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Sarah Moon is a contemporary photographer of international renown. A former model, she has taken award-winning photos for such magazines as Vogue, Harper's Bazaar and Nova. The images she has created for several brands, among them Chanel, Comme des Garçons and Cacharel, all share her poetic sense of place and personality. This publication, which includes an example of Moon's cinematic work on a DVD, is a personal memoir in pictures, evoking her life, friends and fantasies. Distinguished writers - Dominique Eddé, Ilona Suschitsky, Magali Jauffret, Alain Fleischer and Robert Delpire - provide commentaries on her work in still and cinema photography, drawing out her thoughts on colour, contemporaries, influences and, in her own words, her unique approach to her subject. This is an unparalleled celebration of the vision of a gifted and individual photographer.
En cinq temps et un seul mouvement, ce livre va d'une promesse à la consécration. Un flux qui va d'une aptitude jusqu'à la maturité. De l'évidence d'un talent précoce à l'oeuvre accomplie. En cinq chapitres, il montre comment débute un goût pour une imagerie qui se trouve en phase avec son époque mais qui évolue vite vers l'expression de sentiments variés, jusqu'à l'angoisse du temps qui passe. Car Sarah sait d'instinct que les pétales tombent trop vite, que le printemps n'a qu'un temps, qu'il ne faut pas se fier aux apparences, et que cet oeil silencieusement complice qu'est l'appareil permet de retenir, de préserver l'instant choisi, et lui donner la forme qui l'exprime à l'acmé de sa rareté. Rare est le mot qui convient pour tous ces moments fixes au plus fort de l'émotion. ou la mer et les ciels prétendent à l'infini, où le regard d'une femme, la douceur d'un pelage, l'harmonie d'un accord, sont les bonheurs de la vie, - même si Sarah Moon sait que le ver est dans le fruit. Ce qu'elle a toujours su.
Soft-focus black-and-white or pale colours lure the viewer into a realm of dreams, of myths and fairytales; they also reflect the paradisiacal: unknown landscapes, enchanted cities. This is the work of photographer Sarah Moon, lusterously presented in one volume as never before. Known for shooting for Dior, Chanel and being the first woman to photograph for the prestigious Pirelli calendar, this volume demonstrates that Moon has many more strings to her bow than being a commercial photographer.
Thirteen-year-old Eli likes baggy clothes, baseball caps, and one girl in particular. Her seventeen-year-old sister Anna is more traditionally feminine; she loves boys and staying out late. They are sisters, and they are also the only family each can count on. Their dad has long been out of the picture, and their mom lives at the mercy of her next drink. When their mom lands herself in enforced rehab, Anna and Eli are left to fend for themselves. With no legal guardian to keep them out of foster care, they take matters into their own hands: Anna masquerades as Aunt Lisa, and together she and Eli hoard whatever money they can find. But their plans begin to unravel as quickly as they were made, and they are always way too close to getting caught. Eli and Anna have each gotten used to telling lies as a means of survival, but as they navigate a world without their mother, they must learn how to accept help, and let other people in.