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Savage Holiday, first published in 1954 by noted American author Richard Wright, is a tense, well-written psychological thriller about Erskine Fowler, an insurance executive forced into early retirement, who, over the course of a bizarre weekend, is responsible for the accidental death of his neighbor’s young son. Tragic consequences follow as Fowler attempts to redeem himself and is forced to question his own life, as events spiral out-of-control to their inevitable conclusion.
Chase the silvery light of the moon across the sleeping world in this elegant modern lullaby. At once profound and playful, this bedtime story follows the moonlight as it travels across the globe. From jungle to sea, from ocean to valley, from distant lands right to your own window. The simple, lullaby-like text is sure to encourage sweet dreams. With elegant, bold illustrations featuring large blocks of color in a gentle blue and green palette and a foil-stamped jacket, Moonlight is a perfect gift for young readers and art-lovers alike. Award-winning author and illustrator Stephen Savage turns his talent to hand-cut lino prints, creating a sophisticated, appealing exploration of the moon's nightly journey, sure to be a family favorite for years to come. A School Library Journal Best Book of the Year A Kirkus Reviews Best Book of the Year
“A marvelous storyteller.” —The New Yorker “A blazing flamethrower of truth.” —Ted Nugent, Washington Times A #1 New York Times bestselling author and superstar radio personality, Michael Savage is admired by millions for his tough talk and no-punches-pulled common sense about the state of our union and its leaders. In Train Tracks, a more personal side of Savage shines through in this marvelous collection of “American Stories for the Holidays.” Like Glen Beck’s blockbuster, The Christmas Sweater, Michael Savage’s poignant, personal stories of home, family, and the holidays will resonate with readers everywhere.
Tells how Blacks used radio
While the Civil War is famous for epic battles involving massive armies engaged in conventional warfare, A Savage Conflict is the first work to treat guerrilla warfare as critical to understanding the course and outcome of the Civil War. Daniel Sutherland argues that irregular warfare took a large toll on the Confederate war effort by weakening support for state and national governments and diminishing the trust citizens had in their officials to protect them.
The story of the Santee is, in fact, the story of a major part of the Carolinas east of the Appalachians, for the river drains an immense area of both states from the mountains to the ocean. Savage also describes fully the change-over from the agricultural Old South to the industrial New South, a change sparked largely by the hydroelectric power of the Santee. Originally published in 1968. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
A boy tells about a story he wrote when dealing with his father's death about a savage kid living in a ruined chapel in the woods--and the tale about the savage kid coming to life in the real world.
"I had always imagined that my life story...would have a great first line: something like Nabokov's 'Lolita, light of my life, fire of my loins;' or if I could not do lyric, then something sweeping like Tolstoy's 'All happy families are alike, but every unhappy family is unhappy in its own way.'... When it comes to openers, though, the best in my view has to be the first line of Ford Madox Ford's The Good Soldier: 'This is the saddest story I have ever heard.'" So begins the remarkable tale of Firmin the rat. Born in a bookstore in a blighted 1960's Boston neighborhood, Firmin miraculously learns how to read by digesting his nest of books. Alienated from his family and unable to communicate with the humans he loves, Firmin quickly realizes that a literate rat is a lonely rat. Following a harrowing misunderstanding with his hero, the bookseller, Firmin begins to risk the dangers of Scollay Square, finding solace in the Lovelies of the burlesque cinema. Finally adopted by a down-on-his-luck science fiction writer, the tide begins to turn, but soon they both face homelessness when the wrecking ball of urban renewal arrives. In a series of misadventures, Firmin is ultimately led deep into his own imaginative soul--a place where Ginger Rogers can hold him tight and tattered books, storied neighborhoods, and down-and-out rats can find people who adore them. A native of South Carolina, Sam Savage now lives in Madison, Wisconsin. This is his first novel.
After her mother dies in 1975, ten-year-old Lemonade must live with her grandfather in a small town famous for Bigfoot sitings and soon becomes friends with Tobin, a quirky Bigfoot investigator.
Although psychoanalytic theory is one of the most potent and influential tools in contemporary literary criticism, to date it has had very little impact on the study of African American literature. Critical methods from the disciplines of history, sociology, and cultural studies have dominated work in the field. Now, in this exciting new book by the author of Domestic Allegories: The Black Heroine's Text at the Turn of the Century, Claudia Tate demonstrates that psychoanalytic paradigms can produce rich and compelling readings of African American textuality. With clear and accessible summaries of key concepts in Freud, Lacan, and Klein, as well as deft reference to the work of contemporary psychoanalytic critics of literature, Tate explores African- American desire, alienation, and subjectivity in neglected novels by Emma Kelley, W.E.B. Du Bois, Richard Wright, Zora Neale Hurston, and Nella Larsen. Her pioneering approach highlights African American textual realms within and beyond those inscribing racial oppression and modes of black resistance. A superb introduction to psychoanalytic theory and its applications for African American literature and culture, this book creates a sophisticated critical model of black subjectivity and desire for use in the study of African American texts.