Download Free Sarajevo Under Siege Book in PDF and EPUB Free Download. You can read online Sarajevo Under Siege and write the review.

Sarajevo Under Siege offers a richly detailed account of the lived experiences of ordinary people in this multicultural city between 1992 and 1996, during the war in the former Yugoslavia. Moving beyond the shelling, snipers, and shortages, it documents the coping strategies people adopted and the creativity with which they responded to desperate circumstances. Ivana Maček, an anthropologist who grew up in the former Yugoslavia, argues that the division of Bosnians into antagonistic ethnonational groups was the result rather than the cause of the war, a view that was not only generally assumed by Americans and Western Europeans but also deliberately promoted by Serb, Croat, and Muslim nationalist politicians. Nationalist political leaders appealed to ethnoreligious loyalties and sowed mistrust between people who had previously coexisted peacefully in Sarajevo. Normality dissolved and relationships were reconstructed as individuals tried to ascertain who could be trusted. Over time, this ethnography shows, Sarajevans shifted from the shock they felt as civilians in a city under siege into a "soldier" way of thinking, siding with one group and blaming others for the war. Eventually, they became disillusioned with these simple rationales for suffering and adopted a "deserter" stance, trying to take moral responsibility for their own choices in spite of their powerless position. The coexistence of these contradictory views reflects the confusion Sarajevans felt in the midst of a chaotic war. Maček respects the subjectivity of her informants and gives Sarajevans' own words a dignity that is not always accorded the viewpoints of ordinary citizens. Combining scholarship on political violence with firsthand observation and telling insights, this book is of vital importance to people who seek to understand the dynamics of armed conflict along ethnonational lines both within and beyond Europe.
The Siege of Sarajevo remains the longest siege in modern European history, lasting three times longer than the Battle of Stalingrad and over a year longer than the Siege of Leningrad. Reporting the Siege of Sarajevo provides the first detailed account of the reporting of this siege and the role that journalists played in highlighting both military and non-military aspects of it. The book draws on detailed primary and secondary material in English and Bosnian, as well as extensive interviews with international correspondents who covered events in Sarajevo from within siege lines. It also includes hitherto unpublished images taken by the co-author and award-winning photojournalist, Paul Lowe. Together Morrison and Lowe document a relatively short but crucial period in both the history of Bosnia & Herzegovina, the city of Sarajevo and the profession of journalism. The book provides crucial observations and insights into an under-researched aspect of a critical period in Europe's recent history.
The heroic role of the city's multiethnic daily newspaper during the siege of Sarajevo.
When Canadian soldier Fred Doucette went to Bosnia-Herzegovina as a peacekeeper in 1995, he had a premonition that this tour of duty would be different from anything he had previously experienced. And it was. Doucette's tour quickly became an impossible task that took a huge toll on both the residents and his fellow peacekeepers. Trapped in thier beloved city, thousands of Sarajevans, perished, and yet, Doucette found a home in the midst of this hell. Billeted with a Bosnian family, he was offered a window into a Sarajevo that few outsiders saw. When the war ended, Doucette returned to Canada to face another battle, this one characterized by nightmares and brutal flashbacks. Traumatized, he had to face himself, his family, and his army once again, but now there was no turning away, no diversion in another foreign posting. Empty Casing is the riveting story of the making and unmaking of a soldier, and the growth of a man.
The 1992–1995 battle for Sarajevo was the longest siege in modern history. It was also the most internationalized, attracting a vast contingent of aid workers, UN soldiers, journalists, smugglers, and embargo-busters. The city took center stage under an intense global media spotlight, becoming the most visible face of post-Cold War conflict and humanitarian intervention. However, some critical activities took place backstage, away from the cameras, including extensive clandestine trading across the siege lines, theft and diversion of aid, and complicity in the black market by peacekeeping forces. In Blue Helmets and Black Markets, Peter Andreas traces the interaction between these formal front-stage and informal backstage activities, arguing that this created and sustained a criminalized war economy and prolonged the conflict in a manner that served various interests on all sides. Although the vast majority of Sarajevans struggled for daily survival and lived in a state of terror, the siege was highly rewarding for some key local and international players. This situation also left a powerful legacy for postwar reconstruction: new elites emerged via war profiteering and an illicit economy flourished partly based on the smuggling networks built up during wartime. Andreas shows how and why the internationalization of the siege changed the repertoires of siege-craft and siege defenses and altered the strategic calculations of both the besiegers and the besieged. The Sarajevo experience dramatically illustrates that just as changes in weapons technologies transformed siege warfare through the ages, so too has the arrival of CNN, NGOs, satellite phones, UN peacekeepers, and aid convoys. Drawing on interviews, reportage, diaries, memoirs, and other sources, Andreas documents the business of survival in wartime Sarajevo and the limits, contradictions, and unintended consequences of international intervention. Concluding with a comparison of the battle for Sarajevo with the sieges of Leningrad, Grozny, and Srebrenica, and, more recently, Falluja, Blue Helmets and Black Markets is a major contribution to our understanding of contemporary urban warfare, war economies, and the political repercussions of humanitarian action.
