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Sufi Aesthetics argues that the interpretive keys to erotic Sufi poems and their medieval commentaries lie in understanding a unique perceptual experience. Using careful analysis of primary texts, Cyrus Ali Zargar explores the theoretical and poetic pronouncements of two major Muslim mystics, Muhyi al-Din ibn al-'Arabi (d. 1240) and Fakhr al-Din 'Iraqi (d. 1289), under the premise that behind any literary tradition exist organic aesthetic values. The complex assertions of these Sufis appear not as abstract theory, but as a way of seeing all things, including the sensory world. The Sufi masters, Zargar asserts, shared an aesthetic vision quite different from those who have often studied them. Sufism's foremost theoretician, Ibn 'Arabi, is presented from a neglected perspective as a poet, aesthete, and lover of the human form. Ibn 'Arabi in fact proclaimed a view of human beauty markedly similar to that of many mystics from a Persian contemplative school of thought, the "School of Passionate Love," which would later find its epitome in 'Iraqi, one of Persian literature's most celebrated poet-saints. Through this aesthetic approach, this comparative study overturns assumptions made not only about Sufism and classical Arabic and Persian poetry, but also other uses of erotic imagery in Muslim approaches to sexuality, the human body, and the paradise of the afterlife described in the Qur'an.
Muslim South Asia is widely characterized as a culture that idealizes female anonymity: women's bodies are veiled and their voices silenced. Challenging these perceptions, Siobhan Lambert-Hurley highlights an elusive strand of autobiographical writing dating back several centuries that offers a new lens through which to study notions of selfhood. In Elusive Lives, she locates the voices of Muslim women who rejected taboos against women speaking out, by telling their life stories in written autobiography. To chart patterns across time and space, materials dated from the sixteenth century to the present are drawn from across South Asia – including present-day India, Pakistan and Bangladesh. Lambert-Hurley uses many rare autobiographical texts in a wide array of languages, including Urdu, English, Hindi, Bengali, Gujarati, Marathi, Punjabi and Malayalam to elaborate a theoretical model for gender, autobiography, and the self beyond the usual Euro-American frame. In doing so, she works toward a new, globalized history of the field. Ultimately, Elusive Lives points to the sheer diversity of Muslim women's lives and life stories, offering a unique window into a history of the everyday against a backdrop of imperialism, reformism, nationalism and feminism.
This is the first comprehensive resource on the subject of love in the teachings of the world's major religions, cultures, and philosophies. Encyclopedia of Love in World Religions is the first reference work to offer a comprehensive portrait of love in the context of the classic and contemporary literature of Judaism, Christianity, Islam, Buddhism, and Hinduism, as well as other cultures and philosophies. Like no volume published to date, it reveals the full richness of religious teachings on love in all its many forms, exploring an extensive range of topics that offer philosophical, psychological, and religious perspectives to guide the quest for the meaning of love. Encyclopedia of Love in World Religions features approximately 300 subject entries, as well as insightful biographic sketches of preeminent thinkers, all written by a multidisciplinary team of some of the foremost scholars on the subject. Entries examine both general and culture-specific interpretations of love: not just the dichotomy of spiritual and physical love, but the full emotional spectrum of love in relationships and practices. Collectively, they encompass love's integral—and sometimes conflicting—role in shaping beliefs and behavior in a vastly diverse world.
A wealth of scholarship has highlighted how commercial, political and religious networks expanded across the Arabian Sea during the seventeenth century, as merchants from South Asia traded goods in the ports of Yemen, noblemen from Safavid Iran established themselves in the courts of the Mughal Empire, and scholars from across the region came together to debate the Islamic sciences in the Arabian Peninsula's holy cities of Mecca and Medina. This book demonstrates that the globalising tendency of migration created worldly literary systems which linked Iran, India and the Arabian Peninsula through the production and circulation of classicizing Arabic and Persian poetry. By close reading over seventy unstudied manuscripts of seventeenth-century Arabic and Persian poetry that have remained hidden on the shelves of libraries in India, Iran, Turkey and Europe, the book examines how migrant poets adapted shared poetic forms, imagery and rhetoric to engage with their interlocutors and create communities in the cities where they settled. The book begins by reconstructing overarching patterns in the movement of over a thousand authors, and the economic basis for their migration, before focusing on six case studies of literary communities, which each represent a different location in the circulatory system of the Arabian Sea. In so doing, the book demonstrates the plurality of seventeenth-century aesthetic movements, a diversity which later nationalisms purposefully simplified and misread.
Peter Wien presents a provocative discussion on the history of Iraq and the growth of nationalism during the 1930s and early 1940s. He deconstructs the established view that a large proportion of the nationalist movement in Iraq during this period was heavily influenced by Nazi Germany, arguing that the admiration for Germany was highly nuanced, and only rarely translated into admiration for Nazism. National unity and patriotism were important, but models of leadership were overwhelmingly based on Iraqis and not Hitler. Analyzing the activities of the Iraqi youth and Jewish Iraqis, Iraqi Arab Nationalism gives an understanding of Iraqis from diverse backgrounds. It incorporates source material not previously used in discussions of Iraq and nationalism and contains autobiographical and biographical material from officers, intellectuals and politicians, along with contemporary journalistic writings, which sheds new light on Iraqi nationalism.