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In this transcendent and infectiously wise memoir, Becky Aikman—a widow, too young, too modern to accept the role—forms an unlikely group with five other young widows, each seeking a way forward in a strange and disquieting world. A warm, witty, and compassionate guide on this journey, Aikman explores surprising new discoveries about how people are transformed by adversity, learning the value of new experiences, humor, and friendship. The Saturday Night Widows band together to bring these ideas to life, striking out on ever more far-flung adventures and navigating the universal perils of finding love and meaning. Theirs is a transporting true story of six marriages, six heartbreaks, and one shared beginning—an inspiring testament to what friends can achieve when they hold each other up. Saturday Night Widows is the rare book that will make you laugh, think, and remind yourself that despite the utter unpredictability and occasional tragedy of life, it is also precious, fragile, and often more joyous than we recognize. Now with Extra Libris material, including a reader’s guide and bonus content
Six marriages, six heartbreaks, one shared beginning. In her forties – a widow, too young, too modern to accept the role – Becky Aikman struggled to make sense of her place in an altered world. In this transcendent and infectiously wise memoir, she explores surprising new discoveries about how people experience grief and transcend loss and, following her own remarriage, forms a group with five other young widows to test these unconventional ideas. Together, these friends summon the humor, resilience, and striving spirit essential for anyone overcoming adversity. Meet the Saturday Night Widows: ringleader Becky, an unsentimental journalist who lost her husband to cancer; Tara, a polished mother of two, whose husband died in the throes of alcoholism after she filed for divorce; Denise, a widow of just five months, now struggling to get by; Marcia, a hard-driving corporate lawyer; Dawn, an alluring self-made entrepreneur whose husband was killed in a sporting accident, leaving two small children behind; and Lesley, a housewife who returned home one day to find that her husband had committed suicide. The women meet once a month, and over the course of a year, they strike out on ever more far-flung adventures, learning to live past the worst thing they thought could happen. They share emotional peaks and valleys – dating, parenting, moving, finding meaningful work, and reinventing themselves – while turning traditional thinking about loss and recovery upside down. Through it all runs the story of Aikman's own journey through grief and her love affair with a man who tempts her to marry again. In a transporting story of what friends can achieve when they hold each other up, Saturday Night Widows is a rare book that will make you laugh, think, and remind yourself that despite the utter unpredictability and occasional tragedy of life, it is also precious, fragile, and often more joyous than we recognize. Look for Becky's new book, Off The Cliff: How the Making of Thelma & Louise Drove Hollywood to the Edge.
A lively and revealing behind-the-scenes look at the making of one of history's most controversial and influential movies, drawing on exclusive interviews with the cast and crew. “You’ve always been crazy,” says Louise to Thelma, shortly after she locks a police officer in the trunk of his car. “This is just the first chance you’ve had to express yourself.” In 1991, Thelma & Louise, the story of two outlaw women on the run from their disenchanted lives, was a revelation. Suddenly, a film in which women were, in every sense, behind the wheel. It turned the tables on Hollywood, instantly becoming a classic, and continues to electrify audiences as a cultural statement of defiance. But if the film’s place in history now seems certain, at the time its creation was a long shot. Only through sheer hard work and more than a little good luck did the script end up in the hands of the brilliant English filmmaker Ridley Scott, who saw its huge potential. With Scott on board, a team willing to challenge the odds came together—including the stars Geena Davis and Susan Sarandon and a fresh-faced up-and-coming actor named Brad Pitt, as well as legends like actor Harvey Keitel, composer Hans Zimmer, and old-school studio chief Alan Ladd Jr.—to create one of the most controversial movies of all time. But before icons like Davis and Sarandon got involved, Thelma & Louise was just an idea in the head of Callie Khouri, a thirty-year-old music video production manager, who was fed up with working behind the scenes on sleazy sets. At four a.m. one night, sitting in her car outside the ramshackle bungalow in Santa Monica that she shared with two friends, she had a vision: two women on a crime spree, fleeing their dull and tedious lives—lives like hers—in search of a freedom they had never before been able to realize. But in the late 1980s, Hollywood was dominated by men, both on the screen and behind the scenes. The likelihood of a script by an unheard-of screenwriter starring two women in lead roles actually getting made was remote. But Khouri had one thing going for her—she was so inexperienced she didn't really know she would be attempting the nigh impossible. In Off the Cliff, Becky Aikman tells the full extraordinary story behind this feminist sensation, which crashed through barricades and upended convention. Drawing on 130 exclusive interviews with the key players from this remarkable cast of actors, writers, and filmmakers, Aikman tells an inspiring and important underdog story about creativity, the magic of cinema, and the unjust obstacles that women in Hollywood continue to face to this day.
