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The spectre of Gilles de Rais, the Satanist and child-killer, eclipses French history like a dark star. His obscene crimes and sinister aristocratic glamour reminds of a mediaeval Hannibal Lecter. Satanic Alchemy is a testament to the legend of Gilles de Rais and his status as history's first ever Devil-worshipping serial killer. With essays from some of the most fertile imaginations in writing, as well as a complete chronology and register of people and places in de Rais' life, this book is a rich evocation of the most intriguing figure in the annals of mass murder.
Prints, drawings, documents, and text illuminate the development of the occult sciences to the nineteenth century
"Searching for a deeper understanding of the power and influence of surrealist art, Nadia Choucha clearly confirms that many surrealists and their predecessors were steeped in magical ideas. The Theosophical involvement of Kandinsky, the visionary paintings of Salvador Dali, the alchemy of Pablo Picasso, and the shamanism of Max Ernst and Leonora Carrington all demonstrate the fundamental and dynamic impact of magic and mysticism on surrealism. Surrealist artists believed that society had much to learn from the unconditioned, spontaneous forms of art produced by spiritual mediums, children, untutored artists, and the insane. In their attempt to tap the unconscious regions of the mind, the surrealists borrowed imagery from alchemy, the Tarot, Gnosticism, Tantra, and other esoteric traditions and sought inspiration from ancient myths, 'irrational' thought, and ethnic art. Enhanced by both color and black-and-white reproductions of fine art, Choucha's account explains the intimate connections between occult and surrealist philosophies and provides an essential key to the mysteries of the surrealist movement and the forces that give it life" --Back cover.
Well-known spiritual teacher A. H. Almaas uses the metaphor of the mysterious philosopher's stone to discuss a tremendous liberating power that leads to endless enlightenment For millennia alchemists sought the philosophers’ stone, the miracle substance believed to be the key to all the secrets of existence. The quest was fueled by some of the prime questions of human existence: What am I? Why am I here? How has this world come to be? A. H. Almaas shows that the tremendous liberating power of the mysterious philosophers’ stone is closer to us than we realize. In fact, it is the true nature of all reality—in all times and all places, without being limited to being anything in particular. Through the philosophers’ stone, real transformation can happen, our consciousness can become free, and we can open to all the possibilities of reality. Almaas discusses the factors that are involved in igniting the catalytic property of the philosophers’ stone and then begins to unpack the properties of true nature when it is free of constraints. Finally, we are left with the revelation that true nature is endlessly knowable, and yet nothing we can know or say about it exhausts its mystery and power. The result is a new understanding of what liberation and practice are—and a view of what it’s like when seeking ceases and life becomes a process of continual discovery. We begin to appreciate that the freedom of reality expressed in the complete and fulfilled life all human beings seek—and few find—is actually the simplicity of the ordinary.
What is a grimoire? The word has a familiar ring to many people, particularly as a consequence of such popular television dramas as Buffy the Vampire Slayer and Charmed. But few people are sure exactly what it means. Put simply, grimoires are books of spells that were first recorded in the Ancient Middle East and which have developed and spread across much of the Western Hemisphere and beyond over the ensuing millennia. At their most benign, they contain charms and remedies for natural and supernatural ailments and advice on contacting spirits to help find treasures and protect from evil. But at their most sinister they provide instructions on how to manipulate people for corrupt purposes and, worst of all, to call up and make a pact with the Devil. Both types have proven remarkably resilient and adaptable and retain much of their relevance and fascination to this day. But the grimoire represents much more than just magic. To understand the history of grimoires is to understand the spread of Christianity, the development of early science, the cultural influence of the print revolution, the growth of literacy, the impact of colonialism, and the expansion of western cultures across the oceans. As this book richly demonstrates, the history of grimoires illuminates many of the most important developments in European history over the last two thousand years.
Alchemy, the Noble Art, conjures up scenes of mysterious, dimly lit laboratories populated with bearded old men stirring cauldrons. Though the history of alchemy is intricately linked to the history of chemistry, alchemy has nonetheless often been dismissed as the realm of myth and magic, or fraud and pseudoscience. And while its themes and ideas persist in some expected and unexpected places, from the Philosopher's (or Sorcerer's) Stone of Harry Potter to the self-help mantra of transformation, there has not been a serious, accessible, and up-to-date look at the complete history and influence of alchemy until now.
Satan's Scalpel by Arthur Leo Zagat is a gripping thriller that cuts to the heart of human darkness and twisted genius. When a brilliant but deranged surgeon goes on a rampage, his weapon of choice is not just any scalpel—it's a tool of terror that leaves his victims in grotesque states. As the body count rises and panic grips the city, a determined detective races against time to track down the madman behind the surgical nightmares. With each clue leading deeper into a chilling web of motives and madness, can the detective stop the surgeon before his scalpel claims more lives? Dive into this spine-tingling tale where every cut reveals a new layer of horror.
DCLXVI Edition - Liber HVHI - Magick of the Adversary published Hardback edition - June 6th, 2006 Striking collectors hardback with glossy dustwrapper. Contains additional material including RITUAL DCLXVI - The Rite of Chioa, an invocation of the Beast.
This book is a compilation of myths, poems and writings that have inspired or given voice to the story of Satan, from a Satanic perspective, as a single cohesive source of linear storytelling.
The Secret Life of a Satanist steps behind the curtain with the founder and High Priest of the Church of Satan. What is contemporary Satanism, and why would one start a church dedicated to the Dark One? It wasn't a rebellion against an oppressive religious upbringing; it was Anton Szandor LaVey's disgust with most of humanity. Drawing from Jack London, H.L. Mencken, Friedrich Nietzsche, Marquis de Sade, George Bernard Shaw, John Milton, Benjamin Franklin, and a host of reprobates, with a large dose of alchemy and black magic, LaVey formulated a philosophy that deeply resonated with him. LaVey did not worship Satan; he paid homage to the rebellious spirit of innovation, defiance, and self-reliance that the archetype embodied. His background as a musician, circus lion trainer, hypnotist, and police photographer is covered here. The author, who later became his paramour and mother to his only son, was allowed extraordinary access to documents concerning his life, testimonies from people who had known him for years, and, most importantly, anecdotes and fond memories from a man living out of his time. After the original publication of this biography in 1990, LaVey and Blanche Barton fought through the Satanic Panic together, and guided the Church for another seven years. This revised edition adds a dozen new and never-before-seen images.