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The sixth book of poems by Don McKay. In Sanding Down This Rocking Chair on a Windy Night, McKay again demonstrates his ability to transorm the familiar into the breathtaking, and to touch us deeply with words. These poems show just how much McKay can do with language. In the long title poem, readers will find themselves listening to a voice that makes them feel welcome and at home, yet as renewed as if they had slipped into new skins -- while the stand-up comedy of the madly speaking starling in "Sturnus Vulgaris" reminds us that poetry can still make readers laugh out loud. Indeed, that starling with the startling voice can be taken, says McKay, as an emblem for this book as a whole: "He argues for multiplicity and many-voicedness, for having centres everywhere."
Multi-award-winning poet Don McKay returns with a startling collection of new poems, his first since his Griffin Poetry Prize winning book, Strike/Slip Don McKay is known, among other things, as Canada's foremost poet of the natural world. Readers have come to expect a playful extravagance in his poetry. Most recently, he has opened himself to the mysteries of geologic wonder. "Who needs ghosts when matter /nonchalantly haunts us," he writes. In his new book, perhaps his most stunning yet, it's fossils and deep time that provide the awe. The landscape of Newfoundland has taken his linguistic virtuosity even further, sharpened his wit, and given him a lyric energy that sometimes feels as if he's lifting the planet into song.
The development of literature in Canada with an eye to its multicultural, multiethnic, multilingual nature. From modest colonial beginnings, literature in Canada has arrived at the center stage of world literature. Works by English-Canadian writers -- both established writers such as Margaret Atwood and new talents such as Yann Martel -- make regular appearances on international bestseller lists. French-Canadian literature has also found its own voice in the North American and francophone worlds. "CanLit" has likewise developed into a staple of academic interest, pursued in Canadian Studies programs in Canada and around the world. This volume draws on the expertise of scholars from Canada, Germany, Austria, and France, tracing Canadian literature from the indigenous oral tradition to thedevelopment of English-Canadian and French-Canadian literature since colonial times. Conceiving of Canada as a single but multifaceted culture, it accounts for specific characteristics of English- and French-Canadian literatures, such as the vital role of the short story in English Canada or that of the chanson in French Canada. Yet special attention is also paid to Aboriginal literature and to the pronounced transcultural, ethnically diverse character ofmuch contemporary Canadian literature, thus moving clearly beyond the traditions of the two founding nations. Contributors: Reingard M. Nischik, Eva Gruber, Iain M. Higgins, Guy Laflèche, Dorothee Scholl, Gwendolyn Davies, Tracy Ware, Fritz Peter Kirsch, Julia Breitbach, Lorraine York, Marta Dvorak, Jerry Wasserman, Ursula Mathis-Moser, Doris G. Eibl, Rolf Lohse, Sherrill Grace, Caroline Rosenthal, Martin Kuester, Nicholas Bradley, Anne Nothof, Georgiana Banita, Gilles Dupuis, and Andrea Oberhuber. Reingard M. Nischik is Professor of American Literature at the University of Constance, Germany.
Analyzing 30 years of Don McKay's achievements, this critique explores one of the most original bodies of work in contemporary English-language poetry. Emphasizing details of ornithology, botany, weather, industry, and the arts, as well as focusing on varied geographic settings, his poetry opens countless doors for analysis. Fourteen contributors examine the complex contradictions of McKay's work, including nuanced description and intricate metaphor, philosophical phrasing and folksy idiom, madcap humor and elegy.
Ornithologies of Desire develops ecocritical reading strategies that engage scientific texts, field guides, and observation. Focusing on poetry about birds and birdwatching, this book argues that attending to specific details about the physical world when reading environmentally conscious poetry invites a critical humility in the face of environmental crises and evolutionary history. The poetry and poetics of Don McKay provide Ornithologies of Desire with its primary subject matter, which is predicated on attention to ornithological knowledge and avian metaphors. This focus on birds enables a consideration of more broadly ecological relations and concerns, since an awareness of birds in their habitats insists on awareness of plants, insects, mammals, rocks, and all else that constitutes place. The book’s chapters are organized according to: apparatus (that is, science as ecocritical tool), flight, and song. Reading McKay’s work alongside ecology and ornithology, through flight and birdsong, both challenges assumptions regarding humans’ place in the earth system and celebrates the sheer virtuosity of lyric poetry rich with associative as well as scientific details. The resulting chapters, interchapter, and concordance of birds that appear in McKay’s poetry encourage amateurs and specialists, birdwatchers and poetry readers, to reconsider birds in English literature on the page and in the field.
The fifth volume of The Griffin Poetry Prize Anthology includes selections from the books shortlisted for the 2005 Griffin Poetry Prize, chosen by the jurors: UK poet Simon Armitage, Governor General's Award winner Erin Moure, and Slovenian poet Tomaz Salamun. Royalties from the anthology are donated to UNESCO's World Poetry Day.
“There’s a place / between desire and memory, some back porch / we can neither wish for nor recall,” writes Don McKay in Apparatus. The poems in this collection home in on that place – those keenly desired places – where language will not reach. Apparatus is Don McKay’s first collection of new poems since his 1991 award-winning Night Field. It is a passionate engagement with nature and a powerful critique of human assaults on wilderness which, for McKay, is more than unsubdued nature; it is whatever eludes the mind’s categories – the insoluble secret of life itself. To read McKay’s poems is to be in touch with the significant concerns of our time and all time. McKay is a poet of unmatched linguistic playfulness, with virtuoso flexibility of voice and an ability to shape-shift through forms, tones, and styles.
In this extraordinary collection from one of our most celebrated poets, Don McKay walks the strike-slip fault between poetry and landscape, sticks its strange nose into the cold silence of geologic time, meditates on marble, quartz and gneiss, and attends to the songs of ravens and thrushes and to the clamour of the industrialized bush. Behind these poems lies the urge to engage the tectonics of planetary dwelling with the rickety contraption of language, and to register the stress, sheer and strain — but also the astonishment — engendered by that necessary failure.
Provides up-to-date profiles on the careers of leading and emerging poets.
The poetry of Don McKay is renowned for its piquant wit, lyric emotion, and pitch-perfect vernacular music. His work has received national acclaim and the recognition of many awards, including the Governor General’s Award for Poetry, which he has won twice, and, most recently, from the prestigious and internationally known Griffin Poetry Prize, for which his most recent book was a finalist. Camber is the lilt in the physics of flight, the anti-gravitational alchemy of both wings and poetry. It is also at the heart of the poetry of Don McKay. Spanning three decades, and drawing on all of McKay’s major collections, this selection distills the essence of his craft and provides an overview of, and an ideal introduction to, the work to date of one of Canada’s most celebrated poets.