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Mimi Wallingford, Great Granddaughter of Adelaide Wallingford, has the life that most girls dream about, playing Juliet opposite teen heartthrob Troy Summer on Broadway in Shakespeare's famous play. Unfortunately, she has no desire to be an actress, a fact her mother can't seem to grasp. But when she and Troy are magically thrust into Shakespeare's Verona, they experience the feud between the Capulets and Montagues first hand. Mimi realizes that she and Juliet have more in common than Shakespeare's script-they are both fighting for futures of their own choosing. Mimi feels compelled to help her and with Troy's unexpected help, hopes to give Shakespeare's most famous tragedy a happily-ever-after-ending.
Sixteen-year-old Katrina's kindness to a man she finds sleeping behind her grandmother's coffeehouse leads to a strange reward as Malcolm, who is actually a teenage guardian angel, insists on rewarding her by granting her deepest wish.
Katrina works in her grandmother's coffee shop in a small town in Washington State, which isn't exactly the coolest job, given that it's an old-world Scandinavian coffee shop rather than the ultra hip Java Hut next door. One morning, when she gives a free cup of coffee and muffin to a homeless guy sleeping out behind the shop, this random act of kindness turns her life upside down. She soon learns that the homeless guy is actually a teenage guardian angel intent on returning the favor. Fame and fortune seem like the obvious requests, but after two botched wishes, Malcolm knows Katrina is hiding something from him. But how can she tell him the truth, when her heart's desire has become Malcolm himself?
The International Bestseller “Lois Leveen’s richly detailed, fascinating novel offers a wholly original and intriguing take on one of Shakespeare’s most beloved plays” (New York Times bestselling author Jennifer Chiaverini). In Verona, a city ravaged by plague and political rivalries, a mother mourning the death of her day-old infant enters the household of the powerful Cappelletti family to become the wet-nurse to their newborn baby. As she serves her beloved Juliet over the next fourteen years, the nurse learns the Cappellettis’ darkest secrets. Those secrets—and the nurse’s deep personal grief—erupt across five momentous days of love and loss that destroy a daughter, and a family. By turns sensual, tragic, and comic, Juliet’s Nurse gives voice to one of literature’s most memorable and distinctive characters, a woman who was both insider and outsider among Verona’s wealthy ruling class. Exploring the romance and intrigue of interwoven loyalties, rivalries, jealousies, and losses only hinted at in Shakespeare’s play, this is a never-before-heard tale of the deepest love in Verona—the love between a grieving woman and the precious child of her heart. In the tradition of Sarah Dunant, Philippa Gregory, and Geraldine Brooks, Juliet’s Nurse is a rich prequel that reimagines the world’s most cherished tale of love and loss, suffering and survival.
Adaptation in Young Adult Novels argues that adapting classic and canonical literature and historical places engages young adult readers with their cultural past and encourages them to see how that past can be rewritten. The textual afterlives of classic texts raise questions for new readers: What can be changed? What benefits from change? How can you, too, be agents of change? The contributors to this volume draw on a wide range of contemporary novels – from Rick Riordan's Percy Jackson series and Megan Shepherd's Madman's Daughter trilogy to Jesmyn Ward's Salvage the Bones – adapted from mythology, fairy tales, historical places, and the literary classics of Shakespeare, Charles Dickens, Jane Austen, and F. Scott Fitzgerald, among others. Unpacking the new perspectives and critiques of gender, sexuality, and the cultural values of adolescents inherent to each adaptation, the essays in this volume make the case that literary adaptations are just as valuable as original works and demonstrate how the texts studied empower young readers to become more culturally, historically, and socially aware through the lens of literary diversity.
