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A Collection of Santa Fe Homes and the stories of their owners.
Now in paperback comes an exploration of the origins and current manifestations of style in Santa Fe, from the ancient inspiration of the Canyon de Chelly to the architectural innovations of Frank Lloyd Wright and his contemporaries. 450 illustrations, 220 in color.
A celebration of Santa Fe's unique holiday traditions. Christmas in Santa Fe and northern New Mexico is full of enchantment, a rich cultural feast of Spanish, Anglo and Pueblo traditions. Susan Topp Weber chronicles the best of what the region has to offer during the long holiday season and combines them with intriguing stories and gorgeous photos. Susan Topp Weber has participated in the many events of Christmas in northern New Mexico for more than forty years. She has owned and operated Susan's Christmas Shop, just off the Plaza in Santa Fe, for more than thirty years. She is frequently asked to lecture about New Mexico Christmas traditions.
Captivated by the uncanny light and exotic landscape, artists have been drawn to New Mexico for over 100 years. Santa Fe Art surveys works of over 70 artists and provides insight into the distinctive styles evolving from this desert mecca.
Exploring beautiful homes in the southwest and drawing up on the traditional elements of Native America - fire, earth, air and water. This books highlights the distinctive details particular to every home that is visited.
First survey of modernist and contemporary architecture and interiors in the richly layered architectural history of Santa Fe Santa Fe Modern reveals the high desert landscape as an ideal setting for bold, abstracted forms of modernist houses. Wide swaths of glass, deep-set portals, long porches, and courtyards allow vistas, color, and light to become integral parts of the very being of a house, emboldening a way to experience a personal connection to the desert landscape. The architects featured draw from the New Mexican architectural heritage--they use ancient materials such as adobe in combination with steel and glass, and they apply this language to the proportions and demands exacted by today's world. The houses they have designed are confident examples of architecture that is particular to the New Mexico landscape and climate, and yet simultaneously evoke the rigorous expressions of modernism. The vigor and the allure of modern art and architecture hearten each other in a way that is visible and exciting, and this book demonstrates the synergistic relationship between art, architecture, and the land.
This anthology, a companion to the Santa Fe 400th Anniversary Commemoration publication, All Trails Lead to Santa Fe, affords Native American authors the opportunity to unreservedly express their ideas, opinions and perspectives on the historical and cultural aspects of Santa Fe using their own voice and preferred writing styles that are not necessarily in accord with western academic and writing conventions. One cannot truly contemplate the history and culture of Santa Fe without the voices of the Native Americans—the original inhabitants of Po’oge, “White Shell Water Place”. Indeed, much of Santa Fe’s story is conveyed from a western colonial perspective, which, until fairly recently, has predominantly relegated Native Americans to the fringes. However, over the last thirty years colonial narratives regarding Native American history and culture have been, and continue to be, disputed and amended as the pursuit of academic, intellectual and cultural self determination gains momentum in respective Native American tribal and academic communities. The Santa Fe 400th Commemoration has created an opportunity for the Native American voice to be heard. This anthology is a ceremony of Native voices, a gathering of Native people offering scholarly dialogue, personal points of view, opinions, and stories regarding the pre and post–historical and cultural foundations of Santa Fe.
Beautiful photographs and evocative essays showcase iconic places, events, inventions, and foods that convey the personality of Santa Fe, New Mexico, a very special city different.
By the early 1970s, an active bohemian colony had developed in Santa Fe and it became a cultural boom town. The number of art galleries went from two to a hundred. Besides the Santa Fe Opera, there came into being endless festivals: for art, music, literature, theater, movies, fashion, and the crafts of Indians and Spanish Americans. The city’s complex heritage of three interlocked cultures became “Santa Fe Style.” But the fifteen years between 1964 and 1980 held a special magic. And Eli Levin experienced it all: the fading generation of older artists and the newly arriving younger generation; wild night life at Claude’s Bar; artist’s battles with conservative arts organizations; questionable successes and tragic failure of careers; exemplary examples of lifetime dedication; and a number of suppressed scandals, one even involving possible murders. Packed with amusing anecdotes about the various artists with whom Levin painted, plotted and partied, this vivid memoir testifies to the exciting rebirth and burgeoning growth of one of this country’s most well known art colonies.