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Lost for 13 months in the wilds of Afghanistan, this is the dramatic, heart - warming and truly amazing story of Sarbi, the Army's most famous explosives detection dog - the miracle dog of Tarin Kot. Powerful, dramatic, heartwarming, this is the true story of Sarbi, the scruffy black Labrador - cross trained by the Australian Army as an explosiv...
Detailed textual analysis of films from Spielberg's entire career reveal that alongside conventional commercial appeal, his movies function as a self-reflexive, they invite divergent readings and self-conscious spectatorship which contradict assumptions about their ideological tendencies.
When Jillian Farmer meets Carly Foreman in the pediatrician's office, she has no idea how her life is about to be forever changed. After tragedy strikes, Jillian feels led to help a motherless child, but not everyone appreciates her help, and Jillian is soon put in the middle of a family feud. Jillian only wants what's best for Ben, the child she quickly grows to love as her own, but will she make an objective decision, or will her own feelings get in the way of doing what is right?
From his birth on the West Bank of the Jordan River in Palestine in 1950 to present-day Texas, A Space Mind narrates the story of Ross Abotteen. This memoir explores the transitions of his life and his views, sharing his experiences from his birthplace in the Holy Land through Saudi Arabia and onto his final destiny with NASA in Houston. Growing up in meager circumstances in a small village, Abotteen recalls his family life as the youngest of seven brothers and one sister. A Space Mind follows his schooling in Dammam and his subsequent move to the United States where he excelled at electrical engineering. He became contractor for NASAs Lyndon B. Johnson Space Center in Houston, where he worked as a scientist, engineer, author, and inventor from 1974 to 2009. He also shares his struggles with mental illness and cancer and how that affected him and his family. Inspirational and educational, A Space Mind offers a glimpse into a man who lived an amazing life as a scientific engineer with roots in Arabia.
Guts and Glory: The Making of the American Military Image in Film is the definitive study of the symbiotic relationship between the film industry and the United States armed services. Since the first edition was published nearly two decades ago, the nation has experienced several wars, both on the battlefield and in movie theatres and living rooms at home. Now, author Lawrence Suid has extensively revised and expanded his classic history of the mutual exploitation of the film industry and the military, exploring how Hollywood has reflected and effected changes in America's image of its armed services. He offers in-depth looks at such classic films as Wings, Thirty Seconds Over Tokyo, The Longest Day, Patton, Top Gun, An Officer and a Gentleman, and Saving Private Ryan, as well as the controversial war movies The Green Berets, M*A*S*H, the Deer Hunter, Apocalypse Now, Platoon, Full Metal Jacket, and Born on the Fourth of July.
Pearline LaWanda Nicolls (Mrs. Oscar Wayne Nicolls) will tell you that she is not the town busy-body. As she tells the girls at the Curly Q, with everything she has to do she certainly has no time for idleness or gossiping. She works part time at the Stop N Buy and helps her friend, Carmella, clean houses. The rest of her time is spent trying to take care of her own house and family and helping her husband – a proud twenty year employee at the city sanitation plant - try to make ends meet and keep the wolves from the door. Of course, she also must contend with an on-going rivalry with an uppity sister, a son who is in danger of becoming religious and thirteen large dogs, and the rigors of being a volunteer in an election campaign. Then there is the fact that her mamma suddenly goes missing and then reappears with information that Pearline could well do without. Add this to the fact that Pearline finds herself deeply involved in the events surrounding the murder of a popular high school coach and the subsequent trial of the accused killer, and an ordinary year for Pearline becomes quite unforgettable.
Beginning with Charlie Chaplin's Shoulder Arms, released in America near the end of World War I, the military comedy film has been one of Hollywood's most durable genres. This generously illustrated history examines over 225 Army, Navy and Marine-related comedies produced between 1918 and 2009, including the abundance of laughspinners released during World War II in the wake of Abbott and Costello's phenomenally successful Buck Privates (1941), and the many lighthearted service films of the immediate postwar era, among them Mister Roberts (1955) and No Time for Sergeants (1958). Also included are discussions of such subgenres as silent films (The General), military-academy farces (Brother Rat), women in uniform (Private Benjamin), misfits making good (Stripes), anti-war comedies (MASH), and fact-based films (The Men Who Stare at Goats). A closing filmography is included in this richly detailed volume.
How can your tongue get you arrested? What dessert is as smart as the average adult? What's louder: A jet plane at take-off or a hippo having sex? In the form of a lively and eccentric course catalog, Useless Knowledge, the brainchild of the creator of the wildly successful Useless Knowledge website offers up loads of facts of little consequence for the hardcore trivia buff or the casual enthusiast. Inside, you'll find topics and entries like these: The Core Curriculum The Useless School of Animals The sound that a camel makes is called "nuzzing". The Useless School of Film Warren Beatty's first job in the theater was a rat-catcher...backstage. The Useless School of History Not that he was immature, but Napoleon concocted his battle strategies in a sandbox. The Useless School of Sports It takes 3,000 cows to supply a single season's worth of footballs to the NFL. There are also Useless Schools of Television, Biology, Science and Technology, Music, Geography, and Culinary Arts.
This book offers a comprehensive examination of Spielberg's work to date, from his 18 feature films to his unrealised projects, his amateur and TV output to his experiences as a producer - even his little-known forays into acting are covered.
Jewish film characters have existed almost as long as the medium itself. But around 1990, films about Jews and their representation in cinema multiplied and took on new forms, marking a significant departure from the past. With a fresh generation of Jewish filmmakers, writers, and actors at work, contemporary cinemas have been depicting a multiplicity of new variants, including tough Jews; brutish Jews; gay and lesbian Jews; Jewish cowboys, skinheads, and superheroes; and even Jews in space. The New Jew in Film is grounded in the study of over three hundred films from Hollywood and beyond. Nathan Abrams explores these new and changing depictions of Jews, Jewishness, and Judaism, providing a wider, more representative picture of this transformation. In this compelling, surprising, and provocative book, chapters explore masculinity, femininity, passivity, agency, and religion in addition to a departure into new territory—including bathrooms and food. Abrams’s concern is to reveal how the representation of the Jew is used to convey confidence or anxieties about Jewish identity and history as well as questions of racial, sexual, and gender politics. In doing so, he provides a welcome overview of important Jewish films produced globally over the past twenty years.