Originally written as columns for a Croatian newspaper, Sarajevo vividly describes a life in which unspeakable horrors are daily occurrences. While witnessing the gradual destruction of his city, Dizdarevic emphasizes the heroism of Sarajevo's citizens as they try to survive. Recipient of the International Prize from Reporters Without Borders.
The trinity of government, military and publics has been drawn together into immediate and unpredictable relationships in a "new media ecology" that has ushered in new asymmetries in the waging of war and terror. To help us understand these new relationships, Andrew Hoskins and Ben O'Loughlin here provide a timely, comprehensive and highly readable survey of the field of war and media. War is diffused through a complex mesh of our everyday media. Paradoxically, this both facilitates and contains the presence and power of enemies near and far. The conventions of so-called traditional warfare have been splintered by the availability and connectivity of the principal locus of war today: the electronic and digital media. Hoskins and O'Loughlin identify and illuminate the conditions of what they term "diffused war" and the new challenges it raises for the actors who wage and counter warfare, for their agents and mechanisms of the new media and for mass publics. This book offers an invaluable review of the key literature and presents a fresh approach to the understanding of the dynamic relationships between war and media. It will be welcomed by a broad range of students taking courses on war and media and related modules, especially in media, communication and cultural studies, politics and international relations, sociology, journalism, and security studies.
This brilliant novel with universal resonance tells the story of three people trying to survive in a city rife with the extreme fear of desperate times, and of the sorrowing cellist who plays undaunted in their midst. One day a shell lands in a bread line and kills twenty-two people as the cellist watches from a window in his flat. He vows to sit in the hollow where the mortar fell and play Albinoni’s Adagio once a day for each of the twenty-two victims. The Adagio had been re-created from a fragment after the only extant score was firebombed in the Dresden Music Library, but the fact that it had been rebuilt by a different composer into something new and worthwhile gives the cellist hope. Meanwhile, Kenan steels himself for his weekly walk through the dangerous streets to collect water for his family on the other side of town, and Dragan, a man Kenan doesn’t know, tries to make his way towards the source of the free meal he knows is waiting. Both men are almost paralyzed with fear, uncertain when the next shot will land on the bridges or streets they must cross, unwilling to talk to their old friends of what life was once like before divisions were unleashed on their city. Then there is “Arrow,” the pseudonymous name of a gifted female sniper, who is asked to protect the cellist from a hidden shooter who is out to kill him as he plays his memorial to the victims. In this beautiful and unforgettable novel, Steven Galloway has taken an extraordinary, imaginative leap to create a story that speaks powerfully to the dignity and generosity of the human spirit under extraordinary duress.
One of the 25 Books That Inspired the World (1989–2014), World Literature Today A remarkable and bracing collection of “classic anti-war writing” from a Croatian writer whose piercing prose recalls Kurt Vonnegut and Aleksander Hemon (Richard Flanagan, Booker Prize–winning author) Miljenko Jergović’s remarkable debut collection of stories, Sarajevo Marlboro, earned him wide acclaim throughout Europe. In “melancholy, dreamlike” prose, the stories in Sarajevo Marlboro “recall Alan Lightman's Einstein's Dreams and Italo Calvino's Invisible Cities, but Jergovic’s book is the strongest of the three” (Maud Newton). Croatian by birth, Jergović spent his childhood in Sarajevo and chose to remain there throughout most of the war. These stories are distinctly of the material world, and they are shaped by Jergović’s deeply personal vision, subterranean humor, and a razor-sharp understanding of the fate of the city’s young Muslims, Croats, and Serbs—the minute details of their interior lives in the foreground, the killing zone in the background.