Download Free Sarah Binks Book in PDF and EPUB Free Download. You can read online Sarah Binks and write the review.

A satiric biography of a fictional Saskatchewan songstress.
Making Believe responds to a remarkable flowering of art by Mennonites in Canada. After the publication of his first novel in 1962, Rudy Wiebe was the only identifiable Mennonite literary writer in the country. Beginning in the 1970s, the numbers grew rapidly and now include writers Patrick Friesen, Sandra Birdsell, Di Brandt, Sarah Klassen, Armin Wiebe, David Bergen, Miriam Toews, Carrie Snyder, Casey Plett, and many more. A similar renaissance is evident in the visual arts (including artists Gathie Falk, Wanda Koop, and Aganetha Dyck) and in music (including composers Randolph Peters, Carol Ann Weaver, and Stephanie Martin). Confronted with an embarrassment of riches that resist survey, Magdalene Redekop opts for the use of case studies to raise questions about Mennonites and art. Part criticism, part memoir, Making Believe argues that there is no such thing as Mennonite art. At the same time, her close engagement with individual works of art paradoxically leads Redekop to identify a Mennonite sensibility at play in the space where artists from many cultures interact. Constant questioning and commitment to community are part of the Mennonite dissenting tradition. Although these values come up against the legacy of radical Anabaptist hostility to art, Redekop argues that the Early Modern roots of a contemporary crisis of representation are shared by all artists. Making Believe posits a Spielraum or play space in which all artists are dissembling tricksters, but differences in how we play are inflected by where we come from. The close readings in this book insist on respect for difference at the same time as they invite readers to find common ground while making believe across cultures.
The surest way to the hearts of a Canadian audience is to inform them that their souls are to be identified with rock, rapids, wilderness and virgin (but exploitable) forest. Multiculturalism, feminism, postmodernism and regionalism - these and other vital movements jostle for expression in Canada. This title deals with this topic.
For generations, Canadian artists have made their mark on the world, with countless individuals rising to fame on stage and screen, and as frontrunners in the various arts, inspiring and influencing all who come after them. One of these legends has been largely forgotten, though his contribution to the arts have inspired the likes of Monty Python and Kids in the Hall, and brought hope and laughter to troops serving their countries at home and overseas, all the while pushing boundaries as a prolific artist, illustrator, author, and actor. This book tells the story of forgotten legend John Wilson (Jack) McLaren from his birth in Scotland to his early years in Canada, becoming a soldier in WWI, entertaining his comrades in arms on the stages of Europe, his business career after the war, his deep involvement with the Group of Seven, his membership in Toronto’s famed Arts & Letters Club, and his eventual retirement to the community of Benmiller, near Goderich, Ontario, where he passed away in 1988. His is a story that deserves to be told ... and remembered.
Read the series that inspired Three Pines on Prime Video. The Cruelest Month is the third book in Louise Penny's award winning Three Pines mystery series featuring the wise and beleaguered Inspector Armand Gamache. "Many mystery buffs have credited Louise Penny with the revival of the type of traditional murder mystery made famous by Agatha Christie ... " -Sarah Weinman Welcome to Three Pines, where the cruelest month is about to deliver on its threat. It's spring in the tiny, forgotten village; buds are on the trees and the first flowers are struggling through the newly thawed earth. But not everything is meant to return to life. . . When some villagers decide to celebrate Easter with a séance at the Old Hadley House, they are hoping to rid the town of its evil---until one of their party dies of fright. Was this a natural death, or was the victim somehow helped along? Brilliant, compassionate Chief Inspector Armand Gamache of the Sûreté du Québec is called to investigate, in a case that will force him to face his own ghosts as well as those of a seemingly idyllic town where relationships are far more dangerous than they seem.
This harrowing tale of a young girl in the slums is a searing portrayal of turn-of-the-century New York, and Stephen Crane's most innovative work. Published in 1893, when the author was just twenty-one, it broke new ground with its vivid characters, its brutal naturalism, and its empathic rendering of the lives of the poor. It remains both powerful, severe, and harshly comic (in Alfred Kazin's words) and a masterpiece of modern American prose. This edition includes Maggie and George's Mother, Crane's other Bowery tales, and the most comprehensive available selection of Crane's New York journalism. All texts in this volume are presented in their definitive versions.
The fifty essays in Second Words span the period from 1962 to 1980 and reveal Margaret Atwood's views on feminism, Canadian literature, the creative process, nationalism, sexism, as well as critical commentary on such writers as Erica Jong, E. L. Doctorow, Northrop Frye, Roch Carrier, Marie-Claire Blais, Marge Piercy, Adrienne Rich, Sylvia Plath, and many more.
Joanna Turnbull's marriage to Talbot Showcroft is foundering in the wake of his emigration to the colonies, leaving her and their baby son in the care of her dictatorial father who encumbered her marriage with an unusual nuptial agreement. Her best friend Katie has been disowned by her father for taking up with a fugitive Scot fleeing the aftermath of the battle of Culloden. Joanna resolves the issues by moving to the Colonies, taking Katie and her husband with her. The book's title is appropriate. As the plot wraps around the issues of loyalty to family and personal principles, each of the characters faces his or her own choices of depravity or virtue, slavery or freedom.
Much can be learned from a nation's literature. Examining three hundred years of cultural traditions, Katherine L. Morrison, a former American, now a Canadian, takes the reader through the historical, political, and sociological milieu of Canada and the United States to dispel misconceptions that they share near-identical social attitudes and historical experiences.To most Americans and much of the rest of the world, America and Canada differ little except in terms of climate. It is true that they share a common British heritage and immigration patterns, but there are subtle cultural differences between the two countries. These may appear insignificant to Americans, but they are not insignificant to Canadians. Comparing mythologies each of the countries share about the other, the author examines national views of their histories, from the common origin of both nations in the American Revolution, through the two world wars. She also examines the role of nature and images of place and home in Canadian and American literary writing, noting the disparate historical development of the two national literatures. Using specific works by recognized authors of their time, Morrison considers the role of religion and the church, violence and the law, and humor and satire, in the literature of both countries. The book also explores the role of women, race, and class in the literature of both countries. It concludes with a discussion of the tenacity of national myths, and draws some tentative conclusions.Now published in paperback in the United States, Morrison's broad-based approach to a largely unexplored subject will invite future study as well as improve understanding between Canada and the United States. Canadians and Americans will be of interest to cultural historians, American studies specialists, political scientists, and sociologists.