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The fifteenth collection by a celebrated poet whose “terrific, boisterous energy has never flagged” (Megan Harlan, San Francisco Chronicle). In Save the Last Dance, Gerald Stern gives us a stunning collection of his intimately personal—yet always universal, and always surprising—poems, rich with humor and insight. Shorter lyric poems in the first two parts continue the satirical and often redemptive vision of his last collection, Everything Is Burning, while never failing to carve out new emotional territory. In the third part, a long poem called "The Preacher," Stern takes the book of Ecclesiastes as a starting point for a meditation on loss, futility, and emptiness, represented here by the concept of a "hole" that resurfaces throughout.
Nonfiction back stories of 1960's rock and roll music business pioneers- the labels, the artists and the promoters, told in the gritty style of Nick Tosches.
Finalist for the 2021 PEN/Voelcker Award for Poetry Collection An illuminating and irascible compilation of selected and new poems from National Book Award winner Gerald Stern. For five decades, Gerald Stern has been writing his own brand of expansive, deep-down American poetry. Now in his nineties, this “sometimes comic, sometimes tragic visionary” (Edward Hirsch) engages a lifetime of memories in his poems, blending philosophical, wide-ranging intellect with boisterous wit. Memory unites the poems in Blessed as We Were, which reach back through seven collections written over almost two decades. Stern explores casual miracles, relationships, and the natural world in Last Blue (2000); offers a satirical and redemptive vision in Everything Is Burning (2005) and Save the Last Dance (2008); meditates on the metamorphosis of aging in In Beauty Bright (2012); and captures the sensual joys of life—even when they are far in the past—in the wistful love poems and elegies of Galaxy Love (2017). The volume concludes with over two dozen new poems that combine the metaphysical with the domestic, from the passage of time and the cost of love to the profound banality of cardboard and its uses. With his characteristic exuberant, oracular voice animating every line, Stern reminds us why he is one of the great American poets, one who has long “been telling us that the best way to live is not so much for poetry, but through poetry” (New York Times Book Review).
In July 2006, teachers of writing came together to share their knowledge, experience and creative expression in language arts as participants in the Meadow Brook Writing Project at Oakland University in Rochester, Michigan. Affiliated with the National Writing Project, the Meadow Brook Writing Project's 2006 Summer Institute provided these teachers with the opportunity to learn from each other and write together during a month of intensive professional development. In the Company of Writers 2006 is the wonderful anthology resulting from their collaboration. All participants, from elementary through college, returned to their classrooms in the fall, inspired and ready to pass on that inspiration to their students in order to help them become better writers.
(Book). This entertaining book presents the U.S. and U.K. Top 20 charts side by side, month by month showing how rock and pop developed on each side of the Atlantic. Fully updated, it lists the hits from 1954 through 2003. Alongside every song listing, readers will find important facts such as the artist's name and nationality, current and previous month's chart position, record label, weeks on the chart, and simultaneous position on the other side of the pond. Includes an alphabetical listing of song titles with artists, and an alphabetical listing of artists with song titles and chart-entry dates, enabling easy cross-referencing to help you track down any Top 20 record since 1954.
A collection of thought provoking, inspirationally written poetry.
Poetic Poetry is a twenty year collection of poetry that inspires and comforts all who reads it. These poems are based on real life events including marriage, relationships, death, nature, and pain. It is a poem for everyone within the pages of Poetic Poetry.
Enjoy this traditional, kisses-only Regency romance series starter from national bestselling historical romance author Cora Lee... A pretend courtship and private dancing lessons allow two old friends to consider their future together. Who will confess their growing love first? Mr. Benedict Grey is the only heir to a long-standing title, and he knows his duty: find a suitable girl, get married, secure the succession beyond himself. But if a gentleman could be called a wallflower, Benedict would fit the description perfectly. And for the past six years, he’s been out of Society more than he’s been in it. How will he find a woman to wed and bed when he can barely converse with the ladies of the ton? Lady Honoria Maitland has promised her dying father that, before he breathes his last, she would find a husband to take care of her. But she wants a gentleman that loves her, not her dowry or her name. When she reunites with her old friend Benedict, she proposes a plan that will help them both: a faux courtship and betrothal. She can teach him how to woo a woman and simultaneously ease her father’s last days. But Honoria’s clever plan failed to account for Benedict’s heart...or her own. Is she strong enough to bear the loss of her father and her friend? This short (1-2 hour read) novel is a kisses-only Regency romance with a happily ever after, no cliffhangers, and is part of a series that can be read in any order. For fans of Sally Britton, Katherine Ann Madison, and Emma Melbourne.
Even readers with no particular interest in Japan - if such odd souls exist - may expect unexpected pleasure from this book if English metaphysical poetry, grooks, hyperlogical nonsense verse, outrageous epigrams, the (im)possibilities and process of translation between exotic tongues, the reason of puns and rhyme, outlandish metaphor, extreme hyperbole and whatnot tickle their fancy. Read together with The Woman Without a Hole, also by Robin D. Gill, the hitherto overlooked ulterior side of art poetry in Japan may now be thoroughly explored by monolinguals, though bilinguals and students of Japanese will be happy to know all the original Japanese is included.--amazon.com.
A trailblazing exploration of the poetic power of popular songs, from Tin Pan Alley to the Beatles to Beyoncé and beyond. Encompassing a century of recorded music, this pathbreaking book reveals the poetic artistry of popular songs. Pop songs are music first. They also comprise the most widely disseminated poetic expression of our time. Adam Bradley traces the song lyric across musical genres from early twentieth-century Delta blues to mid-century rock 'n’ roll to today’s hits. George and Ira Gershwin’s “Fascinating Rhythm.” The Rolling Stones’ “(I Can’t Get No) Satisfaction.” Rihanna’s “Diamonds.” These songs are united in their exacting attention to the craft of language and sound. Bradley shows that pop music is a poetry that must be heard more than read, uncovering the rhythms, rhymes, and metaphors expressed in the singing voice. At once a work of musical interpretation, cultural analysis, literary criticism, and personal storytelling, this book illustrates how words and music come together to produce compelling poetry, often where we least expect it.