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When reclusive millionaire Marcus Gold announces that he’s going to be staging an “Iron Teen” competition on his private island in the Outer Hebrides, teenagers Ben, Lizzie, Will, Grady and Carmen sign up – the prize is �1 million pounds … each. But when the competition begins, the group begin to regret their decision. Other teams are hunting their competitors and attacking them for body parts. Can the friends stick together under such extreme pressure to survive? When lives are at stake, you find out who you can really trust… A Red Eye horror novel for teens, this gripping YA thriller story is full of fast-paced action.
Carl and Laralee and their team of scientists are hired by the Spanish government to develop a highly secret, revolutionary serum. Their goal-to create an army of carnivorous monkeys that would give Spain an indisputable advantage over its enemies. They succeed beyond their wildest dreams. However, greatly increased intelligence is an unexpected side effect that causes serious complications. The beasts are thinking, reasoning, and increasingly dangerous. After one death and several serious attacks on workers, the scientific team is relieved to learn their request to move the facility to a larger island with more security and built-in safeguards is approved. While awaiting news of a moving date, additional experiments with orangutans prove successful as well. James and Julie, the most advanced, skilled, and lovable of the facility's apes, have mated. Will they produce the amazingly intelligent offspring the team expects? During the facility's relocation, a terrible storm wreaks havoc with their plans and the new island turns out to be anything but a safe haven. Carl and Laralee, Doc Gustav and Teresa, and the rest of the team battle for survival against their own nightmarish creations.
USA Today bestselling author Jane Henry delivers a fast-paced, high-stakes novel of survival, suspense, and heart-breaking passion with SAVAGE DOM, book one in the utterly captivating Savage Island duet. He was one of six. The biggest, the bravest, the most brutal. Programed to discipline. Dominate Destroy. It's a fight to the death Only one will survive. But there's one complication.... Me. Please note: Savage Dom is book one in the Savage Island duet and ends with "happy for now." Book two, Savage Love, completes the Savage Island duet.
As a twenty-year-old newlywed transplanted from New Hampshire to a remote island in the immense Gulf of Alaska, Fields must learn to live communally with her new family in primitive conditions without running water, electricity, or contact with the outside world.
Meet the monstrous Tasmanian Devil as it roams over Tasmania! This book introduces the unique features of this wild animal including habitat, life cycle, physical characteristics, diet, threats, and defenses. Also included are a range map and a food chain diagram. Aligned to Common Core standards and correlated to state standards. Checkerboard Library is an imprint of Abdo Publishing, a division of ABDO.
Rafe is an escaped slave, shipwrecked while stowing away to Boston. Molly is the strong-willed, penniless island girl who rescues him. Their wary friendship is tested when Savage Island is raided by picaroons still loyal to England after the Revolution. The two must work together to save Molly’s wounded father, expose a traitor, find a legendary treasure to free Molly’s family from debt, and spirit Rafe away to freedom.
The American Gothic novel has been deeply shaped by issues of race and raciality from its origins in British Romanticism to the American Gothic novel in the twenty-first century. Savage Horrors delineates an intrinsic raciality that is discursively sedimented in the Gothic's uniquely binary structure. Corinna Lenhardt uncovers the destructive and lasting impact of the Gothic's anti-Black racism on the cultural discourses in the United States. At the same time, Savage Horrors traces the unflinching Black resistance back to the Gothic's intrinsic raciality. The African American Gothic, however, does not originate there but in the Black Atlantic - roughly a decade before the first Gothic novel was ever written on American soil.
The Savage and Modern Self examines the representations of North American "Indians" in novels, poetry, plays, and material culture from eighteenth-century Britain. Author Robbie Richardson argues that depictions of "Indians" in British literature were used to critique and articulate evolving ideas about consumerism, colonialism, "Britishness," and, ultimately, the "modern self" over the course of the century. Considering the ways in which British writers represented contact between Britons and "Indians," both at home and abroad, the author shows how these sites of contact moved from a self-affirmation of British authority earlier in the century, to a mutual corruption, to a desire to appropriate perceived traits of "Indianess." Looking at texts exclusively produced in Britain, The Savage and Modern Self reveals that "the modern" finds definition through imagined scenes of cultural contact. By the end of the century, Richardson concludes, the hybrid Indian-Brition emerging in literature and visual culture exemplifies a form of modern, British masculinity.
Savage Exchange explores the politics of representation during the Han dynasty (206 BCE–220 CE) at a pivotal moment when China was asserting imperialist power on the Eurasian continent and expanding its local and long-distance (“Silk Road”) markets. Tamara T. Chin explains why rival political groups introduced new literary forms with which to represent these expanded markets. To promote a radically quantitative approach to the market, some thinkers developed innovative forms of fiction and genre. In opposition, traditionalists reasserted the authority of classical texts and advocated a return to the historical, ethics-centered, marriage-based, agricultural economy that these texts described. The discussion of frontiers and markets thus became part of a larger debate over the relationship between the world and the written word. These Han debates helped to shape the ways in which we now define and appreciate early Chinese literature and produced the foundational texts of Chinese economic thought. Each chapter in the book examines a key genre or symbolic practice (philosophy, fu-rhapsody, historiography, money, kinship) through which different groups sought to reshape the political economy. By juxtaposing well-known texts with recently excavated literary and visual materials, Chin elaborates a new literary and cultural approach to Chinese economic thought. Co-Winner, 2016 Harry Levin Prize, American Comparative Literature Association; Honorable Mention, 2016 Joseph Levenson Book Prize, Pre-1900 Category, China and Inner Asia Council of the Association for Asian Studies