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Who was the enigma the world knows as Christopher Columbus . . . and why has his true identity been covered up for centuries? When an aged scholar is found mysteriously dead in his hotel room, Thomas Noronha, expert cryptographer and professor of history, is called upon to finish the man's unresolved investigation. In the course of unraveling the puzzles and cryptograms shrouding his late predecessor's work, Thomas discovers a code that will set him on a breathtaking race across the globe—from Lisbon to Rio to New York and Jerusalem—as he is drawn into one of the greatest mysteries of all time, a shocking revelation that will alter everything we've always believed about one of the world's most celebrated adventurers.
Princeton, New Jersey, 1951: As a CIA operative watches from the shadows, two old men—Israeli prime minister David Ben-Gurion and world-renowned scientist Albert Einstein—enter Einstein’s home to speak privately about nuclear weapons and the existence of God. Present Day Cairo, Egypt: Over lunch in the Muslim quarter, world-famous cryptanalyst Thomas Noronha is hired by a beautiful dark-haired woman, Ariana Pakravan, to decipher a cryptogram hidden in a recently discovered secret document under heavy security in Tehran. A manuscript penned by Albert Einstein, it is titled Die Gottesformel: The God Formula. So begins a remarkable adventure that spans the world, as Thomas and Ariana pursue the dangerous truth behind an incredible document. The Einstein Enigma is a breathtaking fusion of science, thriller, and religion, a mind-bending trip to the source of time, the essence of the universe, and the meaning of life itself.
Lucian “Lucky” Spark has been recruited for training by the Establishment, a totalitarian government. If a recruit fails any level of the violent training competitions, a family member is brutally killed ... and the recruit must choose which one. An undeniable attraction develops between Lucky and another recruit, but only one of them can survive.
For fans of GILMORE GIRLS and TO ALL THE BOYS I'VE LOVED BEFORE, this effervescent love story from debut author Nina Moreno will sweep you away. Rosa Santos is cursed by the sea-at least, that's what they say. Dating her is bad news, especially if you're a boy with a boat. But Rosa feels more caught than cursed. Caught between cultures and choices. Between her abuela, a beloved healer and pillar of their community, and her mother, an artist who crashes in and out of her life like a hurricane. Between Port Coral, the quirky South Florida town they call home, and Cuba, the island her abuela refuses to talk about. As her college decision looms, Rosa collides-literally-with Alex Aquino, the mysterious boy with tattoos of the ocean whose family owns the marina. With her heart, her family, and her future on the line, can Rosa break a curse and find her place beyond the horizon?
A hilarious and heartfelt memoir about finding your true voice by Sophie Santos, the fearless comic and host of The Lesbian Agenda. From the self-proclaimed Queen of the Stunted Late Bloomers and one of the most exciting emerging voices in comedy comes an honestly funny memoir about the awkward, cringeworthy, hilarious, and longest possible journey of coming of age and into her own. The only child of a perpetually transferring Filipino Spanish US Army officer and a spitfire nurse, Sophie Santos spent her early years starting over again and again--and accumulating her fair share of anxieties. Growing up in 99.6 percent white communities, where girls had to learn to flash Vaseline-capped smiles before they'd be considered real women, Sophie adapted. Determined to fit in, she transformed from a tomboy misfit into a hormone-crazed beauty pageant contestant and a southern sorority girl, among other personalities. She nailed each role she took on, not shockingly, but nothing seemed to fit her true self. In her twenties, floundering and locked in her bedroom with lesbian YouTube clips playing on repeat, Sophie began to understand that her true self might be more tomboy misfit than southern belle. That realization set her off on a journey that led her through an unexpected lesbian puberty and eventually toward a New York comedy career.
Despite the inherent brutality of slavery, some slaves could find small but important opportunities to act decisively. The Hierarchies of Slavery in Santos, Brazil, 1822–1888 explores such moments of opportunity and resistance in Santos, a Southeastern township in Imperial Brazil. It argues that slavery in Brazil was hierarchical: slaves' fleeting chances to form families, work jobs that would not kill or maim, avoid debilitating diseases, or find a (legal or illegal) pathway out of slavery were highly influenced by their demographic background and their owners' social position. By tracing the lives of slaves and owners through multiple records, the author is able to show that the cruelties that slaves faced were not equally shared. One important implication is that internal stratification likely helped perpetuate slavery because there was the belief, however illusionary, that escaping captivity was not necessary for social mobility.
This book explores the concept of 'cognitive injustice': the failure to recognise the different ways of knowing by which people across the globe run their lives and provide meaning to their existence. Boaventura de Sousa Santos shows why global social justice is not possible without global cognitive justice. Santos argues that Western domination has profoundly marginalised knowledge and wisdom that had been in existence in the global South. She contends that today it is imperative to recover and valorize the epistemological diversity of the world. Epistemologies of the South outlines a new kind of bottom-up cosmopolitanism, in which conviviality, solidarity and life triumph against the logic of market-ridden greed and individualism.
Shortlisted for the 2023 Andrew Carnegie Medal for Excellence in Fiction A dazzling, debut novel-within-a-novel in the vein of The Prophets and Memorial, about a young author writing about the secret love affair between E.M. Forster and Mohammed el Adl—in which Mohammed’s story collides with his own, blending fact and fiction. In 1919, Mohammed el Adl, the young Egyptian lover of British author E. M. Forster, spent six months in a jail cell. A century later, Kip Starling has locked himself in his Brooklyn basement study with a pistol and twenty-one gallons of Poland Spring to write Mohammed’s story. Kip has only three weeks until his publisher’s deadline to immerse himself in the mind of Mohammed who, like Kip, is Black, queer, an Other. The similarities don't end there. Both of their lives have been deeply affected by their confrontations with Whiteness, homophobia, their upper crust education, and their white romantic partners. As Kip immerses himself in his writing, Mohammed’s story – and then Mohammed himself – begins to speak to him, and his life becomes a Proustian portal into Kip's own memories and psyche. Greenland seamlessly conjures two distinct yet overlapping worlds where the past mirrors the present, and the artist’s journey transforms into a quest for truth that offers a world of possibility. Electric and unforgettable, David Santos Donaldson’s tour de force excavates the dream of white assimilation, the foibles of interracial relationships, and not only the legacy of a literary giant, but literature itself.
This book proposes that Spanish author Luis Martín-Santos’ work focuses on the effects of patriarchy and hegemonic masculinity on men, to actively contribute to freeing both men and women from the yoke of patriarchy. It aims for a new resonance of Luis Martín-Santos. It analyzes the influence of Heidegger, Freud and Sartre in Martín-Santos’ psychiatric essays and his fictional works: the novel Tiempo de silencio (Time of Silence), the collection of short stories Apólogos, and the posthumous fragment Tiempo de destrucción (Time of Destruction). It demonstrates that alongside the political critique of Franco’s dictatorship, Martín-Santos’ creative writings are an attempt to destroy the prevalent masculine myths of Western patriarchy, and a proposal to create new myths for the future.