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Sri M. P. Pandit goes through Sri Aurobindo’s epic poem Savitri: a Legend and a Symbol and provides us a systematic prose summary of the poem with its key issues, points and organization, opening up Sri Aurobindo’s master work in a useful and concise way.
Includes summary, overview and extensive verse by verse commentary.
Purchase e-Book of INDIAN LITERATURE IN TRANSLATION (English Edition) of B.A. 4th Semester for all UP State Universities Common Minimum Syllabus as per NEP. Published By Thakur Publication
Manu said that a woman’s dharma is to be mother, daughter, sister and wife in service of men, regardless of the caste. In modern times we call this patriarchy. In the Veda, the need to control and favour hierarchy, is an expression of an anxious mind. Hindu, Buddhist and Jain lore is full of tales where women do not let men define their dharma. In modern times we call this feminism. In the Veda, the acceptance of a woman's choice is an expression of a wise and secure mind. While in Western myth, patriarchy is traditional and feminism is progressive, in Indian myth both patriarchy and feminism have always co-existed, in eternal tension, through endless cycles of rebirth. Liberation thus is not a foreign idea. It has always been here. You have heard tales of patriarchy. This book tells you the other tales—the ones they don’t tell you.
Neelam’s hysterectomy at thirty hastens her into a sexless middle age and changes her relationship with her husband Ari. Their marriage remains stagnant until an unexpected telegram announces the visit of Ari’s ex-girlfriend Esha. By coincidence, their college professor Mahanam also arrives at their doorstep bearing an uncanny resemblance to Ari’s daughter. Events conspire to send all of them on a trip to Ajanta and Ellora where ancient stories spark memories of lost love and betrayal. Both deeply philosophical and playfully dramatic, The Fifth Man is a bittersweet meditation on middle-age desire.
In this distillation of frontline experiences and cultural insights, Anita Pratap, one of the finest journalists India has ever produced, faithfully reports on the consequences of war, ethnic conflict, earthquakes, cyclones, prejudices, and the mindless hatred and fear that has hurt so much of the world. Wherever there was a story to be told-from her native India to Afghanistan and Sri Lanka-Pratap braved the odds to send in reports from the front, managing to track down elusive stories and make headlines. With determined diligence she exposed the terrors inside such frightening regimes as the Taliban, returning home each time with a renewed determination to appreciate and celebrate the ordinary.
Chiefly on the partition of Punjab, 1947.
1.Introducing Translation, 2 .Using Tools of Technology for Translation, 3 .Rabindranath Tagore, The Home and the World,Tr. Surendranath Tagore, 4. Jaishankar Prasad’s Aansu (The Garden of Loneliness)—Charles S. J. White, 5. Amritsar Aa Gaya—Bhisham Sahni , 6 .The Hunt—Mahasweta Devi , 7. Aadhe Adhure (Half Way House)—Mohan Rakesh, 8. Kanyadan—Vijay Tendulkar , 9. Translation Practice (Hindi to English) , 10. Translation Practice (English to Hindi).