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"Risible offers an alternative re-telling of the intellectual, technological, and sonic history of laughter, a phenomenon that cannot be accounted for through its causes (such as theories of comedy). Instead, Delia Casadei argues, laughter is a technique of the human body, knowable by its repetitive, clipped, and proliferating sound and its enduring links to the capacity for language and reproduction. The long-forgotten history of laughter--which reaches back to ancient Greece--re-emerges with explosive force in the late nineteenth century thanks to the binding of laughter to sound-reproduction technology. This alternative genealogy of laughter as human technique and sound technology is thrown into stark relief by the tension between the ownership and reproduction of the black voice in phonograph records, in metaphors of contagion and laughter in the early global market of phonographic laughing songs, and in the strange commodity of pre-recorded laughtracks. As such, laughter becomes a means of working out the very category of sound (not-quite-human, unintelligible, reproductive and reproducible, contagious) across the twentieth century"--
When Love & Sorrow Embrace offers Biblical encouragement to parents grieving a miscarriage. Based on beloved Biblical encounters with God Himself, readers find hope, encouragement and healing.
"The nature of laughter has recently attracted the attention of a number of different disciplines. In two recent colloquia, TRIO (Translation Research in Oxford) brought together international authorities from fields as diverse as physiology, psychology, linguistics, translation and literary studies, and sociology, with scant regard for political correctness. This fascinating and often hilarious collection of essays is the result. With the contributions: Jane Taylor - Introduction Dominique Bertrand - Anatomie et etymologie: ordre et desordre du rire selon Laurent Joubert Silke Kipper, Dietmar Todt - The Sound of Laughter: Recent Concepts and Findings in Research into Laughter Vocalizations Sarah-Jayne Blakemore - Why Can't You Tickle Yourself? Michael Holland - Belly Laughs Walter Redfern - Upping the Ante/i: Exaggeration in Celine and Valles Giselinde Kuipers - Humour Styles and Class Cultures: Highbrow Humour and Lowbrow Humour in the Netherlands Christie Davies - Searching for Jokes: Language, Translation, and the Cross-Cultural Comparison of Humour Ted Cohen - And What If They Don't Laugh? Iain Galbraith - Without the Rape the Talk-Show Would Not Be Laughable Jean-Michel Deprats - Translating a Great Feast of Languages Paul J. Memmi - Traduire le rire Natacha Thiery - Rire et desir dans les comedies americaines de Lubitsch: l'exemple de Ninotchka (1939) Adam Phillips - What's So Funny? On Being Laughed at ...Sukanta Chaudhuri - Laughing and Talking Georges Roque - Le Rire comme accident en peinture Laurent Bazin - La Couleur du rire: peinture et traduction Gerard Toulouse - Views on the Physics and Metaphysics of Laughter"
After Sarah Trestle botches a simple shoplifting attempt, she is worried that she will get kicked out of her clique of friends, which is made up of three other girls named Sarah whose main summer activities are volunteer work and the occasional petty crime.
In this wonderful exploration of the meaning of laughter, Barry Sanders queries its uses from the ancient Hebrews to Lenny Bruce, turning up evidence of its age-old power to subvert authority and give voice to the voiceless.