A modern-day Taming of the Shrew that concludes at a high school prom. An agoraphobic Olivia from Twelfth Night sending video dispatches from her bedroom. A time-traveling teenager finding romance in the house of Capulet. Shakespeare and Girls’ Studies posits that Shakespeare in popular culture is increasingly becoming the domain of the adolescent girl, and engages the interdisciplinary field of Girls’ Studies to analyze adaptation and appropriation of Shakespeare’s plays in the late 20th and early 21st centuries. Through chapters on film, television, young adult fiction, and web series aimed at girl readers and audiences, this volume explores the impact of girl cultures and concerns on Shakespeare’s afterlife in popular culture and the classroom. Shakespeare and Girls’ Studies argues that girls hold a central place in Shakespearean adaptation, and that studying Shakespeare through the lens of contemporary girlhoods can generate new approaches to Renaissance literature as well as popular culture aimed at girls and young people of marginalized genders. Drawing on contemporary cultural discourses ranging from Abstinence-Only Sex Education and Shakespeare in the US Common Core to rape culture and coming out, this book addresses the overlap between Shakespeare’s timeless girl heroines and modern popular cultures that embrace figures like Juliet and Ophelia to understand and validate the experiences of girls. Shakespeare and Girls’ Studies theorizes Shakespeare’s past and present cultural authority as part of an intersectional approach to adaptation in popular culture.
The most current and complete guide to a favorite teen genre, this book maps current releases along with perennial favorites, describing and categorizing fantasy, paranormal, and science fiction titles published since 2006. Speculative fiction continues to be of consuming interest to teens, so if you work with that age group, keeping up with the explosion of new titles in this category is critical. Likewise, understanding the many genres and subgenres into which these titles fall—wizard fantasy, alternate worlds, fantasy mystery, dystopian fiction, science fantasy, and more—is also key if you want to motivate young readers and direct them to books they'll enjoy. Written to help you master a complex array of genres and titles, this guide includes more than 1,500 books, most published since 2006, organizing them by genre, subgenre, and theme. Subgenres growing in popularity such as "steampunk" are highlighted to keep you current with the latest trends. The guide will serve three audiences. Of course, you can turn to it as you help your teenage patrons select the books and genres that will interest them most. Teen readers, whether devoted fans or newcomers, can use it themselves to find titles and subgenres they might like. In addition, the guide will help teachers and parents match students with the right books.
FORD: Our enemies have taken the only thing that matters—her—and I intend to make them pay. In blood. JULIET: My father has sold me into slavery. Again. This time to a madman who wants to make me his bride. What do I have to say about that? Over his dead body. I’m going to destroy my father and my would-be husband and anyone else who stands in the way of the one dream that has replaced all others. The dream of a life, a future, a family with Ford. This man has become my world, my best friend, my ally, and the biggest piece of my heart. I’ll do whatever it takes to find my way back to him. Even if it means burning this broken kingdom to the ground… Broken Kingdom is the final installment in the Lost Moon University series. NO cliffhanger.
Shakespearean Echoes assembles a global cast of established and emerging scholars to explore new connections between Shakespeare and contemporary culture, reflecting the complexities and conflicts of Shakespeare's current international afterlife.
The collective trauma of the COVID-19 pandemic. Digital shaming. Violence against women. Sexual bullying. Racial slurs and injustice. These are just some of the problems faced by today's young adults. Liberating Shakespeare explores how adaptations of Shakespeare's plays can be used to empower young audiences by addressing issues of oppression, trauma and resistance. Showcasing a wide variety of approaches to understanding, adapting and teaching Shakespeare, this collection examines the significant number of Shakespeare adaptations targeting adolescent audiences in the past 25 years. It examines a wide variety of creative works made for and by young people that harness the power of Shakespeare to address some of the most pressing questions in contemporary culture – exploring themes of violence, race relations and intersectionality. The contributors to this volume consider whether the representations of characters and situations in YA Shakespeare can function as empowering models for students and how these works might be employed within educational settings. This collection argues that YA Shakespeare represents the diverse concerns of today's youth and should be taken seriously as art that speaks to the complexities of a broken world, offering moments of hope for an uncertain future.