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"Neuter was first published by Grasset in 1972 as the third part of a trilogy which includes Le troisieme corps and Les commencements, published in 1970. It summarizes Cixous's earlier concerns - self, language, meaning, relations, ecriture feminine - by laying bare metaphors, incorporating existing material, and through fragmentation, association, and play on signifiers. Its "substance" is nebulous; there is no "content" or "plot," and the "story" itself is more one of the characters than a structural element."
'Maternal Echoes' examines maternal imagery in the poetry of two French Romantic poets, the increasingly popular Desbordes-Valmore and the critically marginalized Lamartine. Drawing on psychoanalytic theories on the maternal voice as well as feminist criticism, the book argues that both poets find a voice of their own by echoing their mother's voice.
The ambition is of this volume to study the role censorship played in the intellectual culture of the seventeenth and eighteenth centuries, how it was implemented, and how it affected the development philosophy and literary writing. It contains contributions by intellectual historians, philosophers and literary theorists. The first section studies how Enlightenment thinkers were submitted to censorship, in particular the German Spinozists, Pierre Bayle, and the French Encylopedists. The second section on the institutional aspects of censorship contains an analysis of the breakdown of censorship in England around 1640 and a discussion of the impact of censorship on philosophy in the Netherlands. The final section studies the stand three Enlightenment thinkers, namely John Toland, Denis Diderot, and G. W. Leibniz, took on the issue of censorship.
The orientation of academic institutions has in recent years been moving away from highly specialized area studies in the classical sense towards broader regional and comparative studies. Cultural studies points to the limitation of Western approaches to non-Western cultures - a development not yet reflected in actual research and data collections. Bringing together scholars from all over the world with specialized knowledge in both Western and non-Western languages, literatures, and cultures, this collection of essays provides new insights into the agency of non-Western literatures in relation to the West - a term used with critical caution and, like other common binary dualisms, challenged here. Inter-cultural expertise, seldom applied in the combination of Asian, African, and 'oriental' perspectives, makes this compilation of essays an important contribution to the study of colonialism and postcoloniality. Topics covered include postcolonial Arabic writing; T.S. Eliot in contemporary Arabic poetry; Algerian (and Berber) literature; the English language and narratives in Kenyan art; characterization, dialogism, gender and Western infuence in modern Hindi fiction; Naya drama in India; modern Burmese theatre and literature under Western influence; Remarque's All Quiet on the Western Front and the Vietnamese Novel Without a Name; Western Marxism and vernacular literature in colonial Indonesia; hybridity in Komedi Stambul; and Sherlock Holmes in/and the crime fiction of Siam and Indonesia Contributors: Amina Azza Bekkat; Thomas de Bruijn; Matthew Isaac Cohen; Rasheed El-Enany; Keith Foulcher; Saddik M. Gohar; Rachel Harrison; Doris Jedamski; Ursula Lies; Daniela Merolla; Evan Mwangi; Guzel Vladimirovna Strelkova; Anna Suvorova; U Win Pe