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This anthology honors Santa Fe's role as the foundation of New Mexican Hispanic culture.
This question-and-answer book contains 400 reminders of what is known and what is sometimes forgotten or misunderstood about a city that was founded more than 400 years ago. Not a traditional history book, this group of questions is presented in an apparently random order, and the answers occasionally meander off topic, as if part of a casual conversation.
Located in the foothills of the Sangre de Cristo Mountains, Santa Fe was founded in 1608 by Spanish colonists and Franciscan missionaries who were searching for gold, arable land, and Indians to convert to Christianity. In the 400 years since, this mountain community has been the hub of Spanish colonialism in the New World, the terminus of the historic Santa Fe Trail, and since 1912, the state capital of New Mexico. It is America's third-oldest continuously inhabited, European-built community, surpassed in age only by St. Augustine, Florida, and Jamestown, Virginia. It is also the birthplace of Santa Fe style, a term used to describe the unique amalgamation of Indian, Spanish, and Anglo cultures that has strongly influenced the world of architecture and fashion since the 1960s and made the city one of America's most popular and recognizable tourist destinations.
The timeline of American history has always swept through Santa Fe, New Mexico. Settled by ancient peoples, explored by conquistadors, conquered by the U.S. cavalry, Santa Fe owns a story that stretches from the talking drums of the Pueblos to the high math of complexity theory pioneered at the Santa Fe Institute. This fresh presentation, 400 years after the Spanish founded the town in 1610, presents the full arc of Santa Fe's story that sifts through its long, complex, thrilling history. From the moment of first contact between the explorers and the native peoples, Santa Fe became a crossroads, a place of accommodations and clashes. Faith defined, sustained, and liberated the people. All the while, scoundrels and abusers of power elbowed their way into civic life. And who should piece together that story of the country's oldest capital city? The Santa Fe New Mexican, the oldest newspaper in the American West, walking side by side with the people of Santa Fe for 160 years-a long life by the standards of publishing though merely a short span in Santa Fe's timeless drama. This book was compiled from a series that appeared monthly in "The Santa Fe New Mexican" in honor of the city's 400th anniversary commemoration in 2010. It illuminates Santa Fe's enduring promise to cling to roots that are bottomless and to leap into a future that is boundless. Over 400 pages, many illustrations, timelines, index, and detailed bibliographies. Included is a Study Guide for teachers, students, and anyone interested in Santa Fe and the American Southwest.
Packed with amusing anecdotes about the various artists with whom Levin painted, plotted, and partied, this vivid memoir testifies to the exciting rebirth and burgeoning growth of one of this country's most well-known art colonies.
Founded in 1610, Santa Fe has been a beacon for those yearning for adventure, a different way of life, a place of expression, and the opportunity to meld the old with the new. Designated America's first United Nations Educational, Scientific and Cultural Organization Creative City in 2005, Santa Fe is home to people from around the world. Legendary Locals of Santa Fe pays tribute to a diverse group of individuals, who through different eras have contributed to the city's vitality: Native American Po'pay, leader of the Pueblo Revolt; world-renowned sculptor Allan Houser; priest Padre Antonio Martinez, who brought the city's first printing press; Pulitzer Prize authors Willa Cather and Oliver La Farge; Fray Angelico Chavez, Santa Fe's preeminent historian; Santa Fe Opera founder John Crosby; Stewart L. Udall, former Secretary of the Interior under the Kennedy and Johnson administrations; and Sgt. Leroy A. Petry, the 2011 Medal of Honor recipient. All share an enduring spirit and belief in the community that the Spanish explorers had the foresight to name "the City of Holy Faith."
A native resident of Santa Fe discusses the impact of tourism on the City Different and the cultural identity of its Hispanic citizens.
Debunks the great tourist myth, and explains how the Santa Fe architectural and design style, so popular with millions of visitors today, was consciously created by Anglos in the early 20th century.
Tramp art describes a particular type of wood carving practiced in the United States and Europe between the 1880s and 1940s in which discarded cigar boxes and fruit crates were notched and layered to make a variety of domestic objects.
The Turn to the Native is a timely account of Native American literature and the critical writings that have grown up around it. Arnold Krupat considers racial and cultural “essentialism,” the ambiguous position of non-Native critics in the field, cultural “sovereignty” and “property,” and the place of Native American culture in a so-called multicultural era. Chapters follow on the relationship of Native American culture to postcolonial writing and postmodernism. Krupat comments on the recent work of numerous Native writers. The final chapter, “A Nice Jewish Boy among the Indians,” presents the author’s effort to balance his Jewish and working-class heritage, his adherence to Western “critical” ideals, and his ongoing loyalty to the values of Native cultures.