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Ranging from the laudatory to the openly hostile, 15 essays by prominent African American scholars and critics examine the novel's racist elements and assess the degree to which Twain's ironies succeed or fail to turn those elements into a satirical attack on racism. Annotation copyrighted by Book News, Inc., Portland, OR
A collection of articles on Twain's work expressing a broad range of critical perspectives and pedagogical methods, intended to address race, gender and class issues in the classroom.
Recounts the adventures of a young boy and an escaped slave as they travel down the Mississippi River on a raft.
Taking Emerson as his starting point, Cornel West’s basic task in this ambitious enterprise is to chart the emergence, development, decline, and recent resurgence of American pragmatism. John Dewey is the central figure in West’s pantheon of pragmatists, but he treats as well such varied mid-century representatives of the tradition as Sidney Hook, C. Wright Mills, W. E. B. Du Bois, Reinhold Niebuhr, and Lionel Trilling. West’s "genealogy" is, ultimately, a very personal work, for it is imbued throughout with the author’s conviction that a thorough reexamination of American pragmatism may help inspire and instruct contemporary efforts to remake and reform American society and culture. "West . . . may well be the pre-eminent African American intellectual of our generation."—The Nation "The American Evasion of Philosophy is a highly intelligent and provocative book. Cornel West gives us illuminating readings of the political thought of Emerson and James; provides a penetrating critical assessment of Dewey, his central figure; and offers a brilliant interpretation—appreciative yet far from uncritical—of the contemporary philosopher and neo-pragmatist Richard Rorty. . . . What shines through, throughout the work, is West's firm commitment to a radical vision of a philosophic discourse as inextricably linked to cultural criticism and political engagement."—Paul S. Boyer, professor emeritus of history, University of Wisconsin–Madison. Wisconsin Project on American Writers Frank Lentricchia, General Editor
The Sentimental Touch' explores the strange, enduring power of sentimental language in the face of a rapidly changing culture.
Focusing on the fundamental Ariostan pairing of education and madness, with all its implications for poetry, Professor Ascoli generates a global reading of the greatest literary work of the Italian Renaissance. Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
In the exotic interstellar civilization of the Second Starfaring Age, youthful wanderers are known as Children of Fortune. This is the tale of one such wanderer, who seeks her destiny on an odyssey of self-discovery amid humanity's many worlds.
Exploring the boundaries of one of the most contested fields of literary study—a field that in fact shares territory with philology, aesthetics, cultural theory, philosophy, and even cybernetics—this volume gathers a body of critical writings that, taken together, broadly delineate a possible poetics of the contemporary. In these essays, the most interesting and distinguished theorists in the field renegotiate the contours of what might constitute "contemporary poetics," ranging from the historical advent of concrete poetry to the current technopoetics of cyberspace. Concerned with a poetics that extends beyond our own time, as a mere marker of present-day literary activity, their work addresses the limits of a writing "practice"—beginning with Stéphane Mallarmé in the late nineteenth century—that engages concretely with what it means to be contemporary. Charles Bernstein's Swiftian satire of generative poetics and the textual apparatus, together with Marjorie Perloff's critical-historical treatment of "writing after" Bernstein and other proponents of language poetry, provides an itinerary of contemporary poetics in terms of both theory and practice. The other essays consider "precursors," recognizable figures within the histories or prehistories of contemporary poetics, from Kafka and Joyce to Wallace Stevens and Kathy Acker; "conjunctions," in which more strictly theoretical and poetical texts enact a concerted engagement with rhetoric, prosody, and the vicissitudes of "intelligibility"; "cursors," which points to the open possibilities of invention, from Augusto de Campos's "concrete poetics" to the "codework" of Alan Sondheim; and "transpositions," defining the limits of poetic invention by way of technology.
In Its Distrust Of Too Much Civilisation And Its Concern With The Way Language Turns Dreamy And Corrupt When Divorced From The Real Condition Of Life, Huckleberry Finn Echoed Some Of The Central Concerns Of Life Today. Like All Great Works Of Fiction Where No Story Is Told As If It Is The Only One, Huck Finn Is Open-Ended, The 'Unfinished Story' Where The True Meaning Is Left To The Conscience And Imagination Of Each Reader.
THE CULT NOVEL RETURNS! “The best book I read last year is A Man Lies Dreaming by Lavie Tidhar... It is so cleverly constructed and such a spectacular conclusion unfolds that you are going to take it all very seriously.” – Sting “Ambitious as hell” –Ian Rankin “An excellent novel” –Philip Kerr Since its original 2014 publication, A Man Lies Dreaming has been translated into multiple languages and gained a cult following for its dark humor, prescient politics and powerful exploration of the impossibility of fantasy. 1939: Adolf Hitler, fallen from power, seeks refuge in a London engulfed in the throes of a very British Fascism. Now eking a miserable living as a down-at-heels private eye and calling himself Wolf, he has no choice but to take on the case of a glamorous Jewish heiress whose sister went missing. It’s a decision Wolf will very shortly regret. For in another time and place a man lies dreaming: Shomer, once a Yiddish pulp writer, who dreams lurid tales of revenge in the hell that is Auschwitz. Prescient, darkly funny and wholly original, the award-winning A Man Lies Dreaming is a modern fable for our time that comes “crashing through the door of literature like Sam Spade with a .38 in his hand” (Guardian). PRAISE FOR LAVIE TIDHAR Winner – The World Fantasy Award Winner – The John W. Campbell Award Winner – The British Fantasy Award Winner – The Jerwood Fiction Uncovered Prize Winner – The Neukom Literary Arts Award Winner – The Kitschies Award Winner – The BSFA Award “Tidhar is a genius at conjuring realities that are just two steps to the left of our own.” –NPR “Tidhar changes genres with every outing, but his astounding talents guarantee something new and compelling no matter the story he tells.” –Library Journal “In a genre entirely of his own, and quite possibly a warped genius.” –Ian McDonald, author of River of Gods “Already staked a claim as the genre’s most interesting, most bold, and most accomplished writer.” –Locus “Tidhar is a master at taking concepts that really shouldn’t work and crafting them into something uniquely brilliant.” –GeekDad “He is perhaps the UK’s most literary speculative fiction writer.” –Strange Horizons “Like early Kurt Vonnegut... both writers seem to channel the same prankster glee that covers deep despair.” –Locus “Bears comparison with the best of Philip K Dick” –The Financial Times PRAISE FOR A MAN LIES DREAMING JERWOOD FICTION UNCOVERED PRIZE WINNER 2015 BRITISH FANTASY AWARD NOMINEE 2015 PREMIO ROMA NOMINEE 2016 GEFFEN PRIZE NOMINEE 2019 DUBLIN LITERATURE AWARD LONGLIST 2016 “Complex, elusive and intriguing” –The Jerusalem Post “Nasty, clever, waspish and witty... a brilliant and potent thought experiment” –The Sunday Herald “Bold and unnerving” –NPR “Damn good” –Jewish Book Council “A wholly original Holocaust story: as outlandish as it is poignant.” –Kirkus (starred review) “A vital, brilliant novel” –Barnes & Noble SFF Blog “Outstanding and moving” –Maxim Jakubowski, LoveReading.co.uk “Gripping... clever and thrilling work” –Buzz Magazine “In turns brutal, harrowing, heartbreaking and intriguing.... [an] unforgettable novel.” –Gulf Weekly “poetic & terrible... quite incredible” –Tor.com “A brilliant novel.” –Pop Verse 눀