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"Within a span of seven or eight years in the 1550s, the Italian painter Sofonisba Anguissola produced more self-portraits than any known painter before her had in a lifetime. She was the first known artist in history to take her parents and siblings as primary subject matter, and may have painted the first group portrait featuring only women. Cole examines Sofonisba's paintings as expressions of her relationships and networks, looking at why Sofonisba was able to become a great woman artist: at her father, who decided to allow her to be educated as a painter; at her teacher, Bernardino Campi; and at her relationships with her students, sisters, and patrons, who included the Queen of Spain. Cole demonstrates that Sofonisba made teaching and education a central theme of her painting. The book also provides the first complete catalogue of all of Sofonisba's known works"--
It is generally agreed among his foes no less than among his friends that Ignatius of Loyola was a maker of history. A hundred books could be cited in proof of this statement, but the aim of this classic work is rather to show history and the grace of God forming the person of St. Ignatius. In this definitive biographical work, Fr. Brodrick combines scholarly research with a readable, enjoyable style in a book that endeavors to show the stages by which God led the wounded cavalier out of his dream-world of romantic battles in the service of fair ladies into the noontide of divine reality. "The Pilgrimage," as he liked to call the difficult period of his spiritual apprenticeship, began when he was thirty and lasted for seventeen years of endless and often very moving trials. Out of it emerged a man completely transformed in Christ, one of the great saints in the history of the Church. Includes maps and index.
By exploring textual, visual and material culture, this volume presents a range of new research into the experiences, agencies and diverse political identities of Iberian women between the fifteenth and early-eighteenth century. Representing Women’s Political Identity in the Early Modern Iberian World explores how the political identities of Iberian women were represented in various forms of visual culture including: religious paintings and portraiture; costume; and devotional and funerary sculpture. This study examines the transmission of Iberian culture and its concepts of identity to locations such as Peru, Goa and Mexico, providing a rich insight into Iberia’s complex history and legacy. The collection of essays explores the lives of protagonists, which vary from queens and members of the nobility to painters and nuns, allowing for a more nuanced understanding of both the elite and non-elite woman’s experience in Spain, Portugal and their overseas realms during the early modern period. By addressing the significance of gender alongside the visual representation of political ideology and identity, this book is an invaluable source for students and researchers of early modern Iberia and the history of women.