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Published on the eve of the philosopher-playwright's centenary, this study offers a wide-ranging re-appraisal of Sartre's complete dramatic opus, from the inaugural 'nativity' play, Bariona (1940), to the swan-song chorus of Armageddon, Les Troyennes (1965). It draws on a close reading of Sartre's writings in philosophy, literature and criticism, and provides an extensive survey of journalistic and academic reception. Each play is situated in relation both to Sartre's intellectual evolution and to the broader historical context. This is the first full-length study in English, for more than thirty years, covering the whole of Sartre's theatre, and it will interest students of twentieth-century European drama, as well as those of modern French literature and ideas.
Essay from the year 2001 in the subject English Language and Literature Studies - Literature, grade: A, Staffordshire University, course: 20C French Drama, language: English, abstract: Jean-Paul Sartre created a new dramatic concept called the Theatre of Situations which is based on his philosophical work L’Etre et le Néant written in 1943. His existentialism deeply influenced society and intellectuals in particular. According to his specific point of view, man now was only determined by the decisions and actions he makes and nothing else. However, Sartre’s concept of the Theatre of Situations that the angst, which marked the twentieth century, was only faced up with nineteenth century tools. A circumstance which his drama Huis Clos, written in 1943, clearly shows.
An Analysis of Jean-Paul Sartre’s Plays in Théâtre complet is the first volume to propose a critical analysis of all of Jean-Paul Sartre’s plays as published in the Bibliothèque de la Pléiade, Paris, Gallimard, 2005. Viewing the plays in the context of Sartre’s philosophy, his prose writings and works by other philosophers, novelists, and playwrights, this comprehensive volume is essential reading for students of French literature, theatre, and existentialist philosophy.
Examines Sartre's idea of theatre as action.
This book is a comprehensive study of the writings of Jean-Paul Sartre. As well as examining the drama and the fiction, the book analyses the evolution of his philosophy, explores his concern with ethics, psychoanalysis, literary theory, biography and autobiography and includes a lengthy section on the still much-neglected study of Flaubert, L'Idiot de la famille. One important aim of the book is to rebut the charges made by many theorists and philosophers by revealing that Sartre is in fact a major source for concepts such as the decentred subject and detotalised truth and for the revolt against individualistic humanism. Dr Howells also takes into account much posthumously published material, in particular the Chaiers pour une morale, but also the Lettres au Castor and the Cranets de la drole de guerre. The work is a substantial contribution to Sartre studies, but has been written with the non-specialist in mind; to that end all quotations are translated into English and gathered in an appendix.
Sartre Today is a tribute to Jean-Paul Sartre on the centenary of his birth (1905-2005). With twenty-two contributions from leading Sartre scholars in North America and the United Kingdom, this volume will greatly enhance Sartre scholarship in the English-speaking world. The diversity of these chapters reflects the depth and breadth of Sartre's wide-ranging engagement with the political and cultural issues of his time. Yet as these contributions demonstrate, it is clear that Sartre's work still offers an important framework through which to address contemporary issues of a similar magnitude. This applies to Sartre's enduring contribution to philosophy and his conception of violence and terror, as well as analyses of the latest political events in the United States. Other contributions address Sartre's relationship to the contemporary understanding of neuroscience and group therapy as well as his conception of literature, biography, the theater and cinema. This rich volume will be of great use not only to all Sartre scholars but also to anyone who has an interest in modern philosophy, politics, psychology, and literature. Contributors: Thomas R. Flynn, Joseph S. Catalano, Reidar Due, Steve Martinot, Ronald E. Santoni, David Detmer, John Duncan, Hazel E. Barnes, Betty Cannon, Constance L. Mui, Peter Caws, Ann Jefferson, Dennis A. Gilbert, Colin Davis John Gillespie Ian Birchall, Betsy Bowman and Bob Stone, Azzedine Haddour, Ronald Aronson, William L. McBride