for saxophone players of all types and levels accompany photos, music, diagrams and a CD, in this terrific, easy-to-use resource.
Featuring step-by-step instructions and extensive color photography, explains how the instrument works, how its mechanism functions and what can be done to maintain it and improve its performance by using professional set-up techniques with few or no specialist tools. Packed with advice, tips and tweaks, this manual is essential reading for everyone who plays the clarinet.
According to Larry Teal, the best method of learning to play the saxophone is to study with a competent teacher. Teal's studies were mostly of instruments other than the saxophone, but as a student at a Chautauqua summer session, he came under the influence of Georges Barrère, the eminent French flutist. He played bass clarinet with the Detroit Symphony, but he continued to be absorbed by the saxophone. As a result of his acquired expertise and growing reputation, he was appointed to a full-time faculty position as a saxophone teacher by the University of Michigan -- the first ever to receive such an appointment from a major university. During his 21-year tenure, he attracted students from all over, thus exerting an ever widening influence on saxophone teaching and performing.