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More than twenty years have passed since this book was first published yet its themes remain vital for understanding the way in which Christian faith is coming to expression in a context like Malawi. It begins with Christology, with the question of the identity of Jesus Christ that is perennially at the centre of the Christian theological task. For a century and more Malawians have been hearing the proclamation, here comes your king!" This has struck a chord in millions of hearts as individuals, families and communities have named Jesus Christ as Lord. It has also posed the challenge of discovering what this Lordship means in every dimension of life. Much of the rest of the book pursues this question as it explores how church identity has been formed and consolidated, how the faith has been a resource for the nation at critical moments, and the ways in which the faith has shaped national identity and helped to meet political challenges.
Contains abstracts of missiological contributions, book reviews, and articles.
This is a subset of the Sacred Books of the East Series which includes translations of all the most important works of the seven non-Christian religions which have exercised a profound influence on the civilizations of the continent of Asia. The works have been translated by leading authorities in their field.
The book identifies and critically analyses Hausa contemporary films known as Kannywood. The focus is on video films with particular emphasis on sources in oral literature. How traditional theatres are re-enacted and re-framed during filmmaking, and how far are traditional traits captured, changed, or enriched in video film are some issues the book negotiates on. The harmony between orature and technology, as generated by means of the transported film medium is expressed in the book. The new medium is integrated into the ongoing traditional and cultural surroundings, where native narrative traditions have been adopted into the global film medium, which is in alignment with contemporary medial culture. Yusuf Baba Gar is the lecturer for Hausa at the Department of African Studies, Humboldt University, Berlin.
African Archaeology, Volume 91 This book is an original study of very large pots in parts of Chad, Cameroon and Nigeria. Found in excavations and surface fieldwork, they have been attributed to the So, a group of pre-Islamic inhabitants of the area before the sixteenth century AD, who have become mythologised as giants. Originally for burial, in some cases the pots have been dug up by villagers and reused: for brewing beer or as dye pits for indigo cloth. The book focuses on a group of these pots that survived until the late twentieth century in villages in a small part of Borno, north-eastern Nigeria. With the passage of time and terrorist activities in the region, their fate is now unknown and the photographs from 1963 to 1993 reproduced in this book have become a major archive of an unusual pottery group.