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"One of the best of the best...You can't ask for more than this book gives. I loved it." – Stephen King “An exquisitely unexpected, delightfully believable exploration of what normal looks like when it goes through the (evil) looking glass.” —Oprah.com The sleepy community of Brewster, Rhode Island, is just like any other small American town. It’s a place where most of its inhabitants will die blocks from where they were born; where gossip spreads like wildfire, and the big weekend entertainment is the inevitable fight at the local bar. But recently, something out of the ordinary—perhaps even supernatural—has been stirring. While packs of coyotes gather and a baby is stolen and replaced with a snake, a series of inexplicably violent acts confounds Detective Woody Potter—and inspires terror in the locals. A Richard Russo small-town tableau crossed with a Stephen King thriller, The Burn Palace is a darkly funny, twisted portrait of chaos and paranoia that keeps readers guessing until the final pages.
"Fabulous writing." – Roy Conboy, Playwright (Hue) "ANONYMOUS is just terrific!" – Paul Rudnick, Playwright (I Hate Hamlet), Novelist (Social Disease), and Screenwriter (In & Out) "Michael [writes about] things of matter and importance." – Marcia Gay Harden, Star of Stage (Angels in America) and Screen (Pollock) "Tennessee Williams would be proud!" – Gregory Gerard, Author of In Jupiter's Shadow This collection, exclusive to Google Play Books, includes: ANONYMOUS, Jesus Christ is Alive and Well and Living in Sweden, and KEROUWHACKED!
The hard-boiled private detective is among the most recognizable characters in popular fiction since the 1920s--a tough product of a violent world, in which police forces are inadequate and people with money can choose private help when facing threatening circumstances. Though a relatively recent arrival, the hard-boiled detective has undergone steady development and assumed diverse forms. This critical study analyzes the character of the hard-boiled detective, from literary antecedents through the early 21st century. It follows change in the novels through three main periods: the Early (roughly 1927-1955), during which the character was defined by such writers as Carroll John Daly, Dashiell Hammett and Raymond Chandler; the Transitional, evident by 1964 in the works of John D. MacDonald and Michael Collins, and continuing to around 1977 via Joseph Hansen, Bill Pronzini and others; and the Modern, since the late 1970s, during which such writers as Loren D. Estleman, Liza Cody, Sara Paretsky, Sue Grafton and many others have expanded the genre and the detective character. Themes such as violence, love and sexuality, friendship, space and place, and work are examined throughout the text. Instructors considering this book for use in a course may request an examination copy here.
Everyman detective Charlie Bradshaw lands deep trouble in his third mystery in Saratoga Springs. Private eye Charlie, ever the outsider, finds himself in hot water when a former jockey due to testify in court on a race-fixing scam is found decapitated, apparently given up to the mob by Charlie himself. Now Charlie must hunt down the killers and clear his name, all while staying alive and keeping his scheming companion Victor Plotz on a leash. But both are easier said than done...
I Remember the Winners By: Chris Houvras
Provides up-to-date profiles on the careers of leading and emerging poets.
While gender equality has progressed in many sports since the second wave of the feminist movement in terms of women’s inclusion, participation, and success, harness horse racing has been recalcitrant to change. Gender, Work, and Harness Racing: Fast Horses and Strong Women in Southwestern Pennsylvania investigates the stories of women involved in harness racing to expose how they use the uniqueness of their situation to work for positive change. With stirring accounts of the strong women who are surviving, and sometimes succeeding, in harness horse racing, Elizabeth Anne Larsen’s analysis provides insight for studies of gender and work, occupational sex segregation, and women’s studies.
Everyman detective Charlie Bradshaw lands deep trouble in his sixth mystery in Saratoga Springs. Three puzzles revolving around poems come together in a perplexing case: an octogenarian in a nursing home writes a strange verse about the death of one of the carers; robberies at the Bentley Hotel are accompanied by a rhyme left by the burglar; and a poetry critic is attacked. Into this mess stumble Charlie and his ineffectual companion Victor Plotz. One terrible disguise and some very suspect sleuthing later, and our heroes are in trouble again.
"The big horse," in racing vernacular, is the animal that brings fame and fortune to a stable. He's the heavyweight champion, the All-American quarterback, the four-legged Michael Jordan of the barn. Seabiscuit was once Tom Smith's "big horse." A generation ago, Secretariat was Lucien Lauren's. In 2003, Funny Cide was Barclay Tagg's. In sixty years as a trainer, P. G. Johnson had never had one -- until Volponi. P. G. Johnson was a blue-collar wizard, a hardscrabble tough guy who had come east from Chicago, determined to make his mark on New York. And he did. He became leading trainer at all three New York tracks -- Saratoga, Belmont, and Aqueduct -- as well as at Florida's Tropical Park. And he did it without ever winning a Triple Crown or Breeders' Cup event, or having "the big horse." "I never knew how to kiss rich people's asses, and I got too old to learn. If no owner was going to give me a big horse, I figured I'd have to find one myself," he said. He did that, in his seventies, buying a mare for $8,000, breeding her to a $20,000 stallion, and in 1998 producing Volponi, the horse that would change his life. In October 2002, weakened by surgery and radiation treatment for cancer, P. G. watched Volponi -- the longest shot in the field at 43 to 1 -- bring home more than $2 million by winning the Breeders' Cup Classic, the richest race in America. The following summer at Saratoga, McGinniss -- journalist, investigative reporter, and horse racing obsessive -- began showing up, more Tuesdays with Morrie than Guys and Dolls, at P. G.'s barn in the predawn hours to listen to the inside racing stories and lore P. G. had gathered. McGinniss came to appreciate that Johnson was not only a stellar horseman but an American original whose wit and wisdom carried far beyond the confines of the racetrack. As for Volponi, the big horse had given P. G. the perfect Disney ending with the Breeders' Cup victory, and, indeed, Disney soon bought film rights to P. G.'s life story. "He'll be even better next year," P. G. had said, but by the time McGinniss got to Saratoga, Volponi had not won a race in nine months. His faith undiminished, P. G. continued to race Volponi against the best, at Saratoga and beyond, until in the end it came down to the 2003 Breeders' Cup Classic in Santa Anita, a race only one horse in history had ever won twice. As fires burned in the Southern California hills, Volponi -- with Funny Cide's jockey, Jose Santos, in the saddle -- ran the last race of his life. This book is about what happened that day, about what came after, and about much of what had come before. It's the most exciting, rewarding, and heartwarming story about the world of horse racing that you'll ever read, by one of America's finest writers, at the top of his form.