"I spent my 11th wedding anniversary planning my husband's funeral. If I could just figure out how to make that rhyme, it would be the beginning of a great country song." Confessions of a Mediocre Widow is a roller coaster look at one widow's journey through the odyssey of grief and the many missteps, crying jags, fights, hilarity, pedicures, and lying required to get through it. Catherine Tidd shares the story of what it was to honor her husband, to get her three kids (all under 6) through the day (with perhaps more sugar and television than might have been necessary), and come to terms with his loss, in a way that's real, rough, and honest.
"An agile novel written in a language perfectly pitched for the subject matter, a ruthless dissection of a fast decaying society"—José Saramago, Nobel Prize winner The English translation of hit novel Las Viudas de Los Jueves! “Piñeiro’s clever U.S. debut.. . illuminates the hypocrisies of the country's upper classes after 9/11.”—Publishers Weekly “Piñeiro is particularly skilful at exposing the social forces undermining Argentine society, and the fragility of personal relationships. We learn the surprising truth of the three men’s death in the final chapter; the build-up to it is riveting.”—The Times (London) "Piñeiro builds up tension through banal, domestic details and the accretion of despair in everyday marital and professional struggles. There may be bloody murder at the centre of this novel, but the dystopia portrayed is an indictment not solely of an assassin but of Argentina’s class structure and the willful blindness of its petty bourgeoisie."—Times Literary Supplement “A razor-sharp psychological and social portrait not only of Argentina, but of the afluent Western world as a whole.”—Rosa Montero Three bodies lie at the bottom of a swimming pool in a gated country estate near Buenos Aires. It's Thursday night at the magnificent Scaglia house. Behind the locked gates, shielded from the crime, poverty, and filth of the people on the streets, the Scaglias and their friends hide lives of infidelity, alcoholism, and abusive marriage. Claudia Piñeiro's novel eerily foreshadowed a criminal case that generated a scandal in the Argentine media. But this is more than a story about crime. The suspense is a byproduct of Piñeiro's hand at crafting a psychological portrait of a professional class that lives beyond its means and leads secret lives of deadly stress and despair. It takes place during the post-9/11 economic meltdown in Argentina, but it is a universal story that will resonate among credit-crunched readers of today. The film of Thursday Night Widows, by Argentine New Wave and award-winning director Marcelo Piñeyro is coming soon with trailers available online. Claudia Piñeiro was a journalist, playwright, and television scriptwriter and in 1992 won the prestigious Pléyade Annual Journalism Award. She has more recently turned to fiction and is the author of literary crime novels that are all bestsellers in Latin America and have been translated into four languages. This novel won the Clarin Prize for fiction and is her first title to be available in English.
“One night when she was four and sleeping in the bottom bunk of her bunk bed, Ruth Cole woke to the sound of lovemaking—it was coming from her parents’ bedroom.” This sentence opens John Irving’s ninth novel, A Widow for One Year, a story of a family marked by tragedy. Ruth Cole is a complex, often self-contradictory character—a “difficult” woman. By no means is she conventionally “nice,” but she will never be forgotten. Ruth’s story is told in three parts, each focusing on a critical time in her life. When we first meet her—on Long Island, in the summer of 1958—Ruth is only four. The second window into Ruth’s life opens on the fall of 1990, when she is an unmarried woman whose personal life is not nearly as successful as her literary career. She distrusts her judgment in men, for good reason. A Widow for One Year closes in the autumn of 1995, when Ruth Cole is a forty-one-year-old widow and mother. She’s about to fall in love for the first time. Richly comic, as well as deeply disturbing, A Widow for One Year is a multilayered love story of astonishing emotional force. Both ribald and erotic, it is also a brilliant novel about the passage of time and the relentlessness of grief.
From New York Times bestselling author Jeff Abbott’s, an uneasy alliance forms as two widows delve into their husbands’ deadly and dangerous secrets... Henry North is a down-on-his-luck cybersecurity expert from New Orleans. Adam Zhang is the cofounder of one of Austin’s most successful venture capitalist firms. These two men didn’t know each other. They had never met. Yet they died together, violently, in a place neither had any business being. When Henry doesn’t return from a business trip, his wife, Kirsten, panics – and then gets an anonymous phone call: 'Your husband is dead in Austin.' Flora knew Adam was keeping secrets from her. She suspected an affair, but had decided she could forgive him for his weakness – until her husband ended up dead. And with no explanation for her husband’s murder, the police begin to suspect her. Together, these two widows will face a powerful foe determined to write a false narrative about the murders. In doing so, neither Flora nor Kirsten will remain the women the world thought they were. An exceptional thriller from the million copy bestseller, showing the ends people will go to protect their own, perfect for fans of Linwood Barclay, Harlan Coben and Lisa Gardner.
