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Arthur Upfield created Detective Inspector Napoleon Bonaparte (Bony) who features in twenty-nine novels written from the 1920s to the the 1960s, mostly set in the Australian Outback. He was the first Australian professional writer of crime detection novels. Upfield arrived in Australia from England on 4 November 1911, and this collection of twenty-two critical essays by academics and scholars has been published to celebrate the centenary of his arrival. The essays were all written after Upfield’s death in 1964 and provide a wide range of responses to his fiction. The contributors, from Australia, Europe and the United States, include journalist Pamela Ruskin who was Upfield’s agent for fifteen years, anthropologists, literary scholars, pioneers in the academic study of popular culture such as John G. Cawelti and Ray B. Browne, and novelists Tony Hillerman and Mudrooroo whose own works have been inspired by Upfield’s. The collection sheds light on the extent and nature of critical responses to Upfield over time, demonstrates the type of recognition he has received and highlights the way in which different preoccupations and critical trends have dealt with his work. The essays provide the basis for an assessment of Upfield’s place not only in the international annals of crime fiction but also in the literary and cultural history of Australia.
These five novels in the Gumshoe Collection bring back the style of Mickey Spillane and Raymond Chandler. Each one with a rock-solid core delivered with an explosive punch and snappy dialogue that sometimes may be risqué , but is always humorous. When ex-IRS Agent Mortimer— call me “ Mort” — Angel launches his new gumshoe career, he immediately becomes Reno' s infamous finder of bodies and/or body parts. In Gumshoe, it' s the mayor' s missing head; in Gumshoe for Two, it' s the hand of a U.S. Senator; in Gumshoe on the Loose, it' s the hanging body of a missing rapper; in Gumshoe Rock, it' s a skull, stripped clean and white; in Gumshoe in the Dark, it' s the dead body of his female companion' s mother. PI-in-training-Mort definitely has a special knack, as does Rob Leininger, in delivering gritty crime novels sprinkled with spicy humor. All five books in the Gumshoe Collection are perfect for fans of Janet Evanovich, Carl Hiaasen, and Tim Dorsey
" ... Documents the history and development of [Post-colonial literatures in English, together with English and American literature] and includes original research relating to the literatures of some 50 countries and territories. In more than 1,600 entries written by more than 600 internationally recognized scholars, it explores the effect of the colonial and post-colonial experience on literatures in English worldwide.
Australian crime fiction has grown from the country's origins as an 18th-century English prison colony. Early stories focused on escaped convicts becoming heroic bush rangers, or how the system mistreated those who were wrongfully convicted. Later came thrillers about wealthy free settlers and lawless gold-seekers, and urban crime fiction, including Fergus Hume's 1887 international best-seller The Mystery of a Hansom Cab, set in Melbourne. The 1980s saw a surge of private-eye thrillers, popular in a society skeptical of police. Twenty-first century authors have focused on policemen--and increasingly policewomen--and finally indigenous crime narratives. The author explores in detail this rich but little known national subgenre.
Arthur William Upfield is well known as the creator of Detective Inspector Napoleon Bonaparte (Bony) who features in 29 crime detection novels, most set in the Australian outback. It is not well known that he also wrote about 250 short stories and articles, drawing on his experiences in the bush between 1911 and 1931. Up and Down Australia Again is the third published collection of Upfield's short works. Kees de Hoog has selected 34 short stories, a radio play and the first five chapters for an unfinished Bony novel, some items being published for the first time. There are stories based on Upfield's personal experience as a soldier in World War One, stories set in the Australian outback, and tales of Aboriginals and immigrants crossing paths during the years of European settlement and expansion.
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The Seaside Knitters discover surprising secrets about Willow, a fiber artist who wants to showcase her work, and local gallery owner Aiden Peabody when she becomes the prime suspect in his murder.
For nine long days, the mayor and district attorney of Reno, Nevada, have been missing. Vanished without a trace. Their vehicles were found parked side-by-side at Reno-Tahoe International Airport. Did they fly somewhere together? They aren’t on any flight manifest. Did the two of them take off with a big pile of the city’s money? If so, the city accountants can’t find it. Were they murdered? There’s no sign of foul play. Their disappearances have finally made national news. Enter Mortimer Angel, who’d just quit a thankless job as an IRS agent. Mort is Reno’s newest gumshoe, a private-eye-in-training at his nephew’s detective agency. Just four hours into his new career, Mort finds the mayor―make that, the mayor’s head―in the trunk of Mort’s ex-wife’s Mercedes. The news-hungry media speculates: Did Mort kill the mayor? Did Mort’s ex? As events begin to spin out of control, Mort realizes things have been out of control since the night before he started his new career, the night he found the unknown naked blonde in his bed.
No one writes a thriller like #1 New York Times bestselling author Sue Grafton. In E is for Evidence, PI Kinsey Millhone becomes the victim of a nasty frame-up... E IS FOR EX It was the silly season and a Monday at that, and Kinsey Millhone was bogged down in a preliminary report on a fire claim. Something was nagging at her, but she couldn't pin it. The last thing she needed in the morning mail was a letter from her bank recording an erroneous $5,000 deposit in her account. Kinsey had never believed in Santa Claus and she wasn't about to change her mind now. Resigning herself to a morning of frustration, she phoned the bank and, assaulted by canned carols, waited on hold for an officer to clear up the snafu. It was with something less than Christmas cheer that Kinsey faced off only minutes later with California Fidelity's Mac Voorhies. Voorhies was smart, humorless, stingy with praise, and totally fair. He was frowning now. "I got a phone call this morning." he said, his frown deepening. "Somebody says you're on the take." Suddenly the $5,000 deposit clicked into place. It wasn't a mistake. It was a setup. "E" is for evidence: evidence planted, evidence lost. "E" is for ex-lovers and evasions, enemies and endings. For Kinsey, "E" is for everything she stands to lose if she can't exonerate herself: her license, her livelihood, her good name. And so she takes on a new client: namely, Kinsey Millhone, thirty-two and twice-divorced, ex-cop and wisecracking loner, a California private investigator with a penchant for lost causes--one of which, it is to be hoped, is not herself. As Kinsey begins to unravel the frame-up, she finds that her future is intimately tied to one family's past and to the explosive secret it has protected for almost twenty years. Digging deeper, she discovers that probing the past can have lethal consequences as she follows a trail of murder that leads to her own front door. And in what may well be her most challenging case, Kinsey comes up against the fact that sometimes, "E" is forever. "A" Is for Alibi "B" Is for Burglar "C" Is for Corpse "D" Is for Deadbeat "E" Is for Evidence "F" Is for Fugitive "G" Is for Gumshoe "H" Is for Homicide "I" Is for Innocent "J" Is for Judgment "K" Is for Killer "L" is for Lawless "M" Is for Malice "N" Is for Noose "O" Is for Outlaw "P" Is for Peril "Q" Is for Quarry "R" Is for Ricochet "S" Is for Silence "T" Is for Trespass "U" Is for Undertow "V" Is for Vengeance "W" Is for Wasted "X"