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This book thrusts the reader into the intellectual turmoil of medieval Europe. In interrelated studies of largely unexplored material dating from the ninth through to the fourteenth centuries, the contributors explore changes in functions and forms of liturgical poetry and music, and of biblical interpretation. Although the twelfth century constitutes the main focus, the phenomena dealt with here had roots in earlier times and remained in circulation in later centuries. The cultural heritage of the Carolingian intellectuals tied to the palace school of Charles the Bald is examined in a liturgical context. Forms and ideas from this period were reused and transformed in the twelfth century, as represented here by sequences, tropes, Abelard's poetry, the Gloss to Lamentations, and ritual representations or 'liturgical drama'. The two final chapters treat fourteenth-century uses and understandings of Boethius's De institutione musica and the new genre of sequence commentaries, both dealing with later medieval views on music theory and liturgical poetry from an earlier period, thus connecting the end of the book to its beginning. The sections are interspersed with philosophical reflections on overriding themes of the contributions. The volume concludes with an anthology of poetic texts in Latin with English translations and musical transcriptions.
Though medieval "saints' lives" are among the oldest literary texts of Western vernacular culture, they are routinely patronized as "pious fiction" by modern historiography. This book demonstrates that to characterize the genre as fiction is to misunderstand the intentions of medieval authors, who were neither credulous fools nor men blinded by piety. Concentrating on English texts, Heffernan reconstructs the medieval perspective and considers sacred biography in relation to the community for which it was written; identifies the genre's rhetorical practices and purposes; and demonstrates the syncretistic way in which the life of the medieval saint was transformed from oral tales to sacred text. In the process, Heffernan not only achieves a more contextually accurate understanding of the medieval saints' lives, but details a new critical method that has important implications for the practice of textual criticism.
Taking in hand the current "discovery" that we can listen to the cosmos, Andrew Hicks argues that sound-and the harmonious coordination of sounds, sources, and listeners-has always been an integral part of the history of studying the cosmos. In Composing the World, Hicks presents a narrative tour through medieval Platonic cosmology with reflections on important philosophical movements along the way. The book will resonate with a variety of readers, and it encourages us to rethink the role of music and sound within our greater understanding of the universe.
How do we find meaning in worship? How might we worship more meaningfully? These questions invite us into a field of study called liturgical semiotics. This book takes a deep dive into this arena, using the metaphor of breathing as a vehicle for the journey. It is about getting back to what is at the core of the Christian identity, namely worship, and exploring how to find and make meaning in it. In doing so, we will find out not only more about our worship, but about ourselves. Liturgical semiotics is not only about the liturgical event, but about the semiotician as well. Along the way, using BREATHE, GASP, and RASP as guides, we will read the signs of our worship, connect the dots of the stories it tells, and uncover new meanings. We will also find ways to make our worship more evocative and more resonant with the current culture. Take a deep breath, and dive in.
The tragic love of Francesca da Rimini and Paolo Malatesta - a classic story of passion and death - revisited through the lenses of literature, philosophy, and theology.
The work of Lorenzo Valla (1406-57) has enjoyed renewed attention in recent years, as have new critical editions of his texts. One of the most interesting interpreters of Valla, Salvatore I. Camporeale, O.P., had a following among scholars who read Italian, but very little of his work saw the light in English before his death in 2002. This book presents two of Camporeale’s studies on Valla in English, which examine in detail two of Valla’s works: his treatise on the Donation of Constantine (undoubtedly the work for which Valla is best known) and his Encomium of Saint Thomas Aquinas, delivered publicly in the last year of Valla’s life and, in Camporeale’s reading, summing up Valla’s multi-faceted thought.
This comprehensive history of linguistics is part of a 5 volume set. Together, the volumes examine the social, cultural and religious functions of language, its place in education, the prestige attached to different varieties of language, and the presentation of lexical and grammatical descriptions. They explore the linguistic interests and assumptions of individual cultures in their own terms, without trying to transpose and reshape them into the context of contemporary ideas of what the scientific study of language ought to be. The authors of individual chapters are all specialists who have been able to analyse the primary sources, and so produce original syntheses which offer an authoritative view of the different traditions and periods. Volume Two examines the Greek, Roman and Medieval European traditions, which between them developed the grammatical and syntactical models which form the basis of our inherited linguistic assumptions.