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Victor Hugo spent years in political exile off the coast of Normandy. While there, he produced his masterpiece, Les Misérables--but that wasn't all: he also wrote a book-length poem, La Fin de Satan, left unfinished and not published until after his death. Satan and his Daughter, the Angel Liberty, drawn from this larger poem, tells the story of Satan and his daughter, the angel created by God from a feather left behind following his banishment. Hugo details Satan's fall, and through a despairing soliloquy, reveals him intent on revenge, yet desiring God's forgiveness. The angel Liberty, meanwhile, is presented by Hugo as the embodiment of good, working to convince her father to return to Heaven. This new translation by Richard Skinner presents Hugo's verse in a unique prose approach to the poet's poignant work, and is accompanied by the Symbolist artist Odilon Redon's haunting illustrations. No adventurous reader will want to miss this beautiful mingling of the epic and familial, religious and political.
If we are to believe sensationalist media coverage, Satanism is, at its most benign, the purview of people who dress in black, adorn themselves with skull and pentagram paraphernalia, and listen to heavy metal. At its most sinister, its adherents are worshippers of evil incarnate and engage in violent and perverse secret rituals, the details of which mainstream society imagines with a fascination verging on the obscene. Children of Lucifer debunks these facile characterizations by exploring the historical origins of modern Satanism. Ruben van Luijk traces the movement's development from a concept invented by a Christian church eager to demonize its internal and external competitors to a positive (anti-)religious identity embraced by various groups in the modern West. Van Luijk offers a comprehensive intellectual history of this long and unpredictable trajectory. This story involves Romantic poets, radical anarchists, eccentric esotericists, Decadent writers, and schismatic exorcists, among others, and culminates in the establishment of the Church of Satan by carnival entertainer Anton Szandor LaVey. Yet it is more than a collection of colorful characters and unlikely historical episodes. The emergence of new attitudes toward Satan proves to be intimately linked to the ideological struggle for emancipation that transformed the West and is epitomized by the American and French Revolutions. It is also closely connected to secularization, that other exceptional historical process which saw Western culture spontaneously renounce its traditional gods and enter into a self-imposed state of religious indecision. Children of Lucifer makes the case that the emergence of Satanism presents a shadow history of the evolution of modern civilization as we know it. Offering the most comprehensive account of this history yet written, van Luijk proves that, in the case of Satanism, the facts are much more interesting than the fiction.
Presents a collection of writings exploring the character of Satan in world literature.
Victor Hugo is an icon of French culture. He achieved immense success as a poet, dramatist, and novelist, and he was also elected to both houses of the French Parliament. Leading the Romantic campaign against artistic tradition and defying the Second Empire in exile, he became synonymous with the progressive ideals of the French Revolution. His state funeral in Paris made headlines across the world, and his breadth of appeal remains evident today, not least thanks to the popularity of his bestseller, Les Misérables, and its myriad theatrical and cinematic incarnations. This biography, the first in English for more than twenty years, provides a concise but comprehensive exploration of Hugo’s monumental body of work within the context of his dramatic life. Hugo wrestled with family tragedy and personal misgivings while being pulled into the turmoil of the nineteenth century, from the fall of Napoleon’s Empire to the rise of France’s Third Republic. Throughout these twists of fate, he sensed a natural order of collapse and renewal. This unending cycle of creation shaped his ideas about freedom and roused his imagination, which he channeled into his prolific writing and other outlets like drawing. As Bradley Stephens argues, such creative intellectual vigor suggests that Hugo was too restless to sit comfortably on the pedestal of literary greatness; Hugo’s was a mind as revolutionary as the time in which he lived.
The time is the Beginning. The place is Heaven. The story is the Revolt of the Angels—a war of magic, corruption and intrigue that could destroy the universe. To Reign in Hell was Stephen Brust's second novel, and it's a thrilling retelling of the revolt of the angels, through the lens of epic fantasy. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
While recounting how past generations have personified evil, Jeffrey Burton Russell deepens our understanding of the ways in which people have dealt with the enduring problem of radical evil.
Is God changeable? Does He have different gospels for different people? The story of redemption takes you behind the scenes in the struggle between God and Satan. It explains how the conflict began, what the issues are, and how the outcome is already assured. It traces the theme of God's relationship with man from the garden of Edan to the return of Christ and beyond.
Recording the history of the belief in the existence of Satan, this book draws from the Bible, the poetry of Dante and Milton, the legend of Faust, and from modern novels and plays such as the works of Mark Twain and G.B. Shaw, and the spiritual writing of C. S. Lewis. Fintan Lyons O.S.B. chronicles the decline of that belief through the centuries as well as the attempts to treat the problem of evil philosophically, using the insights of thinkers such as Karl Barth. At the heart of this book is the attempt to synthesise or reconcile traditional belief with contemporary concern or even alarm regarding evil in the world. Lyons argues that evidence for the persistence of evil has been striking in modern times in wars and atrocities, while phenomena such as Satanic Cults and possible or real diabolical possession have continued to increase. The Catholic Church reacted to this situation in 1998 with a revision of the 1614 Rite of Exorcism, analysed in this book from both theological and psychological standpoints. By arguing that the transition from belief in Satan to personification of evil in historical regimes and characters brings contemporary culture into sharp focus, this book chronicles the history of humanity's attempt to understand the disturbing and mysterious reality of evil.
Critical biography previously unavailable documents, correspondence and journals including an encrypted private, journel to expose Hugo's private life politics and his poetry.