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Readers can join the Absurd Sojourns and Spirit-mind quests of the author over a couple of decades in which in two centuries collide. Eternal satirical questions are considered in part one: Can literary giants such as Shakespeare, Hemingway and Faulkner explain why the chicken crossed the road? Is Little Richard the epitome of philosophic simplism? Can dark sibling Forrest Grump find reconciliation and also direct? Can Snake Pleskin escape both Sedona and Iraq? Does the white man’s manifest destiny include photo ops with pliant Indians and black kids with watermelons? Can a novice movie reviewer separate bombs and bombshells? Will Christians, Jews and Muslims continue to kill each other with expensive explosives and send us the bill? How can the herdings of cats lead to wealth and fame? And in part two ... humans have a spiritual endowment and personal mission they can't begin to imagine. Is your own personal Truth-Beauty-Goodness your very best religion? Will you consider 21 new spiritual enlightenments for the 21st century? How have slavery, segregation and other acrimonious separations contributed to a malaise of spiritual poverty in the deep South? Are you persuaded by the spiritual realities expressed by a celestial Melchizedek? Did you know that the practice of Stillness can lead to fortuitous contact with spiritual teachers representing our Universal Father? Both parts lift the reader into a philosophical framework that combines perceptive topical humor and a sound path to weave personal spiritual growth into a crazy world.
Visions of post-apocalyptic worlds have proved to be irresistible for many 21st-century writers, from literary novelists to fantasy and young adult writers. Exploring a wide range of texts, from the works of Margaret Atwood, Cormac McCarthy, Tom Perrotta and Emily St. John Mandel to young adult novels such as Suzanne Collins's The Hunger Games series, this is the first critical introduction to contemporary apocalyptic fiction. Exploring the cultural and political contexts of these writings and their echoes in popular media, Apocalyptic Fiction also examines how contemporary apocalyptic texts looks back to earlier writings by the likes of Mary Shelley, H.G. Wells and J.G. Ballard. Apocalyptic Fiction includes an annotated guide to secondary readings, making this an essential guide for students of contemporary fiction at all levels.
DAWN OF THE APOCALYPSE gathers the pinnacle of speculative fiction to explore end times across diverse landscapes, from the desolate to the dystopian. It stitches a rich tapestry of literary approaches, ranging from the classic gothic horror of Edgar Allan Poe to the socio-political dystopias envisioned by Ayn Rand and H.G. Wells, and the unique utopian perspective of Edward Bellamy. The anthology thrives on its variety, not just in the cataclysmic events it portrays but also in the myriad ways these events are perceived and interpreted by its characters. Key pieces within this collection stand as milestones in the science fiction genre, framing apocalyptic and post-apocalyptic narratives as lenses through which we critique and comprehend contemporary societal fears. The authors, both pioneers, and craftsmen of their time, come from a broad spectrum of backgrounds, each contributing to the anthology's overarching theme with their unique flavor of apocalypse. These writers are not just storytellers but visionaries who collectively paint a multifaceted picture of humanity at the brink. They belonged to and were influenced by a range of historical, cultural, and literary movements, from the romanticism and transcendentalism of the 19th century to the early 20th century's modernism and the budding science fiction genre. Their combined works offer a historical capsule of societal anxieties and hopes, reflecting on themes of human resilience, the abuse of technology, and the moral dilemmas of progress. DAWN OF THE APOCALYPSE is an essential collection for readers eager to dive into the depths of human imagination faced with its own end. It offers an unparalleled opportunity to traverse the vast landscapes of apocalyptic fiction through the eyes of some of the most influential authors in literary history. This anthology not only serves as an academic goldmine for those studying the evolution of speculative fiction and its impact on society but also provides a timeless reflection on humanity's perennial concerns with its own survival and legacy. Readers are invited to witness the end of worlds not just as an exercise in literary exploration but as a mirror to our collective psyche across generations.
AFTER THE END Dystopia Box Set: 34 Dystopias and Post-Apocalyptic Works presents an unparallelled assembly of speculative fiction that probes the darkest corners of the human psyche and society. Including seminal works from Edgar Allan Poe to George Orwell, and Mary Shelley to Aldous Huxley, this collection offers a comprehensive exploration of dystopian literature's evolution. It showcases a range of literary styles, from the gothic horror of Poe to the sharp social satire of Swift, encapsulating the genre's ability to reflect societal anxieties and critique contemporary issues through imagined, often starkly grim futures. The inclusion of less universally recognized pieces alongside these towering works enriches the collection, inviting readers to delve into the multifaceted landscape of dystopian narrative. The authors represented in AFTER THE END - Dystopia Box Set are not only luminaries in their own right but also pioneers who shaped and defined the contours of dystopian literature and speculative fiction. From H.G. Wells' scientific romances to Orwell's prescient visions of surveillance states, each author contributes to a rich tapestry that maps the psychological and sociopolitical terrains of their times. Collectively, they reflect a variety of cultural and historical contexts, incorporating critiques on imperialism, technology, authoritarianism, and human resilience. Their diverse backgrounds and periods provide a panoramic view of how dystopian visions have evolved, offering insights into the universal human condition and the perennial quest for utopia amidst dystopia. AFTER THE END Dystopia Box Set is essential reading for those who wish to navigate the complexities of future imaginings and their implications on the present. It promises an enlightening journey through the labyrinth of fear and hope that characterizes humanity's relationship with its potential futures. Scholars, students, and general readers alike will find rich material for study, reflection, and debate, making it a valuable addition to any collection on dystopian literature, speculative fiction, or cultural studies. This anthology not only stands as a monument to human imagination but also as an invitation to contemplate the paths that lie ahead for societies worldwide.
The only thing the survivors of the catastrophe in South Wales wanted was a safe place to ride out the apocalypse. The castle looked perfect: high walls and natural defenses that even the infection could not breach. The problem was that someone had beaten them to it. Someone who would stop at nothing to maintain control. Someone with a dark secret that could change everything... Zombie, Horror, Post-apocalyptic, Action, Dystopian, Series, Science Fiction
Compellingly vivid, the most sustained description of apocalypse since Robert Harris’s Pompeii. The Financial TimesOne man miraculously survives the Atomic Bomb of Hiroshima. Two days later he catches the last train home. Home to Nagasaki. He arrives just 90 minutes before the world's second atomic bomb explodes into his life.As he battles through the scene of apocalyptic destruction, surrounded by unthinkable suffering, he is plagued by one constant question: is he lucky, or unlucky? This is his answer: he's the luckiest man alive.
Baby-boomers, gen-X, millennials, zoomers: the dividing lines among generations in literary culture have become stark to the point of parody. Granta 166 tests the limits of each generation's given definition in popular culture against the reality of its most sharply observed fiction. Stories by Andrew O'Hagan, Brandon Taylor, Nico Walker and Lillian Fishman fill an issue that captures the change in values, aesthetic emphasis and technological experience among different age cohorts, all the while questioning the legitimacy of the generational conceit. Non-fiction includes meditations on the short history of the idea of 'a generation', as well as on the relative absence of youth revolts in our time, and the shadowy rule of the old - gerontocracy - in societies across the globe.