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Saul Bellow and American Transcendentalism explores Saul Bellow's moral and philosophical affinity with the writers of American transcendentalism, especially Emerson and Whitman. Its focus is on the «vintage» Bellow, or his «mature» novels, from Henderson the Rain King (1959) to The Dean's December (1982). In these novels, Bellow highlights a moral crisis, arising from humankind's despiritualization and dehumanization, which, he believes, is responsible for an ongoing dichotomy in the modern world. Bellow describes this as a dichotomy of the «Cleans» and the «Dirties», in the context of American culture. To rectify this dichotomy and redeem humankind from its current «death-ridden» state, Bellow and his protagonists advance a vision of life that corresponds to the transcendental vision of dialogue and «double consciousness», or coordination and balance. Like Emerson, they advocate, «The mid-world is best... A man is a golden impossibility; the line he must walk is a hair's breadth». Comparable to Whitman, they urge the individual to «knit the knot of contrariety» and act as «an arbiter of the diverse».
This book demonstrates the complexity of Bellow's work by emphasizing the ways in which it reflects the changing conditions of American identity.
Pifer contends that Bellow's fiction is fundamentally radical. Going against the grain of contemporary culture and its secular pieties, he undermines accepted notions of reality and challenges the "orthodoxies" created by materialist values and rationalist thought. Charged by his belief in the soul, his 10 novels test the assumptions of traditional realism. Pifer stresses the importance to Bellow of the invisible world, the longing for revelation, and the capacity to love and to suffer. She also shows how Bellow's hero is a man torn between his modern predilection for secular rationalism and a primordial attachment to the soul, and how he is led to demolish reigning idols of contemporary thought and culture. ISBN 0-8122-8203-5: $29.95.
This collection of essays brings together work by some of the most internationally acclaimed critics of Malaysian literature in English from different parts of the world, including Australia, Canada, Japan, Malaysia, Singapore and the US. It investigates the works of major writers of the tradition in the genres of drama, fiction and poetry, from its beginnings to the present, focusing mainly on thematic and stylistic trends. The book pays particular attention to issues such as gender, ethnicity, nationalism, multiculturalism, diaspora, hybridity and transnationalism, which are central to the creativity and imagination of these writers. The chapters collectively address the challenges and achievements of writers in the English language in a country where English, first introduced by the colonisers, has experienced a mixed fate of ups and downs in the post-independence period, due to the changing, and sometimes strikingly different, policies adopted by the government. The book will be of interest to readers and researchers of Malaysian literature, Southeast Asian studies and postcolonial literatures.
This volume presents nine authors awarded both the Pulitzer Prize and the Nobel Prize for Literature. In addition to biographical sketches of each laureate, emphasis is given to the decision making processes by juries for the Pulitzer awards in New York as well as the discussions within the Nobel Prize committees in Stockholm. Main parts of the Nobel Lectures by the recipients follow, and each winner is characterized by one of his most important works, including a content synopsis and style samples. Necessary background materials came from the Pulitzer Prize Archive at Columbia University, New York, and the Nobel Prize Archive of the Swedish Academy, Stockholm.
It's sweltering summer in New York City, and Asa Leventhal is alone. His co-workers ignore or condescend to him, his wife is away with her mother, and his estranged brother has run off, abandoning his wife and two sons. One night, Leventhal is confronted by a stranger--'one of those guys who want you to think they can see to the bottom of your soul'--who reveals himself to be a marginal figure from his distant past. Leventhal, accused of ruining the man's life, becomes shocked and dismissive, vehemently denying any part in the man's unhappy lot. But as time passes, he is increasingly unable to separate his own good fortune from the bad luck of this down-and-out stranger, who will not leave him be. A brief, haunting rumination on the vagaries of fate and responsibility, The Victim is, in the words of Norman Rush, Saul Bellow's "purest creation."
Visibility beyond the Visible. The Poetic Discourse of American Transcendentalism is the first study to entirely deal with the poetics of American Transcendentalism. The author takes it for granted that the major New England transcendentalists were writers of utmost literary significance and so focuses thoroughly on their extremely rich and many-sided poetic discourse. The book’s inevitable European perspective only enhances its preoccupation with the Americanness of the New England Transcendentalists, thus making it emphasize, in all the aspects of its concern, the uniqueness of the interrelation between place-sense and artistry which the transcendentalists’ writings offer. Because most of these writings hold iconic stature as American masterpieces, both scholars and lay readers will welcome Visibility beyond the Visible. The Poetic Discourse of American Transcendentalism as opening novel horizons for greater insights, deeper understandings, and further exploration of the poetic complexities of Emerson’s, Thoreau’s, M. Fuller’s, and their co-thinkers’ work.
This volume revisits the most important issues that Anglo-American studies are facing at the beginning of the twenty-first century, with regards to both research and teaching. Given the English language’s status as a lingua franca, the culture that produced it, and that has been changing it, the literature written in English, and relevant linguistic and literary discourse have come to largely dominate critical theory globally. Therefore, the subjects of Anglo-American studies, and their traditional and modern concepts, must be approached from a multidisciplinary perspective, and must also be problematized in, and determined by, other spheres of the world, especially at the universities at which they are studied. This book, consequently, approaches both mainstream cultural, literary, linguistic and academic achievements and, often by way of comparison, those smaller, more distant, and marginalized fields, traditionally subordinate studies, as well as instances of cultural hybridization. Given its concern with a broad field of culture, literature, linguistics, and methodology of teaching English as a foreign language, this book consists of two main parts comprising the closest research and teaching fields; one attending to culture and literature, and the other approaching linguistics and methodology.