A happily misanthropic Middle East divorcee finds refuge in books in a “beautiful and absorbing” novel of late-life crisis (The New York Times). Aaliya is a divorced, childless, and reclusively cranky translator in Beirut nurturing doubts about her latest project: a 900-page avant-garde, linguistically serpentine historiography by a late Chilean existentialist. Honestly, at seventy-two, should she be taking on such a project? Not that Aailiya fears dying. Women in her family live long; her mother is still going crazy. But on this lonely day, hour-by-hour, Aaliya’s musings on literature, philosophy, her career, and her aging body, are suddenly invaded by memories of her volatile past. As she tries in vain to ward off these emotional upwellings, Aaliya is faced with an unthinkable disaster that threatens to shatter the little life she has left. In this “meditation on, among other things, aging, politics, literature, loneliness, grief and resilience” (The New York Times), Alameddine conjures “a beguiling narrator . . . who is, like her city, hard to read, hard to take, hard to know and, ultimately, passionately complex” (San Francisco Chronicle). A finalist for the National Book Critics Circle Award and the National Book Award, An Unnecessary Woman is “a fun, and often funny . . . grave, powerful . . . [and] extraordinary” Washington Independent Review of Books) ode to literature and its power to define who we are. “Read it once, read it twice, read other books for a decade or so, and then pick it up and read it anew. This one’s a keeper” (The Independent)
The shocking and affecting memoir from a gold-star widow searching for the truth behind her Green Beret husband's death, this book bears witness to the true sacrifices made by military families. When Green Beret Bryan Black was killed in an ambush in Niger in 2017, his wife Michelle saw her worst nightmare become a reality. She was left alone with her grief and with two young sons to raise. But what followed Bryan's death was an even more difficult journey for the young widow. After receiving very few details about the attack that took her husband's life, it was up to Michelle to find answers. It became her mission to learn the truth about that day in Niger--and Sacrifice is the result of that mission. In this heartbreaking and revelatory memoir, Michelle uses exclusive interviews with the survivors of her husband's unit, research into the military leadership and accountability, and her own unique vantage point as a gold-star widow to tell a previously unknown story. Sacrifice is both an honest, emotional look inside a military marriage and a searing investigation of the people and decisions at the heart of the US military.
The first rule of biography, wrote Justin Kaplan: “Shoot the widow.” In her new book, Meryle Secrest, acclaimed biographer (“Knowing, sympathetic and entertainingly droll”—The New York Times), writes about her comic triumphs and misadventures as a biographer in search of her nine celebrated subjects, about how the hunt for a “life” is like working one’s way through a maze, full of fall starts, dead ends, and occasional clear passages leading to the next part of the puzzle. She writes about her first book, a life of Romaine Brooks, and how she was led to Nice and given invaluable letters by her subject’s heir that were slid across the table, one at a time; how she was led to the villa of Brooks’ lover, Gabriele d’Annunzio (poet, playwright, and aviator), a fantastic mausoleum left untouched since the moment of his death seventy years before; to a small English village, where she uncovered a lost Romaine Brooks painting; and finally, to 20, rue Jacob, Paris, where Romaine’s lover, Natalie Barney, had fifty years before entertained Cocteau, Gide, Proust, Colette, and others. Secrest describes how her next book—a life of Berenson—prompted Francis Steegmuller, fellow biographer, to comment that he wouldn’t touch the subject with a ten-foot pole. For her life of British art historian Kenneth Clark, Secrest was given permission to write the book by her subject, who surreptitiously financed it in the hopes of controlling its contents; we see how Clark’s plan was foiled by a jealous mistress and a stash of love letters that helped Secrest navigate Clark’s obstacle course. Among the other biographical (mis)adventures, Secrest reveals: how she tracked Salvador Dalí to a hospital room, found him recovering from serious burns sustained in a mysterious fire, and learned that he was knee-deep in a scandal involving fake drawings and prints and surrounded by dangerous characters out of Murder, Inc. . . . and how she went in search of a subject’s grave (Frank Lloyd Wright’s) only to find that his body had been dug up to satisfy the whim of his last wife. A fascinating account of a life spent in sometimes arduous, sometimes comical, always exciting pursuit of the truth about other lives.