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Hymn to Tripurasundarī (Hindu deity).
'A joyful rendition of an iconic text' - Arundhathi Subramaniam Saundarya Lahari is a popular Sanskrit hymn celebrating the power and beauty of Sakti, the primordial goddess. In one hundred verses, it underlines the centrality of the feminine principle in Indian thought. Attributed to Adi Sankaracarya, Saundarya Lahari is a valuable source for understanding tantric ideas. Every verse is associated with yantras and encoded mantras for tantric rituals, and specific verses in the hymn are considered potent for acquiring good health, lovers, and even poetic skills. Mani Rao's Saundarya Lahari is an inspired, lyrical translation that renders the esoteric immediate and the distant near.
Saundarya Lahari the great hymn of Sri Sankara dealing with the cult of Mother worship is the most popular Sanskrit hymn of its kind. In this text the Divine Mother is adored in Her creative aspect under the name Tripura which means the Mother who embodies the three Bindus or creative stresses. The first fortyone verses which are the source of various mantras deal chiefly with the Sri-chakra which is called the Abode of Siva-Sakti and which forms the special symbol of worship for devotees of the Devi.Swami Tapasyananda has rendered a signal service to the cause of Sakti worship by bringing out this excellent edition of the famous text The Saundarya Lahari with the original in Sanskrit its transliteration English translation and elaborate notes for the benefit of the English-knowing people.
Critical interpretation with text of Hindu Tantric text.
The translation of the Saundarya-lahari
Kanchi Paramacharya, Sri Chandrasekharendra Swamigal lectured on Soundaryalahari in the first quarter of the last century. Ra.Ganapathy, one of his ardent students, recorded and published them in ‘Deivathin Kural’, a voluminous tome of 700 pages. These Tamil lectures have now been condensed, translated into English and published herein. The exposition style here is one where it resembles a direct English lecture by Paramacharya himself. The subject has been dealt in great depth by the Paramacharya and thus requires the reader to approach this translation as a study book rather than one for light reading.
Saundarya Lahari, although traditionally viewed as a text on Srividya Upasana, was always plagued with contradictions amongst commentators as to the true meaning of the verses and consequently a few of them question the very authorship of the work by ?ankara. With an inspirational insight to view the verses in the right order (from 100 to 1), the author managed to unearth the treasure of true essence of the work, rather than just a hymn in praise of the Mother. Finally, one can see a refreshing commentary based on pure Advaita Vedanta and supported by quotes from Upanishads on a text authored by Sri Adi ?ankara. A rational explanation for the unconventional layout of the text as well as the intent of the work as blueprint for meditation is detailed in this book.