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Sartor Resartus is Thomas Carlyle's most enduring and influential work. First published in serial form in Fraser's Magazine in 1833-1834, it was discovered by the American Transcendentalists. Sponsored by Ralph Waldo Emerson, it was first printed as a book in Boston in 1836 and immediately became the inspiration for the Transcendental movement. The first London trade edition was published in 1838. By the 1840s, largely on the strength of Sartor Resartus, Carlyle became one of the leading literary figures in Britain. Sartor Resartus became one of the important texts of nineteenth-century English literature, central to the Romantic movement and Victorian culture. At the time of Carlyle's death in 1881, more than 69,000 copies had been sold. The post-Victorian influence continued and extends to writers as diverse as Virginia Woolf and James Joyce, Willa Cather and Ernest Hemingway. This edition of Sartor Resartus is the first publication of the work that uses all extant versions to create an accurate authorial text. This volume, the second in an eight-volume series, includes a complete textual apparatus as well as a historical introduction and full critical and explanatory annotation.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1972.
These papers document the personal and professional life of the foremost landscape architect in American history. Frederick Law Olmsted relocated from New York to the Boston area in the early 1880s. With the help of his stepson and partner, John Charles Olmsted, his professional office grew to become the first of its kind: a modern landscape architecture practice with park, subdivision, campus, residential, and other landscape design projects throughout the country. During the period covered in this volume, Olmsted and his partners, apprentices, and staff designed the exceptional park system of Boston and Brookline—including the Back Bay Fens, Franklin Park, and the Muddy River Improvement. Olmsted also designed parks for New York City, Rochester, Buffalo, and Detroit and created his most significant campus plans for Stanford University and the Lawrenceville School. The grounds of the U.S. Capitol were completed with the addition of the grand marble terraces that he designed as the transition to his surrounding landscape. Many of Olmsted’s most important private commissions belong to these years. He began his work at Biltmore, the vast estate of George Washington Vanderbilt, and designed Rough Point at Newport, Rhode Island, and several other estates for members of the Vanderbilt family. Olmsted wrote more frequently on the subject of landscape design during these years than in any comparable period. He would never provide a definitive treatise or textbook on landscape architecture, but the articles presented in this volume contain some of his most mature and powerful statements on the practice of landscape architecture.
This study examines how authors responded to the Haitian Revolution with revisionist narratives that seek to support empire or rebellion, while focusing on the ethical ramifications of colonialism and slavery in the Americas. Narrative texts include Leonora Sansay’s Secret History, or the Horrors of Santo Domingo, Germaine de Stael’s Mirza, Fanny Burney’s The Wanderer, Jane Austen’s Mansfield Park and Sanditon, Harriet Martineau’s The Hour and the Man, and Elizabeth Barrett Browning’s poems, "A Curse for a Nation" and "The Runaway Slave at Pilgrim’s Point." Additional authors include Lucien Bonaparte, Chateaubriand, Raynal, Edmund Burke and Rousseau. Each author’s narrative is examined within the context of the cultural and political factors that influenced the author, as well as their personal ties to the abolitionist movement or to the institution of slavery.